The Way Cacti Quiver

By SARA ELKAMEL

 

I am beginning to think about the middle,
and how we should behave in it.

When I say you held me closer than clouds hold birds
you tell me it was coincidence we slept at all.

Of course I want it to stop. I dream every night of a man
with the head of a man and the body of a scary sea creature. 

I dream the man is lost so I carry him home. Of course
I mistake water for home and home for water but at least, I try. 

In the dream no one searches for me. Awake, I show symptoms
of love, but I cannot say for sure. I keep looking for the

‘remedies for every ailment’ I wrote in Amman in the fall—sitting
by the window infested with doubt. I remember neither ailments

nor remedies. By the ancient sugar mill where there used to be a river,
we were told there was a time they cured everything with sugar.

 

Sara Elkamel is a poet and journalist living between her hometown, Cairo, and New York City. She holds an MA in arts journalism from Columbia University and is currently pursuing an MFA in poetry at New York University. Named a 2020 Gregory Djanikian Scholar by The Adroit Journal, Elkamel’s writing has appeared or is forthcoming in The CommonMichigan Quarterly ReviewThe RumpusAmerican ChordataWinter Tangerine, as part of the Halal If You Hear Me anthology, and elsewhere.

[Purchase Issue 19 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Way Cacti Quiver

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.