From Tanaga

By DON SHARE and JOHN KINSELLA  

 

17. 

The cicadas come every… 
How many years? The cycles 
Are all fucked up now. Even 
Insects know the end is near.  

The emerald ash borer looks 
Like a jewel; its value 
Lies in destructiveness to 
Species—ours—that feed on ash. 

18.

Dead shade—wandoo crown decline— 
And mortal remains arrive 
Here—an increase in sightings— 
Living dead. Each moment counts. 

Orbweaver drops off its perch. 
Fly is caught in its own web. 
Beetle flies the mesosphere. 
I’ll sleep on it, wake again. 

19.

Bob’s bird Spinoza reads books. 
I don’t know what kind of bird 
It is; I don’t know what kind 
Of bird reads so quietly. 

20.

Horsfields bronze cuckoo claims back  
Self-naming rights—nomadic,  
Its at the front door saying,  
My green back, black strike-thru eyes.  

21. 

Robert E. Lee, still in bronze— 
Will you surrender again? 
Dismount, Sir, for the Union. 
[Here insert emoticons] 

22.

So, Captain Cook discovered 
This territory?—the proofs 
A statue. Indigenous 
Peoples take note. Railroading. 

23.

Uncivil wars: if you’re not 
With me, you’re antifa me. 
No one leads in effigy. 
Let these crowds part, and depart. 

24.

March is a walk in the park?  
Deer hunting is seasonal  
Like hay fever? Gun lobby  
Is a hobbyhorse for Death.  

 

[Purchase Issue 19 here.] 

 

Don Share is editor of POETRY. His books include Wishbone, Union, and Bunting’s Persia; he also edited a critical edition of Basil Bunting’s poems and a selection of Bunting’s prose. His translations of Miguel Hernández received the Times Literary Supplement’s translation prize and Premio Valle-Inclán. His other books include Seneca in EnglishSquandermaniaThe Open Door: 100 Poems, 100 Years of POETRY Magazine; and Who Reads Poetry: 50 Views from POETRY Magazine. His work at POETRY has been recognized with three National Magazine Awards from the American Society of Magazine Editors and a CLMP Firecracker Award for best literary magazine.

John Kinsella is the author of over forty books. His most recent poetry work includes the volumes Drowning in Wheat: Selected Poems and Insomnia, which will be released in the U.S. by W. W. Norton in fall 2020. Recent fiction includes the story collections Crow’s Breath and Old Growth, and the novels Lucida Intervalla and Hollow Earth. He often works in collaboration with other poets, artists, musicians, and activists. He is a fellow of Churchill College, Cambridge University, and Professor of Literature and Environment at Curtin University, Western Australia.

From Tanaga

Related Posts

cover of HEIRLOOM

March 2025 Poetry Feature: Catherine-Esther Cowie’s Heirloom

CATHERINE-ESTHER COWIE
Her eye-less eye. My long / longings brighten, like tinsel, the three-fingered / hand. Ashen lip. To exist in fragments. / To exist at all. A comfort. / A gutting. String her up then, / figurine on the cot mobile. / And I am the restless infant transfixed.

Dispatches from Mullai Nilam, Marutha Nilam, and Neithal Nilam

VIJAYALAKSHMI
There is fire everywhere, / both inside and outside. / Unaware of the intensity of the fire, / they maintain silence / like the serenity of a corpse. / From the burning fire / bursts out a waterfall tainted in red. / All over the shores have bloomed / the flaming lilies of motherhood.

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.