A photograph of houseplant leaves in colors both green and red.

Postscript

KOMAL DHRUV
While the credits roll, Raj and Simran take the train to Amritsar International Airport. No one flinches at his bloodied face–they’ve all seen stranger things on these commutes. The couple returns to London, buys a flat with their parents’ money, sets up house.

Polish dumplings on a red plate with a slightly blurred background.

Grey Dumplings

GRZEGORZ KASDEPKE
The outcome of the battle over my stomach (one way to my heart) was a foregone conclusion. Granny deployed sophisticated weapons. Tomato soup, for example, cherry compote, or a special open sandwich...fresh bread, proper butter, fragrant tomatoes...

Mantra 5

KRIKOR BELEDIAN
from channel to channel / the lengthening beauty of shadows that float and bow down / and suck at the stones and planks / of the damp, bitter fog / of loneliness, / stone horses let loose their golden neighs / and the waters transform to / stained glass

Dispatch from Camelback Mountain

CHRISTOPHER AYALA
There is a part of me who everyday thinks of being back in Arizona walking around blistering days, laughing how when I had them to myself, I had thought this was the end of the line, that there had never been a worse place on earth. That’s mid-thirties type clarity.

Cover of Proper Imposters.

A Tyranny of Dreams: Review of Proper Imposters

SAM SPRATFORD
Like all good surrealism, Proper Imposters is perhaps more properly called hyperreal—a version of reality that is so dazzling, so over-exposed that you can’t look away, however much it dizzies you.

Using The Common in my first-year seminars has been fun, fruitful, and helpfully startling for these classes.”

—Martha Cooley, Associate Professor of English, Adelphi University Receive classroom subscription discounts, lesson plans, and more when you TEACH THE COMMON »

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