The Swan

MARZIA GRILLO
Luigi goggled his eyes and shook his arms, the veins at his neck straining, all to spit a gold nugget on her sun-polished thigh: ‘It was at the floor of the lake,’ he said, proffering her the same ring as always. And from above his bent knee was visible with little effort, aided by the currents of destiny.

low-angle photography of brick high-rise during daytime.

Patricia

ISSA QUINCY
They are dense redbrick high rises. Each one perfectly equidistant from the other. Along the face of each building is an endless number of windows that on certain days, in certain lights, with the sun shimmering off them, seem to ripple like great red undulations flashing as you drive in their shadow.

Cover of All Is The Telling by Rosa Castellano

An Embodied Sense of Time: Raychelle Heath Interviews Rosa Castellano

ROSA CASTELLANO
I’m holding a blank page all the time for myself. That’s a truth that I choose to believe in: the blank page is a tool for our collective liberation. It can be how we keep going. I love that we can find each other on the page and heal each other, too. So, I invoke that again and again, for myself, because I need it.

Two sisters reading together in a green wheelbarrow

Sisterland

NANDINI BATTACHARYA
The descending Boeing 707’s engine can pretend to be the lullaby once in my mother’s veins singing my unborn heart to life if I close my eyes and pretend, but it misses. Instead, the stewardess’ practiced saga of arrival sings the dogged return of a stranger to a strange Ithaca—to Sisterland.

Cover of This Interim Time by Oona Frawley

What We’re Reading: July 2025

SEÁN CARLSON
Frawley revisits memory to anchor her love and affection for each of her parents as she knew them. With precision and tenderness, she flits between their real and imagined pasts, her own bifurcated sense of “home,” the depths of friendships, and a shared dislocation and community found alongside her immigrant neighbors.

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