Photograph of brick school building

Crafts Like the Old Country

NINA SEMCZUK
That morning Irina Pychenko found herself in the ditch, again. It was the fourth time in a month. “Third time this week I’ve found someone right here,” said the gentleman outside of her window, who was hooking a chain to the tow hitch under the back bumper.

Two people sitting next to each other in front of a house, holding textiles.

Raffia Memory

LILY LLOYD BURKHALTER
By this point, Albert was holding my shoulders in a tight grip. Neither of us spoke. In the museum’s subdued light, time sputtered to a halt—as it must have for the boy years ago, facing down the snake or the village elder, depending on what one believes.  

Dispatch: Two Poems

SHANLEY POOLE
I’m asking for a new geography, / something beyond the spiritual. // Tell me again, about that first / drive up Appalachian slopes // how you knew on sight these hills / could be home. I want // this effervescent temporary, here / with the bob-tailed cat // and a hundred hornet nests.

cover of the swan book

What We’re Reading: May 2025

TERESE SVOBODA
Curse and spell, Wright weaves ancient aboriginal beliefs, swooping and dipping like the swans, with fairytales and ominous “real life,” using time warps and fiercely beautiful language to register the vast environmental and social disaster that we as a people, among all others, are sure to endure.

Using The Common in my first-year seminars has been fun, fruitful, and helpfully startling for these classes.”

—Martha Cooley, Associate Professor of English, Adelphi University Receive classroom subscription discounts, lesson plans, and more when you TEACH THE COMMON »

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Home