Near Murrell’s Inlet

By MORRI CREECH

The flatteries of the surf conspire to make
a stammering innuendo in the reeds.
The sun, splintered by the spume’s refractions,
sinks toward the west where it will disappear
in a violet streak above the evening dunes,
like mind considering the defeat of mind.
A cormorant in the distance breaks the surface
to wrestle a mullet from the sullen depths
farther below which no light penetrates.
As much as the theorems and hypotheses
that trouble sleep, as much as love or God
or the errant rhetoric of the passions,
as much as the tired flirtations of moon and cloud,
it is kinship to those depths one chiefly thinks of,
dark like the inward concave of the skull
and fathomless as a notion’s origin,
a place that nothing reaches, where the prinks
of sunlight shrink like a contracting pupil
into a dimming and entropic Zen
that refines every sense to senselessness,
even the one thought thinking of itself…
The mind at last, exhausted, surfaces
to what it can confirm, the blues, the bronzes,
the contours and insinuations of the real
where there is so much motion, shape, design
—the rinse and symmetry of wave on wave
unvexed by the struts and vagrancies of sandpipers,
spilling over into a still tide pool
in which a couple of bathers are parading—
that all the mind can do is add its palette
to the streaks and the extravagant daubs of color,
making a makeshift paradigm of dunes
and clouds and sea, the sun’s pernicious eye,
each green idea buoyed over the mindless deep.

Morri Creech is the author of four books of poetry, the latest of which is Blue Rooms. His fifth book, The Sentence, will be published by LSU Press this fall. He teaches at Queens University of Charlotte in North Carolina.

[Purchase Issue 25 here.]

Near Murrell’s Inlet

Related Posts

cover of HEIRLOOM

March 2025 Poetry Feature: Catherine-Esther Cowie’s Heirloom

CATHERINE-ESTHER COWIE
Her eye-less eye. My long / longings brighten, like tinsel, the three-fingered / hand. Ashen lip. To exist in fragments. / To exist at all. A comfort. / A gutting. String her up then, / figurine on the cot mobile. / And I am the restless infant transfixed.

Dispatches from Mullai Nilam, Marutha Nilam, and Neithal Nilam

VIJAYALAKSHMI
There is fire everywhere, / both inside and outside. / Unaware of the intensity of the fire, / they maintain silence / like the serenity of a corpse. / From the burning fire / bursts out a waterfall tainted in red. / All over the shores have bloomed / the flaming lilies of motherhood.

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.