Emily Everett

eeverett

Podcast: Omer Friedlander on “Operation Tamar”

January 1, 2021 Podcast, Podcasts & Audio

Writer Omer Friedlander speaks to managing editor Emily Everett about his story “Operation Tamar,” which appears in Issue 19 of The Common magazine. “Operation Tamar” is set in Israel, where Friedlander grew up. In this conversation, Friedlander talks about the setting and inspiration for this story and others, and the editing and revision that went into “Operation Tamar” before publication. He also discusses his current projects, a novel and a short story collection recently sold to Random House for publication.

Podcast: Tara Skurtu on “Offering”

December 18, 2020 Podcast, Podcasts & Audio

Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.

Podcast: David Moloney on “Counsel”

December 8, 2020 Podcast, Podcasts & Audio

Writer David Moloney speaks to managing editor Emily Everett about his story “Counsel,” which appears in Issue 19 of The Common. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic.

All the Ways to Experience Issue 20

October 28, 2020 News and Events

Issue 20 is here at last!

Click here to purchase your print or digital copy, starting at just $7.

Click here to browse the Table of Contents, including online exclusives.

Love Issue 20’s portfolio of writing from the Lusosphere? Donate to support The Common’s mission to feature new and underrepresented voices from around the world.

Interested in teaching Issue 20 in your class? Click here to explore your options and resources.

AŚĀNTI/DISQUIET

October 1, 2020 Lusosphere, Studio

India, The Church of Our Lady of Hope

Words and images by KANYA KANCHANA

Issue 20, Fall 2020: 10 Years of The Common

September 4, 2020 News and Events

Issue 20 of The Common will be here this fall. Subscribe by September 30 to find this hot pink celebration in your mailbox! In addition to the global, place-based stories, essays, and poems you’re used to reading in The Common, this issue also includes a portfolio of writing from and about the Lusosphere: Portugal’s colonial and linguistic diaspora. You’ll find works in English and in translation, and explore Lisbon, Angola, Brazil, Cape Verde, Mozambique, and even Luso-American families and communities here in the States. 1 year subscriptions start at $12.

Subscribe now, so you can have your cake and eat it too!

Ghost Town

September 3, 2020 Poetry, Studio

Words by SALLY BALL

Images by MICHAEL EASTMAN

August 2020 Poetry Feature: Raisa Tolchinsky

August 14, 2020 Poetry

Poems by RAISA TOLCHINSKY

ON BOXING:

Table of Contents

A Note by the Poet

Circling the Ring

Below the Belt

After training for multiple years with womxn boxers who had the Olympics on their minds, I began to grapple with the dynamics of control I observed within the spaces I encountered. These poems are from a longer series which ask: what does it mean to be a womxn fighter (both inside and outside of the ring) in a world still dominated by men? In what ways is the ring an escape or subversion of the power dynamics encountered outside of it, and in what ways does the ring reinforce or sanction manipulation, harassment, and abuse? Both of these persona poems are composite portraits, representative of the osmosis between bodies and narratives that occurs among close training partners. Though I didn’t have what it took to pursue a fighting career, these poems are a way of writing into the imagined life where I became a boxer instead of a poet & scholar. Through this work I am also asking: how does the poem function as a body? How does the page function as a ring?

—Raisa Tolchinsky

Labor Day: Brighton Beach

October 28, 2019 Issue 18, Issue 18 Poetry, Poetry

By NATHAN MCCLAIN

How lovely, at last, to have nothing to do but sit, shirtless, in my collapsible chair, reading Gerald Stern’s American Sonnets, and lovely to sit, beer in my lap, just a little tipsy, lovely, too, to ignore beauty, or desire, or whatever, the young woman unfolding her nylon tent, smacking each stake into the sand with her sandal’s heel, slipping discreetly into her swim suit, though I could watch the plane zip past, tugging a banner for Wicked, which there was still time to see if you wanted, or the sailboat glide slowly by, and it was a good day for sailing, a good day, so I didn’t have to think about sorrow or loss, though, let’s face it, I did, how not to—the old man missing a left leg—not how it happened, or when—but if it gets easier, you know, living with it, crutch snug under each armpit, and Jill had been gone a long time to warm her goat curry, then further out, a jet ski, like a straight razor, slits the water’s surface, Carmen already asleep under a sun hat.