Interviews

No One Wore Pearls Anymore: Jennifer Jean interviews Jennifer Martelli

Jennifer Martelli's headshot: A woman with thick brown hair looks intently and inquisitively at the camera, arms crossed.

One day in 2008, after not writing for almost 10 years, JENNIFER MARTELLI searched “poetry workshops on the North Shore of Massachusetts.” She signed up for the first “hit” that came up, a Sacred Poetry workshop led by JENNIFER JEAN at the now-defunct Cornerstone Books in Salem, Massachusetts. Both Jennifers bonded over poetry, parenthood, and publishing—and a great friendship was formed! They continue to write together, travel together (because Jennifer Martelli is afraid to drive over bridges, Jennifer Jean takes the wheel), and share their work.

In this interview, Jennifer Jean asked Martelli about her latest collection, The Queen of Queens, which explores the political and emotional zeitgeist of the present by probing the past in a lyrical, smart, and singular voice. Jennifer Martelli’s poetry is the self-deprecating inheritor of Sylvia Plath and Marie Howe.

 

No One Wore Pearls Anymore: Jennifer Jean interviews Jennifer Martelli
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Nothing You Expect: Joseph O. Legaspi Interviews January Gill O’Neil 

headshots of o'neil and legaspi
JANUARY GILL O’NEIL and JOSEPH O. LEGASPI have been friends for almost three decades, since the mid-90s, when they met at orientation in the beat-up lounge of New York University’s creative writing program. The two simply hit it off, bonded over brie, and shared poetics, both starry-eyed on their first venture into New York City.

January is the author of the newly minted collection, Glitter Road, her fourth book published by CavanKerry Press. Her previous titles are Underlife, Misery Islands and Rewilding. She is associate professor at Salem State University and currently serves as board chair of the Association of Writers and Writing Programs (AWP). The interview was conducted over Zoom in December 2023. Full transparency: Joseph traveled to visit January outside of Boston for a weekend in September, braving a storm that drenched New York City, and arriving three hours late. But instead of “getting to work,” they hung out as good friends do and enjoyed each other’s company, relishing in nourishment, and sustenance.

 

Nothing You Expect: Joseph O. Legaspi Interviews January Gill O’Neil 
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This Is Salvaged: Vauhini Vara in conversation with Talia Lakshmi Kolluri

headshot of  Vauhini Vara

In this conversation-in-correspondence, TALIA LAKSHMI KOLLURI and VAUHINI VARA discuss Vauhini’s electrifying collection, This Is Salvaged, and its themes of connection, the evolution of the self, and the incomprehensible nature of grief. Kolluri and Vara explore craft, how work evolves over time, and the ways time infuses stories with emotional depth.

This Is Salvaged: Vauhini Vara in conversation with Talia Lakshmi Kolluri
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Farmworker Days: Ilan Stavans in Conversation with Juan Felipe Herrera

 
horizontal picture juan felipe herrera
 

This feature is part of our print and online portfolio of writing from the immigrant farmworker community. Read more online or in Issue 26.

The early life of Juan Felipe Herrera (b. 1948), the U.S. Poet Laureate emeritus, was shaped by the farmworker’s cycle of seasonal work. His poetry, rich in Mexican pop culture, distills a unique music. He is the author of Akrilica (1989), Border-Crosser with a Lamborghini Dream (1999), and 187 Reasons Mexicanos Can’t Cross the Border: Undocuments 1971-2007 (2007), among other books. In this dialogue with Ilan Stavans, Lewis-Sebring Professor at Amherst College and the editor of The Norton Anthology of Latino Literature, which took place in Los Angeles, California on April 19, 2023, he reflects on his formative experiences as a poet defined by an itinerant childhood.

Farmworker Days: Ilan Stavans in Conversation with Juan Felipe Herrera
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Lay It Bare: Joy Baglio Interviews Anders Carlson-Wee

Headshot of Anders Carlson-wee Headshot of joy baglio


ANDERS CARLSON-WEE‘s 
Disease of Kings showcases a mastery of tone and voice, an uncanny ability to talk to you (reader) like a friend and confidant, while telling you the hardest truths— truths that might actually change your life, truths the world doesn’t necessarily want you to know. These poems are urgent without being demanding, confessional without being sensational, and indirectly lead us to reconsider the nuances of relationships, how our lives are structured, and ultimately the big questions of what matters most. Disease of Kings tells a fierce, uncompromising narrative, yet also manages to be deeply vulnerable and do away with pretense and artifice, embracing a primal need to “Lay It Bare,” as one of the poems is aptly titled.

JOY BAGLIO sat down with Anders to discuss Disease of Kings, touching on his impulse toward narrative, crafting vivid imagery, honing voice, and more. 

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Lay It Bare: Joy Baglio Interviews Anders Carlson-Wee
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Beyond Their Labor: Manuel Muñoz and Helena María Viramontes on Writing the Lives of Farmworkers

 

Manuel Muñoz

Photos L-R courtesy of Manuel Muñoz and Lindsay France/Cornell University.

Helena María Viramontes

 

Acclaimed writers MANUEL MUÑOZ and HELENA MARÍA VIRAMONTES met almost three decades ago: Muñoz was obtaining his MFA in Creative Writing from Cornell University, and Viramontes was his mentor. Many novels and story collections later, the pair are still close friends. They sat down recently to talk, for the first time, specifically about their roots in farmwork. They discussed the poor working conditions and hardships, but also the ways that farmworkers find love and joy in their families. As writers, they connected over the desire to honor the wholeness and complexity of these lives in their work. 

Beyond Their Labor: Manuel Muñoz and Helena María Viramontes on Writing the Lives of Farmworkers
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Moving Beyond the Trappings of Multilingualism: Farah Ali interviews Dur e Aziz Amna

 

DUR e AZIZ AMNA is the author of American Fever, a coming-of-age story replete with warmth, poeticism, and wit. It is a story about home and homeland and refuses to settle for easy definitions of either. The Guardian calls American Fever “a subversive debut” and the Los Angeles Review of Books calls it “a quiet triumph.” Over a series of emails, FARAH ALI and Dur e discussed how Dur e avoided sketching reductive pictures of Pakistan and America, illness as a vehicle for revealing uncomfortable truths, and the ways certain ideas are shattered after leaving home.

Moving Beyond the Trappings of Multilingualism: Farah Ali interviews Dur e Aziz Amna
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The Magnetic Pull of Place: An Interview with Rosanna Young Oh

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JANE SATTERFIELD and ROSANNA YOUNG OH—poets who met at the 2023 Poetry by the Sea Global conference in Madison, CT—connected via email between Baltimore and New York City, and reflected on the power of inherited narratives, their shared fandom of Jane Eyre, sustaining creativity, and Rosanna’s newest collection, The Corrected Version.

The Magnetic Pull of Place: An Interview with Rosanna Young Oh
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Interrogating the Narrative of Injustice: Daphne Santana Strassmann interviews Enzo Silon Surin

Enzo Silon Surin's headshot: a Black man smiling with a short beard and a quarter-zip sweater. Daphne Strassmann's headshot: a woman with thick, rounded glasses, dark hair, and a light sweater.

 

Haitian-born poet ENZO SILON SURIN gives “voice to experiences that take place in what he calls broken spaces.” These are the spaces he writes about, writes for, and writes from. In his latest poetry collection, American Scapegoat, following the success of his last book, When My Body Was A Clinched Fist, Surin illuminates our opaque relationship with the truest history of Black America. His poems invoke an urgent conversation, which is why the word “interview” here feels unmalleable; Enzo and DAPHNE STRASSMANN had a vulnerable exchange about the inheritance and meaning of a broken space.

Interrogating the Narrative of Injustice: Daphne Santana Strassmann interviews Enzo Silon Surin
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Let Me Open the Window: Valeria Luiselli in conversation with Jennifer Acker at LitFest 2023 

Jennifer Acker and Valeria Luiselli sitting on stage sitting in leather seats with a bouquet of flowers between them,

After thirty-six hours of travel, VALERIA LUISELLI arrived at Amherst College LitFest on a freezing Saturday night just in time to speak with The Common’s editor-in-chief JENNIFER ACKER. Their conversation explored the capacity of memory to shape geography, the relationship between language and home, and the architecture of a book. Luiselli also spoke with honesty and ardor about her research in and around the U.S.-Mexico borderlands and her experience as a legal translator for refugees, experiences informing her acclaimed novel Lost Children Archive. This interview is an edited and condensed version of the live conversation; read more about LitFest, and watch a video of the full conversation online

Let Me Open the Window: Valeria Luiselli in conversation with Jennifer Acker at LitFest 2023 
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