Repeater

By SIOBHAN LEDDY

ludlow

 

Ludlow, Shropshire, UK

I once read somewhere that all stories are ghost stories, so here’s one.

It begins when I’m about sixteen or seventeen and still living in my hometown. There are many English towns just like it: rural, obscenely sentimentalized, a place where fox hunting enjoys popular support, but immigration does not. A few of us had spent an afternoon sitting on the disintegrating wall of the town’s 11thcentury castle: a major tourist pull that we’d often appropriate for our own ends. On this day we were drinking home-brewed cider, a cloudy ochre liquid shared out from a large plastic demijohn, swiped from someone’s dad’s, or maybe uncle’s, annual batch. It tasted like disinfectant: unpleasant and sour, but hygienic. I remember feeling very grown up, like it was undoing all the unsophisticated parts of myself. A reminder that time would eventually pass, and that one day I would be out of here, living a different life entirely.

Repeater
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The Common Magazine Named Finalist for CLMP Firecracker Award

Logo of firecracker for CLMP

New York, NY (May 30, 2019)—The Community of Literary Magazines and Presses (CLMP), the national nonprofit organization that for more than 50 years has supported the essential work of literary publishers, has announced the finalists of its fifth annual FIRECRACKER AWARDS. Given to recognize the importance of independent literary publishing, the FIRECRACKER AWARDS honor the best self- and independently published books of fiction, creative nonfiction, and poetry and the best literary magazines in the categories of debut and general excellence.

The Common Magazine Named Finalist for CLMP Firecracker Award
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The Common Magazine Receives $8,000 Amazon Literary Partnership Grant

Amazon Literary Partnership logo

Amherst, MA— The Common magazine, the award-winning literary journal based at Amherst College, has been selected for a 2019 Amazon Literary Partnership grant. Since 2017, funding from the Amazon Literary Partnership has helped further The Common’s mission of publishing and promoting emerging and diverse authors who deepen our individual and collective sense of place.  

Since 2009, the Amazon Literary Partnership program has awarded more than $12 million in grants to more than 150 organizations, including the National Book Foundation, PEN America, and Poets & Writers amongst others. Through these grants, the Literary Partnership program helps to uplift and amplify marginalized voices in order to promote a more diverse literary community. In 2019, the Amazon Literary Partnership worked with the Community of Literary Magazines and Presses to establish a new Literary Magazine Fund, and The Common is one of only 15 magazines awarded a grant from the Fund in its inaugural year. 

The Common Magazine Receives $8,000 Amazon Literary Partnership Grant
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Theorizing Delight: An Interview with Ross Gay 

JENNIFER ACKER and CURTIS BAUER interview ROSS GAY

headshot of ross gay sitting in a garden

Ross Gay is the author of the poetry collections Catalog of Unabashed Gratitude, winner of the Kingsley Tufts Award and a finalist for the National Book Award and the National Books Critics Circle Award, Bringing the Shovel Down, and Against WhichIn February he published his first book of prose, The Book of Delights. At the 2019 AWP Conference in Portland, OR, The Common’s editor in chief, Jennifer Acker, and Translations Editor, Curtis Bauer, sat down with Ross over lunch to talk about his latest book, which has led him to realize his life’s work.   

  

JA: It seems to me that your two recent books, the Catalog of Unabashed Gratitude and The Book of Delights, were written in a similar vein and in a similar spirit, even just from the titles. One of the things they’re both doing is thematically trying to draw attention to joy and delight. I wonder if they were consciously part of the same project, different outlets for similar impulse? 

Theorizing Delight: An Interview with Ross Gay 
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Elegy to the Farm Where I Grew Up

By MARY ALICE HOSTETTER

corn crib

Lancaster County, Pennsylvania

When I return to the landscape of my growing up years, making the five hour drive from my home in the foothills of the Blue Ridge Mountains in Virginia to the gentle farmland of Lancaster County, Pennsylvania, I drive by the farm where I grew up without stopping. I do not turn in the lane once shaded by a canopy of catalpa trees or pass by the rock garden where the “Slow Children at Play” sign my older sister painted so many decades ago once stood among the hostas. It could as easily have said “Slow, Children at Work.”

Elegy to the Farm Where I Grew Up
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Review of The Souvenir: Is She Really Going Out with Him?

Movie poster for The SouvenirBy HANNAH GERSEN

The Souvenir, British director Joanna Hogg’s fourth feature film, is the first part of a two-part memory piece that focuses on a love affair that took place in Hogg’s early twenties, when she was in film school in London. Though not quite a memoir, the film is unabashedly autobiographical, and similar to Alfonso Cuaron’s recent Roma in how it seeks to reconstruct a particular period in the director’s life. To play a version of herself, a young woman called Julie, Hogg has cast Honor Swinton Byrne, a newcomer who at this point in her life is best known as Tilda Swinton’s daughter—though her performance in The Souvenir and next year’s sequel will likely change that. Swinton herself plays Julie’s mother, Rosalind, tamping down her usual charisma to embody a meek matron who rarely exerts her influence or reveals her knowledge of the world. It’s startling to see Swinton this way, especially with Byrne nearby, exuding youth and curiosity. With her height and her red hair, Byrne looks enough like Swinton to bring to mind her mother’s glamour, but also has a calm dreaminess that it is all her own.

Review of The Souvenir: Is She Really Going Out with Him?
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My Life as a Sardine

By BENIGNO TRIGO 

My grandfather, Luis A. Ferré (1904-2003), was the third governor of Puerto Rico and the founder of the Pro-Statehood Party. When I was little, he used to say it is better to be a big fish in a little pond than a sardine in the big blue sea. It was a reminder of how good we had it on our little island, and a warning against leaving it in pursuit of a bigger and impossible dream.

My Life as a Sardine
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