News & Events | Page 169 | The Common | A Modern Sense of Place: Stories, Poems, Essays & Images

Boarding Pass

August 16, 2017 Dispatches, Translation

Translated by DEAN THOMAS ELLIS

I wake up on a plane. The flight attendant asks me if I’d like to eat. She has a red mouth and looks like an out-of-focus Kate Winslet, which makes me think of my wife, or, should I say, “ex-wife.” What an odd title for such a serious, blissful woman. In the dream I am on the way to Brussels to ask the president of the European Union why Europe is collapsing. “Would you like anything else?” On my fourth attempt, I manage to break open the transparent wrapping, and bite into the snack cake. The flavor of plastic orchards beneath wide stagnant skies. I wake up on a plane.

Review: Knots

August 12, 2017 Reviews

Book by GUNNHILD ØYEHAUG (TRANSLATED BY KARI DICKSON)

Reviewed by OLGA ZILBERBOURG

It felt foreordained to open this short story collection by the Norwegian writer Gunnhild Øyehaug and find IKEA on the first page, as in: “…park the car outside IKEA.” IKEA, now based in the Netherlands, originated in Sweden, but to many foreigners, it personifies Scandinavia—pleasant and unthreatening. “Blah, how boring,” was my first thought. Then, trying to stave off disappointment at being welcomed by the all-too-familiar global brand, I told myself, “Well, I guess IKEA did start somewhere nearby. Perhaps, Scandinavians have a particular attachment to clean lines.” (Nervous laughter.) I know that stereotyping is a form of blindness; in practice, my desire for novelty trips me up and leads to overly broad generalizations. Like a tourist, I had to remind myself to check my expectations at the airport.

Contributors in Conversation: Masha Hamilton and Lori Ostlund

August 9, 2017 Podcasts & Audio

In this episode of The Common’s Contributors in Conversation podcast, Issue 09 contributors Masha Hamilton and Lori Ostlund read and discuss their stories “God’s Fingernail” and “Leaving Walter.”

The Iron-On Labels

August 9, 2017 Dispatches

By SUSAN HARLAN

In the late eighties, when I was twelve, I went to a camp called Walking G Ranch. My sisters went, too. It was in the mountains of California, in Taylorsville, but now I have to look that up on a map because when you’re a kid you never know where you are. It was a working ranch, and we all got up early in the morning to take care of the animals – milk the cows and feed the pigs their slop – and sometimes at night, my friend Anne and I slept in the hayloft. On other nights, we rowed out to a little island in the middle of the pond. It felt immensely far, but it was just a pond.

The Personal (Essay) is Not Dead: an interview with Mensah Demary

August 6, 2017 Interviews

MELODY NIXON interviews MENSAH DEMARY

Mensah Demary as an editor is most known for his work with Catapult Nonfiction, and more recently, Black Balloon. But Mensah Demary the writer is a force to be reckoned with. The Common published his essay “Blood and Every Beat” in our most recent issue, No. 13. In this month’s Q&A, Interviews Editor Melody Nixon talks with Demary about audience and desire, creative partnerships, “getting out of his own way,” and why the personal essay is not dead (“the idea is absurd”).

Review: Outside Is the Ocean

August 5, 2017 Reviews

Book by MATTHEW LANSBURGH

Reviewed by JULIA LICHTBLAU

Outside Is the Ocean, Matthew Lansburgh’s debut short story collection, is a particularly complete and satisfying example of the linked genre. The stories reveal a long, novelistic arc, while the broken chronology captures the fragmented personality of the central character, Heike, and the chaos she sows.

A gentile, post-war German immigrant to California, Heike speaks and thinks in a German-inflected English that’s full of mangled idioms—as in the opening line of the book: “Al gives me zero.” Or: “She thinks the world will give her French toast on a silver platter.” Heike disappoints and infuriates everyone, but is perversely optimistic, which gives many of the stories a certain hilarity, even the saddest ones. Humor enables Heike’s gay son, Stewart, a literature professor, and her adopted, one-armed Russian daughter, Galina, to survive her boundless narcissism and neediness.

An Almost-Spring Saturday Night, Providence, RI, My Son’s Fifteenth Birthday

August 2, 2017 Dispatches

By KIRSTIN ALLIO

Three of them are shooting hoops in the echo chamber between our house and the neighbor’s, close clapboard and winter-washed cedars walling in the narrow driveway. Someone is the swaggering smuggler of an enormous speaker, and the bass ricochets off the concrete. There’s a wife-beater, boom box vibe even though it’s Spotify. In my small-town childhood only boys without cars had boom boxes, and they slunk down Main Street blasting Metal to distortion, trailing smoke, projecting danger. The boys at the boarding school up the hill, ravaged stoners, were less aggressive but more alienated.

July 2017 Poetry Feature

July 28, 2017 Poetry

This month we welcome back one of the most crucial and distinctive Anglophone poets, Lawrence Joseph, whose sixth collection, So Where Are We?, will be published by Farrar, Straus and Giroux in August. “In One Day’s Annals” appears in this book, as does “In That City, in Those Circles,” first published in issue #10 of The Common. Joseph is also the author of two books of prose, the genre-defying Lawyerland (FSG), as well as The Game Changed: Essays and Other Prose, from the University of Michigan Press’s Poets on Poetry Series, which presents Joseph’s estimable talents as an essayist and critic.

Ask a Local: Caitriona Lally, Dublin, Ireland

July 27, 2017 Interviews

With CAITRIONA LALLY

Your name: Caitriona Lally

Current city or town: Dublin

Friday Reads: July 2017

July 21, 2017 Reviews

Ah, July Friday Reads, where the temperatures are high and the stakes are even higher. This month, read alongside Issue 13 contributors and our managing editor as we face devastating epidemics, maternal death, and the eternal angst of feminine adolescence. Though each book finds a uniqueness in its approach to calamity, each work uses the minute details to capture the universal perils of love, loss, and loneliness.

Recommendations: Troubling Love by Elena Ferrante, The Girls by Emma Cline, and Station Eleven by Emily St. John Mandel.

Troubling Love by Elena Ferrante, recommended by Megan Fernandes (poetry contributor)