We are thrilled to announce that Paola Peroni’s story “Protection” from Issue 09 has been selected for the O. Henry Prize for 2017. An anthology of the winning stories, edited by Laura Furman, will be released this September from Anchor. Check out the full list of winners below, or read more on LitHub.
Thasos, Greece
We walk back onto the road and down towards Niko’s house. The herd of sheep follow us and begin to run up the rocky dirt path. The island whispers. Trees sway above, letting sporadic splotches of sunlight warm the road, pierce the ground, looking like a bundle of rocks landing on the Aegean’s surface. Tiny figs dangle from each branch, growing. I turn to look at the free animals as they hurry to push by. Some get trampled, stuck and pinned between a bigger body and the half-opened fence separating the den from the road. Others squeeze through the tiniest of crevices. They all wiggle themselves out and soar together. They cheer in unison, ringing their bells up the mountain. They don’t have to worry about financial crises.
For May’s Friday Reads, we tapped a few Issue 13 contributors to find out what they’re reading. Their recommendations are diverse and complicated, dealing with hefty subjects—from mourning and the fear of death to geological history. If you haven’t read their works in Issue 13, it’s time to get started.
By SUSAN HARLAN
Townsend, Tennessee, US
Tomorrow is Spring Break – Monday, the start of the season – and kids and families and everyone will come. But tonight it’s still quiet (has been since the day after Thanksgiving), and I have the motel and the campfire and the geese all alone.
The trees say nothing of spring. They speak only of winter, with their bark and branches.
Only three cars are parked at the motel. Two big trucks and mine. Townsend is right next to Great Smoky Mountains National Park. The town calls itself “the quiet side of the Smokies.” Seventeen miles down the two-lane Highway 321 is the other, not quiet side of the Smokies: Pigeon Forge, home of Dollywood.
I think we can agree that Donald Trump has been bad for literary fiction. Many people, myself included, have turned to non-fiction (not to mention gorging on news) to understand how the U.S. elected an authoritarian who orders bombings while eating chocolate cake, calls the army “my military,” lies compulsively, and spends half his time golfing. I, for one, am reading Hannah Arendt’s The Origins of Totalitarianism. And it doesn’t make me feel a bit better.
Thanks to everyone who came out to support us at our recent Spring Benefit & Issue Launch! We love coming to NYC to celebrate, and the evening was the perfect opportunity to meet, talk, laugh, and share the work of our authors and artists. Photos from the event are up on our Facebook page. Please check them out and feel free to tag yourself and your friends!
Thanks again for your support of The Common, and for celebrating with us.
Outside the town of Price stretched hundreds of miles of dusty sagebrush ringed by near and far cliffs of dirt and rock. Yet in the little town proper, thanks to a primitive grid of irrigation canals—mud walls buttressed by ancient Model-T wrecks—there were grassy lawns and trees, like the glorious apricot tree under which my father, my mother, my sister, and I sat that late summer Sunday afternoon with the Russian couple whose names I can no longer recall.
A marshrutka is kind of a bus but mostly a van, and at full capacity it can carry 10 people from Brody to Lviv. There were 20 passengers in the marshrutka that day. Garrard looked at me and got a thin paperback novel out of his satchel. “It will be at least two hours on this shrutskie today for sure,” he said. He stood hunched over the van’s middle seat and then asked if I wanted some pills.
Garrard is a friend who will stand for two hours so that I can sit. Ours is an intimate friendship wherein I can blindly trust the handful of mystery pills soaked in his palm sweat he gives me. I swallowed the damp pills, a metallic taste lingering on my tongue.
MELODY NIXON interviews ODDNY EIR
In this month’s interview, Melody Nixon speaks with Icelandic author Oddný Eir about feminism and writing, folklore, and tyranny. Eir’s latest book of auto-fiction, Land of Love and Ruins, is a work of diaristic essay, lyric collage, and rumination. Collaborator Björk describes Eir as “a true pioneer.” Eir appeared this week in New York City’s PEN World Voices Festival on Gender and Power.
By CASSIE PRUYN
Beneath a chalk-white winter sky,
her diamond studs gleam.
We sit parked in the Clam Shack lot, halfway
between her house and mine,
in her mother’s luxury SUV. Her alibi this time:
Christmas shopping for her mother on Newbury Street.
Don’t miss an issue! Subscribe to The Common.
Celebrating 15 Years