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Thirty-Two Days Without Alcohol

November 1, 2016 Issue 12, Issue 12 Poetry, Poetry, Translation

By SERHIY ZHADAN

Translated by OSTAP KIN

A good day is a day
without bad news.
Sometimes everything turns out fine—
no news,
no fiction.

Three thousand steps to the supermarket
frozen chickens
like dead stars
gleam after death.

All you need is
mineral water,
I only
need my mineral water.
Execs, like
frozen chickens,
are hatching
the eggs
of profit
in the twilight.

Three thousand steps back.
All I need to do is hold on
to my mineral water,
to hold on to
the countdown:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.

Birds perch on each of my shoulders,
and the one on the left keeps repeating:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.

And the one on the right responds:
twenty-eight days till a bender
twenty-seven days till a bender
twenty-six days till a bender.

And the one on the left is drinking the blood of Christ
from a silver chalice.
And the one on the right—the simpler one—
is drinking some crap,
some diet coke.

On top of that
they’re both drinking
on my tab.

[Purchase Issue 12 here.]

Serhiy Zhadan, Ukrainian poet, fiction writer, essayist, and translator, was born in the Luhansk region in 1974 and has published over a dozen books. In 2014 he received the Ukrainian BBC’s Book of the Decade Award; he won the Ukrainian BBC’s Book of the Year Award in 2006 and in 2010. He’s the recipient of the Hubert Burda Prize for Young Poets (Austria, 2006) and the Jan Michalski Prize for Literature (Switzerland, 2014).

Ostap Kin has published work in St. Petersburg Review and Krytyka Magazine. He lives in New York City.

The Little Blue Purse

November 1, 2016 Issue 12, Issue 12 Poetry, Poetry

By PETER SCHMITT
It was a little blue purse she had asked for,
my mother, age four, when her father called

from the Mayo Clinic. With a silver chain—
and he had somehow found one in a pawnshop

The Summerbook of Giyorgis Balthus

November 1, 2016 Issue 12, Issue 12 Poetry, Poetry

By ISHION HUTCHINSON

Giyorgis Balthus: 1321-1400

We surged in the moon-darkened
room, between counter-actions,
naked, our spectres clocking
the grey-scale before morning,

Things We Hold in Common

November 1, 2016 Fiction, Issue 12, Issue 12 Fiction

By ELVIS BEGO
The first time I came upon Raley was in a volume of Edith Wharton’s correspondence—a short, scabrous note he wrote from Venice in the winter of 1908. When I later read his Drowned City—one of those belated NYRB Classics that seem to appear out of a hidden crack in the library of Babel—I found its rooftop phantasmagoria irresistible. Tales of an unnamed city’s last population of gnarled maniacs, scheming widows, foolish valentines, old men whose eyes are black with mascara, boatmen mooring their vessels to weathervanes, women who sell their kisses for a dry bed. The city is half-sunk in its dream and no news of the world across the spent sea. “An imagination as awkward and prophetic as Kafka’s,” says the blurb, predictably. Nobody knew about the book for a hundred years. It was privately printed in Venice in 1899—only a trunkful of copies—and remained obscure till Edward Kingsley, the Anglo-Italian philanthropist-slash-Luddite, found it in a library in Burano. James Wood’s piece in the New Republic, although not without censure (“Raley’s iambic murmur too often apes the Jacobeans … but the wry vision is his own. His world is peopled by blind self-unravelers, and we are their stunned eavesdroppers”), sent me to the bookshop, and I tore through the two hundred perfect pages in a sitting.

Tell Me, Please

November 1, 2016 Fiction, Issue 12, Issue 12 Fiction

By EMILY CHAMMAH
I wouldn’t say that Omar is my best friend, because I like to think we are closer than that, that there is something bringing us together more than any friendship could. While it is true that he is my cousin, I never feel as connected to the others—to Muhammad or Nour or Ahmed or Anais—or even to my older sister, Sousan. They don’t know, for example, that I prefer to drink my orange juice without sugar, that I’d rather eat falafels straight out of a paper cone than smashed inside a pocket of bread.

Pegasus

November 1, 2016 Issue 12, Issue 12 Poetry, Podcasts & Audio, Poetry

By VALERIE DUFF

Iron mallet, shield of glass. Our
genesis a crucible of gas
and condensation shot straight through the aorta

The Common Statement

November 1, 2016 Essays, Issue 12, Issue 12 Essays

By JENNIFER ACKER

Mostly, Les gossips and writes about girls. One’s “a real peach” and another “darn nice.” Poor Esther has legs like parentheses—she “must have been born with a barrel between her legs.” Then there’s Mildred, who’s darn good-looking but too biting: “Sarcastic is no word. That’s complimenting her.” Les gets a little revenge when he sees her at a dance with “an awful dopey looking hobo.” He has a good time, even though “nearly every girl there was a pot.”

The Drop

November 1, 2016 Fiction, Issue 12, Issue 12 Fiction

By CLARE BEAMS

The church ladies were having coffee in the living room of the Baker house when Martin Williams delivered his parachute to Lily Baker, his bride. Only some of the church ladies could really have been there, but in retellings they all claimed seats. They allowed one another this. A natural desire, to be part of the story.

Mowing

November 1, 2016 Fiction, Issue 12, Issue 12 Fiction

By ELIZABETH POLINER
That summer, even before she took up mowing, Suzanne was doubting herself, an uncertainty that set in when her husband began to notice the Mandlebrauns’ oldest daughter, Alison, soon to finish college. Alison, who lived in the only other house on their riverside lane, was home in Middle Haddam for the summer and came by to play tennis on their court with their daughter, Michelle, also soon to finish college. The girls, never close friends to begin with, had drifted further apart during their time away at school. It was surprising, then, to see them suddenly pair up, even if only for tennis.