Translation: Master of the House

By AHMET HAMDI TANPİNAR
Translated by AYSEL K. BASCI

Piece appears below in English and the original Turkish.

 

Translator’s Note:

Ahmet Hamdi Tanpınar (1901–1962), a renowned 20th-century Turkish author, poet, essayist, intellectual, and educator, wrote two of the finest works in modern Turkish literature: The Time Regulation Institute and A Mind at Peace. In fellow Turkish author Orhan Pamuk’s 2006 Nobel Literature Prize acceptance speech, he thanked Tanpınar for his considerable influence and inspiration as a literary icon. 

Translation: Master of the House
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The Other Side of the Moon

By JESUS FRANCISCO SIERRA 

The day of the moon landing, George and I planned to hunt for rocks. Jorge was his actual name, but he preferred to go by George, like The Beatles guitar man. We were going to look for samples just like the astronauts would.

I sprang out of bed and cranked the window open. Looking out between the twisting glass slats, I noticed the leaves of our lemon tree were still. I hoped it meant the rains would stay away, even though July afternoon downpours in Cuba were as regular as the blood orange sunsets.

After dressing to the sound of Mima’s clanging in the kitchen and the scent of coffee brewing, I sat at the dining table. I dipped a piece of stale Cuban bread into the café-con-leche she’d set there. “It needs sugar,” I said.

“You don’t need more sugar,” she said.

But I didn’t understand why. Sugar was the one thing on the island that wasn’t rationed. 

I asked if she was going to my friend Raul’s house to watch the moon landing. His family had the only working television in the neighborhood.

“Maybe,” she said.

I’d dreamt about the moon landing even before I learned that the Americans were going to do it. Ever since I read Jules Verne’s From the Earth to the Moon, a book George had given me, I’d been imagining a spaceship just like the one in the book: a long, narrow, bullet-like rocket, slicing through the heavens.

Mima wasn’t much of a reader. Not much of a dreamer either. I think that was why she’d never thought of leaving Cuba, even though everyone else seemed to be doing so.

“What are they looking for up there, anyway?” she said. “We have enough to worry about right here.”

The Other Side of the Moon
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The Marker

By JIM WEBER

Dispatch crackles over the cruiser’s radio: brushfire on Ranch Road 580.

Frank lights a cigarette, takes a deep pull. His shift over, he listens, unobligated, as Latimer asks dispatch to confirm the fire’s location.

He stares through the windshield at his house, a squat brick ranch. Scuffed exterior and summer-fried lawn identical to the others on the block. The front window drapes are pulled back, giving the house a grin, like an old friend commiserating: Seven years left on your note, Frank. Three years short of retirement. Tough math.

I’ll sell the place when I retire, Frank thinks, not for the first time. Move to Kerrville, or Boerne, or Bandera. Find a part-time security job to help make ends meet. Latimer talks up New Mexico. Strikes Frank as too far from central Texas, too far from the remains of the life he and Lizzie shared before she passed.

Drapes back means his daughter Caitlyn is up and getting ready for work. Two weeks before she’s off to college in Austin. Who knows if she comes back? Live your entire life in a place, can come to hate it.

The Marker
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The Most-Read Pieces of 2023

As our new year of publishing and programming picks up speed, we at The Common wanted to reflect on the pieces that made last year such a great one! We published over 200 pieces online and in print in 2023. Below, you can browse a list of the six most-read pieces of 2023 to see which stories, essays, and poems left an impact on readers. 

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Two Poems from The Spring of Plagues by Ana Carolina Assis, translated by Heath Wing

bird on a branch

“i wish I could / prevent your death / and bury your body alive / in the puny damp / earth
we tended / so that it kept on living / mandioca corn banana / would not sprout forth / 
but instead / acerola cherry blackberry pitanga hog plum.” 

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January 2023 Poetry Feature, with work by Tina Cane, Myronn Hardy, and Marc Vincenz

Purple flowers close up 
“Sheila had IHOP     delivered to her apartment     in El Alto, NY    / on January 6th    
so she could kick back     self-proclaimed terrorist     / that she is     and eat pancakes
     while watching white supremacists / storm the Capital.”

Read more. 

The Most-Read Pieces of 2023
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The Common to Receive $15,000 Grant from the National Endowment for the Arts

Amherst, MA — The Common literary journal is pleased to announce its eighth award from the National Endowment for the Arts (NEA). The Arts Projects grant approved for 2024 is The Common’s largest NEA award to date and will support the journal in publishing and promoting place-based writing, fostering international connections, and expanding the audiences of emerging writers.

National Endowment for the Arts' logo.

The Common to Receive $15,000 Grant from the National Endowment for the Arts
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Podcast: Leo Ríos on “Lencho”

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Transcript: Leo Ríos

 
Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.

headshot of leo rios next to issue 26 cover

Podcast: Leo Ríos on “Lencho”
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An Ode to I-5

By JANICE LOBO SAPIGAO

image of the hazy road with the sun shining down. POV, windshield of a car

I-5, California

I’ve driven up and down California via the Interstate-5 freeway countless times. There are many ways to find a way through its veins, but I am mostly familiar with the drive between the San Francisco Bay Area and Los Angeles or San Diego. I’ve lived a lot of life in and between these three major cities in California, and even at age 36, I am still learning to appreciate the distance between NorCal and SoCal, as well as the static landscapes that I have spent hours gazing at intently.

An Ode to I-5
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Review: Happy by Celina Baljeet Basra

Book cover of happy

Everything about Happy Singh Soni, the titular hero of Celina Baljeet Basras stinging first novel, is unlikely. He is the son of Punjabi cabbage farmers, but he fancies himself a screenwriter and prospective movie actor in the mold of Nouvelle Vague darling Sami Frey. (Indeed, he has effectively memorized Godards Bande à part.) He imagines his future in a Europe of all the classic allures, living in an elegant stone house with a yellow door; he is all about the details, which are uniformly sensual and full of wonder to him. Even as a child on his parents’ modest farm, he begins practicing for the day when his public utterances will be sought after by the press, so he invents a series he titles The Loo Interviews,conducted by an eager reporter for the gossipy Jodhpur News . . . while he occupies the privy.

He is in exuberant love with all he experiences, especially his mothers adoringly proffered fried treats. Happy even appreciates the pests that afflict the surrounding farmland that is slowly being consumed by the amoeba of a badly managed Disneyland knockoff called Wonderland, where he takes a desultory job in which his nascent talents are ignored. He is the kind of imaginative soul who cant help but personify even the stars in the sky (Blinky, Pinky, Inky, and Clyde”).

Review: Happy by Celina Baljeet Basra
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January 2024 Poetry Feature: Part I

New poems by ADRIENNE SU, ELEANOR STANFORD, KWAME OPOKU-DUKU, and WILLIAM FARGASON

Table of Contents:

  • Adrienne Su, “Solitude”
  • Eleanor Stanford, “Lover, before the pandemic”
  • Kwame Opoku-Duku, “Glory”
  • William Fargason, “Holy Saturday”

 

Solitude
By Adrienne Su

My body rebelled
against the amorphousness
of American

motherhood, which asked
me to be available
as if I were five

women: two grandmas,

January 2024 Poetry Feature: Part I
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