AWP Writers Conference in Minneapolis

Event Date: 
Thursday, April 9, 2015 – 9:00amSaturday, April 11, 2015 – 11:59pm
Location: 
Minneapolis Convention Center & Hilton Minneapolis Hotel

Are you attending AWP this year? Join our Facebook Group to stay updated on our events!

The Common will host a booth at AWP 2015 from April 9-11. Visit us at Booth 923!

Editor in Chief Jennifer Acker will also be speaking at two panels at AWP 2015: “Pinning Editors Down: Lit Mag Fiction Editors Define What Works” and “Periodically Speaking: How to Bring Lit Mags into the Classroom.” Stay tuned for more details.

AWP Writers Conference in Minneapolis
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Brooklyn Book Festival

Event Date: 

Sunday, September 21, 2014 – 10:00am6:00pm
Location: 
Brooklyn, NY

 

The Common will share a booth with Restless Books at the Brooklyn Book Festival on September 21st (rain or shine). Visit us at Booth 205!

Location: Brooklyn Borough Hall and Plaza, 209 Joralemon Street, Brooklyn, NY 11201

The Brooklyn Book Festival is the largest free literary event in New York City, presenting an array of national and international literary stars and emerging authors. One of America’s premier book festivals, this hip, smart diverse gathering attracts thousands of book lovers of all ages to enjoy authors and the festival’s lively literary marketplace. [Click here for more information]

Brooklyn Book Festival
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Yoshida and Tanaka

By CHRIS KELSEY 

Each day during my week in Yokohama I played a game with Yoshida and Tanaka. They were responsible for the cleanliness of rooms on at least the 14th floor of a towering, fan-shaped, waterfront hotel. I was there for a geotechnical engineering conference.

Yoshida and Tanaka
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Shatt Ghandoor

By TALINE VOSKERITCHIAN

In Aqaba City, on the Red Sea, between the stretches of swanky apartments and big names hotels is a tiny squeeze of shore called Shatt Ghandoor (Ghandoor Beach). On Fridays and holidays, Ghandoor is a picnic ground, amusement park, beach, and public bath all in one.

Shatt Ghandoor
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Arm-Wrestling Alexander Pope: An Interview with Murray Farish

S. TREMAINE NELSON interviews MURRAY FARISH

Murray Farish

Murray Farish’s short stories have appeared in The Missouri Review, Epoch, Roanoke Review, and Black Warrior Review, among other publications. He lives with his wife and two sons in St. Louis, Missouri, where he teaches writing and literature at Webster University. Inappropriate Behavior is his debut short story collection. Murray answered the following questions via email.

Arm-Wrestling Alexander Pope: An Interview with Murray Farish
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Residency

I’ve just begun my second week in Baltimore, and already I’ve caught myself with long-term intentions. I’ve hurried through the usual rituals of relocation: I’ve registered my car, and I’ve picked up a driver’s license and library card, an application for a voter registration card, and a collection of guidebooks and maps of the city. But more than that, there’s the way I feel, walking around most nights, slipping into the rhythm of my neighborhood as if I am taking in the details of a stranger who will soon be family, as if it will some day be important for me to know the angles of the fire escapes climbing against red brick buildings or the shape of coiled electrical wires strung along the side of a bridge. It’s an embarrassing feeling—denser and less urgent than infatuation, but shyer and more fragile than love. I’m overeager, ready to attach myself with the guileless certainty of a teenager.

Residency
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Django: Elegies and Improvisations with Small Boats

Cikovsky, Nicolai; "The Inlet at Wooley Pond", 1945; Parrish Art Museum, Southampton, NY

When a boat dies, you usually have two choices: pay hundreds of dollars to have it hauled away, or let it molder and sink into some secluded corner of the yard. A quick tour of my wife’s parents’ town on the South Shore of Massachusetts, where I moored my boat, would suggest that the latter is the norm: those husks and dark prows entombed in plain sight beside rotting cordwood, abandoned swing-sets. Last year, when I discovered that the oaken keel of my sailboat had rotted irreparably, I embarked on my first experiment with time-lapse photography. I rented for twenty dollars a “reciprocating saw”—the contractor’s principal instrument of demolition—known as a Sawzall. After positioning my iPad on a kitchen chair in the driveway of my in-laws’ home, then unraveling forty yards of extension cord from the garage, I plugged in the nasty tool—part torpedo, part robotic swordfish—and grimly laid into the carapace of the little boat over which I had worried and fussed for almost ten years.

Django: Elegies and Improvisations with Small Boats
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