Friday Reads: April 2022

Curated by ELLY HONG

Here at The Common, our incisive volunteer readers are the first to review fiction and nonfiction submissions to the magazine. In this month’s round of Friday Reads, they recommend three exciting new works of speculative fiction.

Friday Reads: April 2022
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A Memorandum of My Several Senses: Chloe Honum’s The Lantern Room

Reviewed by REBECCA GAYLE HOWELL

Lantern Room cover

On a Sabbath day in 1855, Emily Dickinson wrote a letter to her dear one, Mrs. Holland. Mrs. Holland was the poet’s chosen sister, a mentor and friend in gardening and recipes, householding and womanhood. They were correspondents for more than 30 years, sharing their litanies of living a life. This particular letter concerned the disorienting process of moving house. The Dickinson family was returning to their homeplace. It was the house where Emily was born and it would be the house where she died. But in that moment, having lived fifteen years elsewhere, she felt pillaged and lost, a kind of expat from her country of knowns.

A Memorandum of My Several Senses: Chloe Honum’s The Lantern Room
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Podcast: Shubha Sunder on “A Very Full Day”

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Transcript: Shubha Sunder Podcast.

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.

Image of Shubha Sunder's headshot and the Issue 22 cover (pink seashell on light-blue background).

Podcast: Shubha Sunder on “A Very Full Day”
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Before: An Excerpt from Here Lies

By OLIVIA CLARE FRIEDMAN

The following is an excerpt from Here Lies by Oliva Clare Friedman, out now from Grove Press. Click here to purchase.

cover the book here lies

From before I began, I loved her. This was what I knew. Before the beginning, before I was born from her, before bones and blood and body, before egg.

My mother Naomi was dead and not buried. Dead in fact for half a year. Her body burned to ashes by the state, bones, heart, feet, eyes burned to dust, against her wish, against mine, and that was that. I was trying to understand. 

 

Before: An Excerpt from Here Lies
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Craft Masterclasses: Fiction, Nonfiction, Poetry & Translation

Blue image with title CRAFT MASTERCLASSES with THE COMMON with group headshots 

Give your writing a boost this spring. Join The Common for a series of craft classes with these literary luminaries.
 

    • Bruna Dantas Lobato: No Two Snowflakes Are Alike: How to Translate Style [register]

    • Karen Shepard on Fiction: The Children’s Hour [register]

    • Willie Perdomo on Poetry: The City and the Poet, the Street and the Poem [register]

    • Suketu Mehta on Nonfiction: Writing the City [register]

 
Each class includes a craft talk and Q&A with the guest author, generative exercises and discussion, and a take-home list of readings and writing prompts. Recordings will be available after the fact for participants who cannot attend the live event.
 
Each class is $125, or $85 for current subscribers or current and past Weekly Writes participants. 

 

Craft Masterclasses: Fiction, Nonfiction, Poetry & Translation
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We Insist on a Godliness, a Mystery, a Laughter: An Interview with Patrick Rosal

PATRICK ROSAL interviewed by WILLIE PERDOMO

Photographic portrait of Patrick Rosal, a middle-aged Filipno American man. Rosal wears a black crewneck sweater and black pants. He is sitting on a stool, looking to his left, and is captured mid-laugh.

Patrick Rosal is an interdisciplinary artist and author of five full-length collections of poetry. Former Interviews Editor Willie Perdomo connected with Patrick over email this winter, and in this lively exchange, they discuss the spirit realm and its ability to breathe life into writing. Rosal shares his perspective on music and performance in his work, as well as the importance of honoring rituals, ancestors, and legacy.

We Insist on a Godliness, a Mystery, a Laughter: An Interview with Patrick Rosal
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Podcast: Tom Sleigh on “Last Cigarette” and “Apology to My Daughter”

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Listen on Apple Podcasts.

Listen on Google Podcasts.Google Podcast logo

Spotify Logo Green

Listen on Spotify.

Transcript: Tom Sleigh Podcast

Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.

Image of Tom Sleigh's headshot and the Issue 22 cover (light blue background and pink seashell).

Podcast: Tom Sleigh on “Last Cigarette” and “Apology to My Daughter”
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