By SONYA CLARK
The Solidarity Book Project was envisioned by Professor of Art and Art History Sonya Clark, as one way for Amherst College, in its Bicentennial year, to recommit to a more equitable future by pushing against legacies of settler colonialism and anti-Black racism.
Casey Walker speaks to managing editor Emily Everett about his short story “Vigilância,” which appears in Issue 20 of The Common magazine. In this conversation, Walker talks about writing World War II-era Lisbon through the eyes of a police informer who trades in secrets. Walker also discusses the complex nature of complicity in his novel Last Days in Shanghai, and the historical and personal background behind his current project Mexicali, a new novel set in the Mexican-American borderlands.
Amherst’s annual literary festival celebrates the College’s extraordinary literary life by inviting distinguished authors and editors to share and discuss the pleasures and challenges of verbal expression—from fiction and nonfiction to poetry and spoken-word performance. This year’s LitFest was held virtually, with authors, poets, and literature lovers joining from all around the world.
The Common’s Editor in Chief Jennifer Acker hosted two readings at LitFest: one with The Common’s student interns, and one with Amherst College alumni authors. Both events were recorded and can be watched below. Watch video recordings of all the events, readings, and discussions at LitFest ’21 here.
Student interns at The Common read short excerpts from their writing. Readers are:
Isabel Meyers ’20 (former intern, current Literary Editorial Fellow)
Elly Hong ’21 (Thomas E. Wood ’61 Fellow)
Whitney Bruno ’21
Sofia Belimova ’22
Eliza Brewer ’22
Olive Amdur ’23
Amherst College alumni read short excerpts from their recent work, and answer questions. Readers are:
Calvin Baker ’94
Chris Bohjalian ’82
Dan Chiasson ’93
Edward A. Farmer ’05
Michael Gorra ’79
Kirun Kapur ’97
Elizabeth Chiles Shelburne ’01
Ismée Williams ’95
Poem by SYLVIE DURBEC, translated from the French by DENIS HIRSON
Sylvie Durbec was born in Marseille and lives in Provence, near Avignon. She writes texts in both prose and poetry, as well as painting and making collages. The many books she has published over the past twenty years include the prose-poetry memoire Marseille : éclats et quartiers (Marseille, fragments and quarters) which won the prestigious Jean Follain prize; Prendre place (Taking place) concerning the internment camp at Douadic in France and Soutine, a prose-poem about the painter, published in The Common. This year she has published 50 carrés du jour (50 squares of the day) and Ça qui me poursuit (That which pursues me).
Denis Hirson grew up in South Africa and has lived in France since 1975. He has published nine books, several concerning the memory of South Africa under apartheid. The latest, both published in 2017, are Footnotes for the Panther, ten conversations with William Kentridge, and Ma langue au chat, in French, concerning the torture and delight of speaking and writing in that language.
Table of Contents
The Ignorance of Beasts
I still don’t know how to type a tilde on a computer keyboard
when writing the name of a Spanish or Portuguese writer I love.
Nor do I know what poetry is.
TYLER BARTON interviews ANANDA LIMA
Sometimes I forget what a chapbook is for. Sometimes I think it’s the demo tape that hopes to precede the real album. Sometimes I think it’s the resting place for early work, work often promising, but ultimately unfinished.
Grand Bay, Alabama
By SUSAN CHOI
With thanks to Morgan Jerkins
When I was sixteen years old, I had a relationship with a man who was twice my age, thirty-two. He was white and brunet, more attractive than conventionally handsome, with a slightly hooked nose that lends him, in memory, an appearance of far greater maturity than I associate with thirty-two now that I’ve passed that age by more years than what separate the man’s age from mine. But to paraphrase the writer Stefan Hertmans, our memories age along with us. Regardless of the appearance of my erstwhile lover’s nose it’s inevitable that in memory he would possess the remote gravitas of a person in late middle age, a person who might be my parent or professor or boss. The impression is compounded by his name, an old-fashioned man’s name even then, as if he’d stepped out of the 1940s. He even owned a fedora, mouse-colored, soft as velvet, its untended crown reverted to a slightly dented dome as if it hoped to be a homburg. I admired that hat so much in the time I spent with him he finally gave it to me when I left home for college, after which I never saw him again.
Katherine Vaz speaks to managing editor Emily Everett about her short story “The Treasure Hunt of August Dias,” which appears in Issue 20 of The Common magazine. In this conversation, Vaz talks about her long career of writing novels and short stories about Portuguese and Portuguese-American characters and their rich, complex communities. She also discusses her current project, a heavily researched historical novel about Portuguese immigrants set during the Civil War.
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