All posts tagged: 2014

Language as the Homeland: An Interview with Eleanor Stanford

ZINZI CLEMMONS interviews ELEANOR STANFORD

Eleanor Stanford

Eleanor Stanford is the author of the memoir História, História: Two Years in the Cape Verde Islands, and of a poetry collection, The Book of Sleep. Stanford’s essay “Geology Primer (Fogo, Cape Verde)” was published in Issue No. 06 of The Common. Fellow Philadelphian Zinzi Clemmons chatted with Stanford about poetic form, the importance of language, and ways to feel at home in the world.

Language as the Homeland: An Interview with Eleanor Stanford
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Review: Dragon Logic

Book by STEPHANIE STRICKLAND
Reviewed by TERESE SVOBODA 

Dragon LogicBegin with the cover of Dragon Logic: double Garamond italic ampersands. Inverted they propose elegant dragons against a green hide background. “TWO dragons,” Stephanie Strickland writes in the eponymous poem, “keep a pearl/in the air untouched/if yes then no if no then yes.” Their “dragon logic” insists that the reader consider sets that consist of themselves, a common problem in questions of reflexivity where the self of the self-reference is a human self. This proposition enlarges the idea of the juggling proposed by John Keats’ concept of negative capability—“when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”

Review: Dragon Logic
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What Is RiverFirst?

By SCOTT GEIGER 

map of river

The Mississippi River meets only one waterfall on its wayward transcontinental course. It comes early, in the northern Midwest, at a site the Sioux knew as a place that was part real world, part spirit world. Seventeenth-century adventurers rumored about a “pigmy Niagra” called St. Anthony Falls. Pioneers from the young United States reached these waters early in the nineteenth century; they established simple mills for grist and lumber just as soon as property rights could be legally defined.The mills grew and industrialized over decades, triggering the rise of Minneapolis. A feature of nature became a technology servicing the city. The names Gold Medal Flour and Pillsbury still loom in enormous metal type on opposite sides of the historic railway bridge leading into Minneapolis that was new when F. Scott Fitzgerald was a boy. The historic mills themselves have gone, though, and today Stone Arch Bridge belongs to pedestrians, cyclists, and the students of the University of Minnesota. Looking north from the bridge they see an amphitheater of a spillway, tall gray waters pouring between a research lab and hydroelectric plant on the east side; a lock-dam barge elevator run by the Army Corps of Engineers on the west.

What Is RiverFirst?
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Who Do You Write For?

Event Date: 
Tuesday, April 22, 2014 – 7:00pm9:00pm
Location: 
Center for Fiction, NYC

 

Have you ever read a novel and felt as though the author was speaking directly to you? Or about you? Guernica and The Common  contributors come together to read from and discuss fiction they feel was written just for them and who their own work is addressed to, if anyone. Featuring Benjamin Anastas, Dina Nayeri, Kiese Laymon. Moderated by The Common Editor in Chief Jennifer Acker and Guernica Senior Fiction Editor Meakin Armstrong. Click here for more event information and panelist bios.

 

Find us at:

The Center for Fiction
17 E 47th St,
New York, NY
10017

Who Do You Write For?
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Death Trip

By SAHIBA GILL 

water

There was no after-the-rain smell when I was in Varanasi, not even along the river Ganges where waters are wide in January; the white fog curtain erases the farthest bank so that just sky, boats, and water make up the shore. In the city’s brown streets, trash runs steadily through silt-carved gullies. Waste sandcastles build in its empty lots.

Death Trip
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Confederate Jasmine

By BILL PITTS 

forest

Jim’s garden, like all gardens, was a work of deception.

I had a view of it from my side yard where the bamboo hedge had been reluctant to fill in, framing what it was supposed to hide: a sort of jungle fantasy some two hundred miles north of the tropics, shaded by laurel oaks.

Confederate Jasmine
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