All posts tagged: 2017
Amherst College Literary Festival 2017
Amherst’s annual literary festival celebrates the College’s extraordinary literary life by bringing to campus distinguished authors and editors to share and discuss the pleasures and challenges of verbal expression—from fiction and nonfiction, to poetry and spoken-word performance.
This year’s festival features award-winning novelist Zadie Smith, Pulitzer Prize-winning historian Doris Kearns Goodwin, and 2016 National Book Award Fiction Finalists Chris Bachelder and Jacqueline Woodson, among others.
The Bill
By BIPIN AURORA
From Notes of a Mediocre Man: Stories of India and America
Ramesh Thakur had three houses—one in Defence Colony, one in R.K. Puram, and one in Malviya Nagar. But he was not happy.
“So much dusting, Chandar. I go to each house once a week. I dust, I dust. The sofas, the tables, the mantelpiece. I do not forget anything.
“But it is hard work, Chandar. It is not easy.”
But still I was happy for him. He was retired, he needed something to do. This kept him busy. He had three houses: there was security in that. He had some place to go three days a week: this kept him busy, there was security in that as well.
The Pennies of Corsicana
By SUSAN HARLAN
CORSICANA BRICK CO. So say the bricks, cut within an inch of their lives, and the wet leaves like beetles’ wings, caught in the cobbles. We are the bricks’ leaves, they say, under my feet.
The color of the leaves is the color of the rusty railroad spikes that I gathered in the rain. Illegally, it would seem. Property of the train company, I’m told – possessed by others.
Ask a Local: Mai Nardone, Bangkok, Thailand
With MAI NARDONE
Your name: Mai Nardone
Current city or town: Bangkok
How long have you lived here: Fourteen years plus one this time around
February 2017 Poetry Feature
Please welcome back TC contributors Elizabeth Hazen, Jonathan Moody, Daniel Tobin, and Honor Moore (whose poem “Song,” published in the first issue of The Common, was reprinted in Best American Poetry 2012). We’re also delighted to welcome Gerard Coletta, who is making his first appearance in The Common.
Friday Reads: February 2017
This February, we’re busily reading new novels by three award-winning authors who will be visiting us next month for LitFest at Amherst College. If there’s a common thread for this month’s Friday Reads, it’s memory: commemorating events, friendships, departures, and failures. But it could just as easily be their outstanding quality, as we contribute to the already effusive praise these books have earned. Get reading, and then join us March 2-4 for LitFest!
Recommended:
Swing Time by Zadie Smith, The Throwback Special by Chris Bachelder, and Another Brooklyn by Jacqueline Woodson.
Night So, Safe Home
Outside the window I could hear men calling out to one another, stumbling up the street. Night, so! Safe home! Someone started singing. Then the baby stirred and the living room door clicked shut again. This time my husband heard it too. He got up, switched on the lights, checked that the apartment was locked (it was), and then turned off the lights and came back to bed. Soon he was fast asleep.
Reading in Public: An Elegy
I was riding the F train home the other day reading Colson Whitehead’s The Underground Railroad. The local went express at Jay Street in Brooklyn, and I exchanged an exasperated smile with a woman on the platform. “Is that good?” she asked, pointing to the book. “I’ve been meaning to read it.” I called Whitehead’s disturbing way of mixing history and invention in his novel about slavery, “steampunk abolitionist” and she liked that. Manners obliging, I asked what she was reading. “Something with Ove in the title.” It was funny in surprising ways, but she couldn’t remember the name. We agreed nothing induces amnesia like being asked what you’re reading. The name and author came to her on the local. A Man Called Ove by Frederik Bachman. I promised to look it up. I got off at the next stop feeling rich for our impromptu book club, and grateful for a moment of literary communion that’s all but disappeared.
Keats-Shelley House, Rome, Italy
By AMY WELDON
Hoisting our backpacks, my students and I start up a narrow staircase that points us left and right. In November 1820, John Keats and his friend Joseph Severn climbed these stairs to two small rooms above the Spanish Steps, ready to stay until the end, which they knew wouldn’t be far away. Nevertheless, they rented a piano. Getting that piano back downstairs must have been a nightmare. Not to mention the armloads of drapes and rugs, and the sheets and the pillows, and the mattress, stained with sad rings of blood. But it was the law: all movable furnishings of a consumptive’s sickroom, even the wallpaper, must be burned. And then, on a late February day in 1821, would have come the carrying-down of Keats’ small body itself: a twenty-five-year-old man, five feet tall and wasted to the weight of an adolescent, the luminous eyes closed for good.