All posts tagged: Book Reviews

Review: Lotería

Book by MARIO ALBERTO ZAMBRANO
Reviewed by GINA LUJAN BOUBION

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Lotería is a Mexican card game that is played like bingo but with images instead of numbers. It is also the title of Mario Alberto Zambrano’s first novel about a traumatized child and her family, whose lives on this side of the border go disastrously wrong.

Zambrano uses lotería cards as a device to tell his story. Narrated by 11-year-old Luz Maria Castillo, the story is divided into 54 short vignettes, each beginning with a full-color picture of a lotería card. It is a gorgeous and expensive-looking book. (Applause for artist Jarrod Taylor here.)

A brief primer: The cards are printed with simple images: The Rose, The Drunk, The Mermaid, The Sun, etc. Each image has a corresponding dicho, or saying, but the dealer often improvises these sayings with inside jokes. Once the dealer calls out the saying or joke associated with the card, the players look for the image on their own tabla, or board. The first player to mark off a line of images wins. Lotería is good family fun. But in Zambrano’s Lotería, the Castillo family holds the worst hand ever. Poverty, border economics, and dysfunction tear them apart and rob them of hope.

Review: Lotería
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Review: Happiness, Like Water

Book by CHINELO OKPARANTA
Reviewed by NICOLE TRESKA

Happiness, Like WaterHappiness, Like Water is both an apt and a paradoxical title for Chinelo Okparanta’s debut collection. In these ten stories which deal primarily in the domestic, happiness is indeed essential and elusive, but it is neither clear nor cleansing. Many of the characters can only be happy at someone else’s expense: mothers who pressure their daughters to marry rich men or barren women who prey on pregnant ones, for example.

Okparanta dedicates the book to home. Home is the center of these stories, and whether in Nigeria or the U.S., it has the power to haunt. The protagonists are Nigerian women who find themselves on the edge of some great rift. Okparanta explores their descents, surrenders, and occasional elation using quiet language and unadorned structures. Her interior focus makes the high drama of midnight robberies, murderous “old maids,” and a virgin turned escort feel commonplace in comparison with the unyielding pressure, internal and external, facing these characters.

Review: Happiness, Like Water
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Review: The Virgins

Book by PAMELA ERENS
Reviewed by DEBORAH MICHEL

The Virgins

The prep-school novel has never grabbed me. Maybe it’s because I’m a Californian who didn’t go to an exclusive New England boarding school or send my children to one. Maybe it’s because these novels (yes, you, A Separate Peace, The Prime of Miss Jean Brodie, Prep, A Starboard Sea, and all the Harry Potter books, not to mention The Dead Poet’s Society, even though it’s a movie)—seem precious and predictable portraits of a cossetted (albeit often deadly) social niche.

The Virgins, however, is different. This elegant new novel by Pamela Erens (who attended Phillips Exeter) defies niche or genre. It is indeed set in an East Coast boarding school, and this setting plays a large role, but Erens does so many more interesting things than the usual exploration of class and teen angst, not least the creation of an utterly original female protagonist, the spiky, seductive, cringe-producing Aviva Rossner, whose aggressively Jewish name alone invokes a knowing frisson as soon as it appears. In the very next sentence, the narrator, another student, announces his name: Bruce Bennett-Jones. Erens has already subverted our expectations.We just don’t know it yet.

Review: The Virgins
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Review: River Inside the River

Book by GREGORY ORR
Reviewed by PATRICK MEIGHAN

River Inside the RiverGregory Orr is a meditative poet. In his new book, River Inside the River, Orr again turns his inner eye to the power of words to reveal the essence of a thing, a movement, an emotion. He writes:

River inside the river.
World within the world.

All we have is words

To reveal the rose
That the rose obscures.

River Inside the River is a sequel to and extension of his 2005 collection Concerning the Book That is the Body of the Beloved. This is especially true in the third section, which bears the book’s title.

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Review: The Son

Book by PHILIPP MEYER
Reviewed by MELINDA MISENER

Review: The Son
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Review: Stop Here

Book by BEVERLY GOLOGORSKY
Reviewed by JUNE GERVAIS

Stop HereMy family eats a Long Island diner breakfast every Saturday morning. We say hi to our neighbor, Lucille, who waits tables; our toddler jabs at the jukebox as my husband orders the Hungry Man; we try to ignore the flat-screen on the wall, which is unfailingly tuned to Fox News. Luckily, there’s good eavesdropping to be done. What we overhear from nearby tables usually beats Sarah Palin stumping for the flat tax.

Beverly Gologorsky knew what she was about when she chose a diner as the center of her new novel, Stop Here. I’d wager there’s a diner at every exit on the Long Island Expressway, and they’re rich with fictional possibility. More than other restaurants, somehow, diners feel like places to talk politics, hash out family conflicts, make business plans, cement friendships—and Gologorsky serves up all of these in her novel Stop Here.

Review: Stop Here
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Review: Everything Begins & Ends at the Kentucky Club

Book by BENJAMIN ALIRE SÁENZ
Reviewed by GINA LUJAN BOUBION

Everything Begins & Ends at the Kentucky Club

If you stand in front of the Kentucky Club bar in Ciudad Juárez and look four blocks north, you see the U.S. and Mexican flags flapping on top of the Santa Fe Bridge to El Paso. Families with roots on both sides of the border once passed fluidly back and forth over that bridge to visit cousins, go to school, grab lunch, get a tooth pulled, or for a night on the town.

The drug wars and immigration crackdowns have radically curtailed that flow, though it’s still possible, albeit scarier, for Americans to pop into the Kentucky Club on the Mexican side for a drink and sit on the same barstools where Al Capone, Elizabeth Taylor, and Marilyn Monroe once perched.

Review: Everything Begins & Ends at the Kentucky Club
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Review: Her Familiars

Book by JANE SATTERFIELD
Reviewed by CAITLIN DOYLE

Her FamiliarsThroughout her impressive body of work, which includes three collections of poetry and a memoir, Jane Satterfield explores the roles of place and gender in human identity. Born in England and raised in America, she probes what it means to reconcile the legacies of intertwined lineages. Satterfield complicates her inquiry into cultural inheritance by emphasizing female experience. In her first poetry book, Shepherdess with an Automatic, she described her youthful adventures during the 1980s; “going to clubs” in “boots with zip-laces to accelerate the kill” (in contrast to1950s housewives “decked out” like “living dolls”). Her Familiars, Satterfield’s most recent collection, takes us further back in time, to the 1970s. We glimpse her as a girl scout, part of a “troop of girls kitted out in jumpers, cable knee socks, & small green berets,” living “blissful on suburban streets” while “choppers stuttered over Saigon.” Both books, as well as her second poetry collection Assignation at Vanishing Point, combine coming-of-age material with adulthood examinations of love, sex, child rearing, historical influence, and literary ambition. In Her Familiars, Satterfield widens her range of subject matter, tones, and aesthetic approaches, mining the territory between domestic and public life in striking new ways.

Review: Her Familiars
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Review: Bender: New and Selected Poems

Book by DEAN YOUNG
Reviewed by DREW CALVERT

Bender: New and Selected PoemsDean Young is one of America’s most celebrated poets, the author of ten poetry collections, recipient of numerous national awards, and a fixture of campus bookstores. His poems are tremendously fun to read, and often very funny; for me, his work is distinct in the way it channels the spirit of a stand-up comic. He nests his liberal politics inside a vortex of anxiety; disguises insights as farce; and codes earnest messages in irreverence and transgression. In his latest collection, Bender: New and Selected Poems, this spirit is even more pronounced: His new poems explore the same general territory with a darker, subtler confidence.  Young gives the impression that the blank page inspires him the way an unpredictable audience inspires a comic:

Review: Bender: New and Selected Poems
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Review: Playing for Thrills

Book by WANG SHUO
Reviewed by KAITLIN SOLIMINE

Playing for Thrills“Even after the train had pulled up alongside the long platform and come to a complete stop, I couldn’t be sure if this was the city I’d wanted to travel to, even though it looked like it.”—Wang Shuo, Playing for Thrills

I discovered Wang Shuo in a fitting location: an unpaved alleyway outside Beijing University’s east gate, barely wide enough for two bicycles to pass, the shadows steeply angled in late afternoon. The year was 2000. I was a regular at the hutongcafé, Sculpting in Time (long since bulldozed), spending afternoons sipping Chinese-style iced cappuccinos (overly iced and foamed) and reviewing Chinese texts on U.S.-China relations. A few storefronts down, a Tibetan man studying at Minzu (Minority) University ran an independent film store. One day, I wandered his shop’s cardboard boxes of pirated VCDs (the predecessor to DVDs), looking for something interesting.

Review: Playing for Thrills
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