Writing in Place is a column in which authors published in our print and web pages tell us about their writing spaces.
I write in a glass-sided room, an addition to a 1950s brick bungalow, southern style. From the threshold that once led to the outdoors, it’s just one giant stride to my desk: space enough to tap at a keyboard, or lie down; for books and papers to breed, but not for dancing (a tiny tango when someone says yes).
The year is 1972, and as you’re driving along the highway in Rifle, Colorado, a giant orange curtain appears, looming vibrantly over a distant valley. Or, maybe it’s 1997 and you’re in Switzerland. You’ve decided it’s a nice day for a walk in Berrower Park when you notice there’s something different about the trees—namely that they’re covered in gargantuan sheets of polyester fabric.
By AYA LABANIEH
Anaheim, California, dreaming of Damascus, Syria — a place I have not been able to visit since the war began in 2011.
I had a dizzying dream last night. I picked up the phone, and called my grandma—my mom’s mom, the woman who raised me. She was laughing—I told her something about what I had been going through, I don’t remember what. I was being candid in a way that would be unthinkable in the real world; maybe I even told her about the ugly breakup with R. The warm acceptance on the other line astounded me. “Why don’t I call you more often?” I asked her.
“Wallah tayteh, I miss you, you should tell me everything.”
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