All posts tagged: Essays

Django: Elegies and Improvisations with Small Boats

Cikovsky, Nicolai; "The Inlet at Wooley Pond", 1945; Parrish Art Museum, Southampton, NY

When a boat dies, you usually have two choices: pay hundreds of dollars to have it hauled away, or let it molder and sink into some secluded corner of the yard. A quick tour of my wife’s parents’ town on the South Shore of Massachusetts, where I moored my boat, would suggest that the latter is the norm: those husks and dark prows entombed in plain sight beside rotting cordwood, abandoned swing-sets. Last year, when I discovered that the oaken keel of my sailboat had rotted irreparably, I embarked on my first experiment with time-lapse photography. I rented for twenty dollars a “reciprocating saw”—the contractor’s principal instrument of demolition—known as a Sawzall. After positioning my iPad on a kitchen chair in the driveway of my in-laws’ home, then unraveling forty yards of extension cord from the garage, I plugged in the nasty tool—part torpedo, part robotic swordfish—and grimly laid into the carapace of the little boat over which I had worried and fussed for almost ten years.

Django: Elegies and Improvisations with Small Boats
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Great or What?

house deck

1.

In May, I was abroad finishing a job, the kind that did not exist when I graduated high school. As I prepared to leave, northeast Ohio, where I grew up, came to me. I would fly down remembered winding gray roads. Sometimes I did this in my dreams. Sometimes the dream was different – I would drive out to the country but turn around because I didn’t know what to do out there, outside a car with only long grass and woods around me and no path to hike. The suburbs were my cradle. In the car from the airport to my childhood home, I realized that what I had thought of as flying was the feeling of the car tugging my shoulders in the backseat as we made familiar turns.

Great or What?
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Losing a Hive

Hive

We lost a hive this winter. We’d set our two hives facing south on the roof of our Brooklyn home for maximum sunlight, knowing that in winter that would translate into maximum exposure to wind and cold as well. My wife, Hali, and our beekeeping consultant, Davin, dutifully taped up the cracks with red duct tape so that the bees would expend less energy over January and February with their self-composed heating system. Generally they cluster around the queen, vibrating their wings and shivering to keep her and themselves warm. It was a harsh winter in Brooklyn, however, and we’d gone up to the roof several times in December to check to see whether the hives were healthy. Both of them seemed okay, the workers’ little furry heads crawling up over the tops of the frames or buried head-first into the pale, hexagonal wax cells. Normally, when you open a hive, even in winter, you are struck by the chaos, the thousands of glinting bodies nosing and circulating, and the sharp hive smell that combines sweetness and sourness in equal proportions.

Losing a Hive
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“The Ship Log”: Sea Stories by Young Writers From New York’s Harbor School

 By JULIA LICHTBLAU

The Ship Log cover

In February, 2014, eighteen seniors at Harbor School, a New York City public high school devoted to maritime careers on Governors Island, a historic military base turned national park, embarked on their first fiction writing efforts. For the next three months, their composition class, which Harbor School veteran teacher Anna Lurie and I taught was devoted to little else. On June 3, they read their work, first in the library, then after school in the Mess Hall to classmates, teachers, and family and distributed copies of The Ship Log, the magazine containing their stories. It was a big day for all of us.

“The Ship Log”: Sea Stories by Young Writers From New York’s Harbor School
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The Lost Sublime of Cave-In-Rock

By JAMES ALAN GILL

cave

During the late 18th century and early 19th century, citizens of the newly formed United States were “seeking out the land’s scenic marvels, measuring their sublime effects in language, and even staging an informal competition for which site would claim pre-eminence as a scenic emblem of the young nation” (Sayre 141).

The Lost Sublime of Cave-In-Rock
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Mapping the Belly of the Whale

When I arrived at Woodbourne prison for that first intake procedure I was surprised to find a certain level of relaxation. Maybe what I mean is not relaxation, but a kind of small town banter that was easy to slip into with the guard who checked me through the metal detector as I set it off again and again. He reassured me he was not going to make me take my shirt off, though the fact that it was fastened with snaps instead of buttons was causing the problem. I told him that I was wearing a T-shirt underneath if it was necessary to remove the outer garment. Harmless flirtation, or maybe just everyday humanity. Whatever you call it, I was not expecting to find it at Woodbourne.

Mapping the Belly of the Whale
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Various Horizons: Western Expanses and a Sum of Parts

Cliff

The $14 manhattans were terrible. We drank them anyway. Las Vegas, Lost Wages, whatever you call it, it was the gateway to our West(ern vacation—three canyons, eight days). The next morning, we ate gigantic omelets beneath a mirrored ceiling, amid fake trees lush in fake pink bloom, pulled out the map and headed through the wide open landscape: straight road, big sky, dry scrub, tumbleweeds.

Various Horizons: Western Expanses and a Sum of Parts
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When Not in Rome: Tips for Touring Middle Italy

By KATIE CORTESE 

Italy

Getting Around:

When your cousin offers to meet you at the airport and drive you to Abruzzo, don’t even pretend to defer. As you will learn from the passenger seat, to say “driving” in Italy is to say “a lot of close calls.” A tunnel on a two-lane road may admit just one car. Passing’s no fun senza risk. In small towns, main roads are closed on Sundays so neighbors can chat in the street. Memorize multiple routes.

When Not in Rome: Tips for Touring Middle Italy
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Touring History

By MARIAN CROTTY 

lights and palm trees

Disposable ponchos and white tennis shoes, cotton ­beach dresses worn without bras, sunglasses dangling from nylon cords, and a way of walking that is, in spite of the gray sky and the drizzling rain, ponderous. On a whole, they are younger than I expected, larger, and much more interested in cover bands. Almost all of them are couples. 

Touring History
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Why I Love the MFA

BY JAMES FRANCO

James Franco
I love MFA programs, because they are a purified space where the love of art is nourished.

*

This is an essayistic love poem written to MFA programs. It is a form that I learned from my mentor, Frank Bidart. Frank is a poet, but he is also a lover of film, acting, theater, music, pop-culture, Hollywood history, food, and sex.

Frank is old and doesn’t have sex anymore. At least I don’t think he does. But his poems are full of deep life, and sexual connotations.

Why I Love the MFA
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