Essays | Page 19 | The Common

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January 27, 2014 Essays, In House

We met friends north of Seattle, then drove to catch the ferry to Orcas Island and talked about Washington’s bikini baristas. It would be another three hours before the ferry left, so we walked through cars and trucks parked in lanes straight as garden rows to the snack shop and overpaid for sandwiches, a banana, soda. You sat on the asphalt behind a Chevy Tahoe, petting a pit bull someone had tied to the trailer hitch, and I took your picture.

Conversation and knowing there was no option but to wait made time pass easily. When the boat departed, we sat on the observation deck and cruised west into the pale sun and gray gauzy clouds, toward forested islands rising black from the sea. It was cold.

Bed-Stuy – Buy or Die?

January 21, 2014 Essays, In House

By MELODY NIXON

Grafitti

As I approached the corner of Throop Avenue and Van Buren Street in early summer 2013, I couldn’t help but notice the giant “Murder – $50,000 Reward” sign that loomed over the intersection, emblazoned with the photo of a dead businessman. The New York City neighborhood of Bedford-Stuyvesant, I’d heard, was still a little “rough,” but the sign was unlike anything I’d seen outside of Wild West movies. Almost comically, the image was plastered with a blood-red ‘Solved’ caption, as though calling out a fatuous warning: attention, would-be Bed-Stuy murderers – you might, eventually, be caught.

In the Fields

January 13, 2014 Essays, In House

By ELIZABETH WITTE

Ground fog hovers out the back kitchen window, warm air over snow. We set out to walk before coffee. From the home of dear friends, we make our way down the dead-end road to the muddy grass path that leads us to the turn (right) down the rough-cleared way (duck under the fallen tree) to the fields owned by the nearby church and leased to the farmers. In a pair of borrowed rain boots and hooded sweatshirt (in late December), I feel a warm sweat rising.

Detroit’s Walls of Spite

January 7, 2014 Essays

By CAROLYN KRAUS

A six-foot-high, foot-thick concrete wall begins at 8 Mile Road, Detroit’s northern border, known as the Line. The wall marches south for half a mile along the property line behind Birwood Street, cuts through a city park, and halts at a dead end street—a network of potholes and buckled asphalt.Driving my children to and from our Northwest Detroit home just south of the Line in the ’80s and ’90s, I used to detour along the Birwood Wall and wonder at its history. I didn’t wonder about the trash and bottle-strewn park that stirred to ominous life at night and, like so many other leering vacancies in the city, had long since ceased to be a place where children could safely play. Like the park, the Birwood Wall had outlived its original purpose. Now, grey, grim, and bare, it haunted the edge of the ghost park. As waves of residents departed Detroit for the whiter, brighter future of the suburbs, as houses and shops fell derelict and tumbled, sturdier features like the wall persisted, emerging into relief like a low tide of relics.

Red Cup Season

December 9, 2013 Essays

Starbucks holiday cup

It is Red Cup season! Under halogen lights, red metal tumblers gleam and pinken plastic to-go mugs. Swirled teacups shine like candy canes. Behind the café counter, whipped-cream ski hills top the menu of seasonal drinks with a flurry of diamonds and snowflakes. In sizes tall, grande, and venti, towers of patterned coffee cups are plucked by red-aproned baristas, like ornaments off a tree.

Winter Migration

December 6, 2013 Essays

By MARIAN CROTTY

It’s late afternoon on the beach in North Florida. It’s October, the end of a season, and the world is in motion. Monarchs cloud through the sunlight in orange swarms; blooms of jellyfish float along the shoreline; and schools of grouper leap in flustered succession, tails suspended above the ocean, bodies flapping. The air is just cold enough to make us duck our shoulders under water and lift our faces toward the sun, not shivering but not warm.

Writing in Place with Helen Hooper

December 3, 2013 Essays

By HELEN HOOPER

Sometimes I have to leave the house, get out in the world and write among other people. Not that I want anything to do with any of them. I just want to set up among them, the better to hunker down. I’m looking to be anonymous. I’m looking for a place where I can concentrate on my characters while ignoring people. A place where the rest of humanity provides a soothing backdrop, a therapeutic white noise.

Six Feet from the Sun

November 26, 2013 Essays

By RYAN RICKRODE

man on roof

When you’re a carpenter’s son there are things you don’t tell your mother. The old asbestos siding Dad had you driving nails into, for instance. Or the ceiling fan he wired without first shutting off the power. Or how you close your eyes when you bring the round whirling blade of the chop saw down on a length of spouting so you won’t get any flecks of aluminum in your eyes. How it just seems safer that way.

Whole Cloth: A Weaver’s Daughter Looks at the Met’s Interwoven Globe Exhibit

November 25, 2013 Essays, In House

By JULIA LICHTBLAU

When I see handmade cloth, with its uneven selvedges and irregularities, I feel a kinship. My mother was a weaver. I would come home from school and find my mother weaving, warping, or winding yarn. She wove on traditional four- or eight-harness looms, wooden frames the size of a grand piano. I grew up with the household sounds (and vocabulary) of the 1700s—the whizz of a shuttle, the thump of the beater, the rattle of heddles, and the shunk of harnesses.

My mother made suitings, dress fabrics, coverlets, upholstery, shawls, tablecloths—hundreds of yards. Now eighty-nine, she wove into her late seventies when the physical labor became too strenuous. But her creations will last forever, as handwoven cloth does. The oldest known textile fibers, twisted flaxen cords from the Caucasus, are 34,000 years old. I am pretty sure that 34,000 years from now archaeologists will be baffled by evidence of a mid-twentieth century handweaving culture in the Washington, D.C. suburbs.

Across Gymnasium Bridge

November 22, 2013 Essays, Studio

By SCOTT GEIGER

“We have the mind, body, and the mind/body all organizing this building,” offers architect Chris McVoy, metaphorically describing the Campbell Sports Center that opened this fall at Columbia University. The building is the outward expression of an athlete’s inner journey. In a short film, McVoy and his partner and mentor, Steven Holl, discuss their design intentions and the character of experience they’ve created.

All posts tagged: Essays

Pause

Bed-Stuy – Buy or Die?

In the Fields

Detroit’s Walls of Spite

Red Cup Season

Winter Migration

Writing in Place with Helen Hooper

Six Feet from the Sun

Whole Cloth: A Weaver’s Daughter Looks at the Met’s Interwoven Globe Exhibit

Across Gymnasium Bridge

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