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Nora

February 25, 2020 Fiction

An excerpt from The Other Americans by LAILA LALAMI

My father was killed on a spring night four years ago, while I sat in the corner booth of a new bistro in Oakland. Whenever I think about that moment, these two contradictory images come to me: my father struggling for breath on the cracked asphalt, and me drinking champagne with my roommate, Margo. We were celebrating because Margo had received a grant from the Jerome Foundation to work on a new chamber piece, her second big commission that year. We’d ordered steamed mussels and shared an entrée and lingered late into the night. The waiter was trying to convince us to get the chocolate mousse for dessert when my phone rang.

Excerpt from Trust Exercise

February 24, 2020 Fiction

By SUSAN CHOI

The author of this excerpt, Susan Choi, will be a guest at Amherst College’s LitFest 2020.

It’s been obvious from the beginning who are Broadway Babies and who aren’t. Those who truly can sing, who can give them the old razzle-dazzle, who live for that one singular sensation, have for the most part drawn attention to themselves from the first day of school. They cluster around the Black Box piano during rainy-day lunchtimes and sing The Fantasticks. They wear the Cats sweatshirts to school that they got on their holiday trip to New York. Some of them, like the Junior named Chad, are enviably serious musicians who can not only sing but play Sondheim, for real, from sheet music. Some of them, like Erin O’Leary, don’t just sing but dance like Ginger Rogers, having apparently put on tap shoes at the same time as they took their first steps.

Excerpt from SING, UNBURIED, SING

February 19, 2020 Fiction

By JESMYN WARD

The author of this excerpt, Jesmyn Ward, will be the keynote speaker at Amherst College’s LitFest 2020.

Sometimes I think I understand everything else more than I’ll ever understand Leonie. She’s at the front door, paper grocery bags obscuring her, hitching the screen and kicking it open, and then edging through the door. Kayla scoots toward me when the door bangs shut; she snatches up her juice cup and sucks before kneading my ear. The little pinch and roll of her fingers almost hurts, but it’s her habit, so I swing her up in my arms and let her knead. Mam says she does it for comfort because she never breast-fed. Poor Kayla, Mam sighed every time. Leonie hated when Mam and Pop began calling her Kayla like me. She has a name, Leonie said, and it’s her daddy’s. She look like a Kayla, Mam said, but Leonie never called her that.

Southtown

February 11, 2020 Fiction

By ANDREW PORTER

The other day I was visited by a memory from the early days of my marriage, when my wife and I still lived in the old house on the south side of San Antonio. This was when we were both in our early twenties and nearly broke all the time, always on the verge of eviction from the house we rented for $520 a month. Still, we had a lot of friends back then—more friends than we have now—and these friends were always coming over with bottles of wine and half-finished paintings they wanted to show us, poems they wanted to read us, songs they wanted to play for us. There were a lot of parties back then—parties almost every night—and Madeline and I, still in the early years of our marriage, still childless, were somehow always hosting these parties in our house, though I can’t remember ever sending out formal invitations or even ever shopping in advance for them. They were more like spontaneous affairs, and all we really provided, aside from good will, and a kind of open door policy when it came to strangers, was the house itself.

Rising Sap (La sève)

November 13, 2019 Fiction, Translation

By MARIE-CLAIRE DEWARRAT

Translated from the French (Switzerland) by MARGARET BESSER

Originally published in French in the collection En enfer, mon amour, Editions de l’Aire, 1990.

Story appears in both French and English.

Translator’s note

I first encountered the work of Marie-Claire Dewarrat when I read her novel Carême, the story of a grieving father which the author wrote following the death of her own daughter. I was entranced by the book’s sweet strangeness and the way it wove dark, violent realities into the slow rhythms of grief and healing. In the short story collection from which “Rising Sap” is drawn, that darkness often takes a fantastical, surreal turn. Dewarrat’s fiction is deeply tied to season and landscape, more specifically to the countryside of French-speaking Switzerland where much of her work is set. Her wise, often teasing narratorial voice playfully and skillfully blends poetic language with informal, local turns of phrase, vividly conjuring that particular place.

Revenge in the Name of All Owls

October 29, 2019 Fiction, Issue 18, Issue 18 Fiction

By KATHERINE VAZ

The fifth child of Jorge Primavera and Deolinda Oliveira Primavera was born with a hole in his heart. The doctors said: There is nothing we can do.

His father worries about his newborn boy being afraid of darkness.

Ana Mendieta Haunts The Block

October 28, 2019 Fiction, Issue 18, Issue 18 Fiction

By GABRIELLE LUCILLE FUENTES

Simon Marshall (interning tour guide, Art History, ABD) stands in the empty gravel yard of Donald Judd’s museum in Marfa, Texas. The sun dips below the high walls of the compound, illuminating a perfect half of the courtyard. Behind Simon a wide expanse stretches, interrupted only by Donald’s outdoor dining table, still holding two copper pots, as if the artist has just stepped inside to catch a call and has not been dead for decades. Simon, having shooed away the final tourist of the day, crosses the courtyard to lock the gates. The gate rears far above his head, solid wood aged to black and buttressed by iron. He feels medieval whenever he does this—who else but a feudal lord would need such protection? Tonight, there’s a moment of resistance before the door shuts and a figure, shadowed and slightly blurred around the edges, pushes through him. Literally right through him.

Draft Day

October 28, 2019 Fiction, Issue 18, Issue 18 Fiction

By KATHERINE HILL

“Hey. Hey, y’all! It’s Jimmy Johnson.”

The first time Caleb said it, Mitch vaulted the arm of the couch and was on the telephone in an instant, faster even than he’d cut on the field. Cindy remembered when her son moved purely for the joy of movement. Not today. Today it was all about the draft. How high he would go, where he would go, and how much money he would get. Cindy watched him listening, bug-eyed, the receiver to his ear, and thought to herself, Dallas—okay, yes, I could live in Dallas. They’d just won the Super Bowl.

Misfits

October 28, 2019 Fiction, Issue 18, Issue 18 Fiction

By BRUCE HOLBERT

Neither pretty nor homely, fat nor thin, Bernice Gardener was a middling girl, all her fenders straight but no chrome or pinstripes. With a few ounces of vinegar, some colored powders or a curling iron, she might have done well with boys. Bernice, though, didn’t alter her pale skin and left her brown hair straight, aside from an occasional colored hairband. She wore jeans and print blouses or modest dresses her mother constructed from dime-store patterns. Though she tripled the outside reading assignment and earned the highest score in her English class, her teachers dismissed her as a mind of no consequence because she read The Thorn Birds, Peyton Place, and Gone with the Wind. She had pondered the term “making love” until she bought Valley of the Dolls in a used bookstore because she wondered why the girl on the cover seemed so pleased to be in a martini glass.

Earth Has No Sorrow That Heaven Can’t Heal

October 28, 2019 Fiction, Issue 18, Issue 18 Fiction

By LYNN PANE

The motorized chair arrived, and Berger left it unwrapped in the middle of the living room. He circled it—keeping to the walls and the furniture to recover his balance—as if the chair was prey. He almost needed it, but he had the walker for the moments he grew tired. He imagined these new fixtures—the oxygen tank, the shower stall, the protein shakes—as gifts. Every day something new arrived on a delivery truck. He wanted the boxes to come wrapped in paper and ribbon, but then again, the boxes didn’t represent a future, and so he no longer turned his head at the sound of the doorbell.