All posts tagged: Fiction

Death-Flavored Life: Two Stories

By RAW’A SUNBUL
Translated by ALICE GUTHRIE

 

Absent Butterflies 

She takes off her clothes and covers her chilly, naked body with a heavyweight green gown. She steps into the white plastic slippers and gets up onto the birthing chair. She leans back, gulping hungrily at the air and mumbling a plea for help in the form of the Quranic ayahs she’s been told will ease the pain of her contractions: “When the earth is leveled out, casts out its contents, and becomes empty… casts out its contents and becomes empty… casts out….” Her words are silenced by a new contraction slamming into her from behind, then bursting out from the middle of her back and wrapping its monstrous arms around her, engulfing her, linking its hands under her belly and squeezing, clamping down, pushing down, down, down. She bites her bottom lip and clasps her hands over her chest. She digs the nails of her right hand hard into her left palm, streaming sweat, a tear escaping the corner of her eye. 

Death-Flavored Life: Two Stories
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The Memoirs of Cinderella’s Slipper

 By SHAHLA AL-UJAYLI 

Translated by ALICE GUTHRIE

 

The uniformed conscript led the way, bearing aloft, on a small pink velvet cushion, a shabby-looking woman’s shoe. The leather was faded, stretched, and torn. Part of the sole had come off, and the heel had been roughly hammered back on with protruding nails. None of the repairs that had obviously been carried out in an attempt to restore the shoe’s former glory had succeeded. Behind the conscript came the cavalry, weaving their way through the houses of the city, searching for a woman’s foot to fit the shoe.

The Memoirs of Cinderella’s Slipper
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و

By COLETTE BAHNA 

Translated by ROBIN MOGER

Once I’d been stripped and forced to stand naked before the gaze of the military medical examination board, for the purposes of identifying any defects that might prevent me receiving the honor of being conscripted, the examiner seated on the right-hand end of the bench rose, approached me, and circled me three times, inspecting every inch of the body before him, then turned back to his fellow board members and, stroking my ear with a disconcerting delicacy, said, “Sound. Big ears.” 

و
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Frozen: Three Stories

By IBRAHIM SAMUEL 

Translated by MAIA TABET 

The Long Winter  

“They’re here” she was about to scream, bolting uprighther heart pounding in her chest. It was as if a snake had brushed against her bare skin under the comforter. He snatched his arms away from where they lay against her neck and her cleavage. They were both naked: beads of sweat quivered on the hairs of his broad chestand her breasts trembled over the volcano that had erupted in her heart. 

Frozen: Three Stories
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Border Strip: Three Stories

By LUQMAN DERKI

Translated by JONATHAN WRIGHT

A Trip to Ain Diwar

We woke up at five o’clock in the morning and ran to the Hophop bus that was waiting at the school gate. It was colored and beautiful and had the words Scania speaks and the Volvo hurts written on it. The children stood in line in an orderly fashion as they boarded the bus. Teacher was carrying a stick made from a pomegranate branch given to him by the son of a local official, who is lazy but who always comes first in class. Sheikh Khadir, the driver, was washing the bus, and as they boarded, the children splashed the children behind them with water.

Border Strip: Three Stories
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Under a Pile of Moons

By BETSY JOHNSON-MILLER

 

We travel together to the outskirts of Alone. Hunger permeates the car like teenage funk, but there are no crumbs on the seats. I do not allow snacking.

I don’t know what is the most surprising—that a tumor grows inside me, that my love is not in the car, or that Hope sits in the backseat. A pillow, a book, and a look that annoys me every time I glance at her in the rearview mirror.

Under a Pile of Moons
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We Write Our Own Past: 10 Questions with Elias Farkouh

Elias Farkouh’s short story “A Man I Don’t Know” was among the most viscerally engaging pieces in The Common’s Issue 15 portfolio of Arabic fiction from Jordan. A prize-winning writer and translator who has earned accolades for short fiction collections and novels, Farkouh is interviewed by The Common interns Whitney Bruno, Avery Farmer, and Isabel Meyers, who discuss fear, translation, and formal construction with Farkouh. This is the second of two interviews conducted by the summer interns; the first was with Haifa’ Abul-Nadi.

We Write Our Own Past: 10 Questions with Elias Farkouh
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From A Lucky Man

Excerpt from the novel A Lucky Man by Jamel Brinkley

book cover

 

James kept busy at the security desk now, doing the work of both men while Lincoln sat there with his stomach on his lap. He felt a sort of bond with James now, a familiar gratitude. But one gets sick and tired of saying thank you. When he was engaged to Alexis, and during their first years of marriage, his friends would also tell him how lucky he was, but this was said as a joke. Lincoln would say thank you and agree, would tell them how grateful he was for her, but this wasn’t true. He deserved her—this was what he believed, and he knew this was what his friends believed in. A man of a kind should get what he deserves, and if a man like him couldn’t get a woman like her, then something was terribly wrong with the world.

From A Lucky Man
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From The Study of Animal Languages

By LINDSAY STERN

Animal_Languages

“All my life I’ve been waiting,” says my father-in-law, through the stall door. We have stopped at a rest area along the interstate, halfway between our homes. I would meet him back in the car, if only he would stop waxing poetic.

“Frank?” I face the mirror, smoothing the hair over my thinning spot. “I’ll be—”

“First for school to end,” he interrupts. “Then for my twenties, then for success. Marriage, children, et cetera. For them to leave. For their children. Then the waiting became less conspicuous. Waiting for the cry of boiled water. For the paper. For spring. It took a mighty long time to understand that what I’d been waiting for wasn’t each thing, actually, but the chance to wait for whatever came next.”

From The Study of Animal Languages
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From Where the Dead Sit Talking


Excerpt from the novel Where the Dead Sit Talking by Brandon Hobson

cover of where the dead sit talking with a bird drawn on it

CHAPTER ONE 

     I have been unhappy for many years now. 

     I have seen in the faces of young people walking down the street a resemblance to people who died during my childhood. 

From Where the Dead Sit Talking
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