All posts tagged: Issue 6

Big Not-So-Bad Wolves

By LEIGH NEWMAN

I grew up in Alaska, where one thing after another was constantly threatening my young life. Floatplanes stalled. Grizzlies ate our camping
 supplies. A moose wandering through our backyard got angrier than expected when a kid from school threw a rock at its knees. I wouldn’t say I was cavalier or brave about these experiences, but I didn’t need much time to recover from them. I was a child. My conclusion was almost always the same: I was still alive, and so was the rest of my family. We could all eat a granola bar and keep on fishing.

Big Not-So-Bad Wolves
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The Art Palace of the West

By ESTHER BELL 

emery collection

I am a sixth-generation Texan who married a fiercely native New Yorker, which means I have a keen appreciation for the ways in which places shape lives. When I moved to Cincinnati, Ohio, in the dead of winter last year, it was an odyssey that once again challenged my sense of identity. Cincinnati is worlds apart from both Texas and New York, and unlike those proudly parochial states, this city can lay a strong claim as the heart of America. It was settled in 1788 on the banks of the Ohio River, and at the turn of the century, Henry Wadsworth Longfellow named it “the Queen of the West”:

The Art Palace of the West
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Peaks and Valleys: Klaksvik City Center, Faroe Islands

By LUIS CALLEJAS

In collaboration with Lateral Office

Introduction by Scott Geiger

The Faroe Islands are not the rural, subarctic archipelago you imagine. Like their distant peers on the Danish mainland, the Faroese are thoughtful, progressive city-builders. To connect their dispersed communities, their highway system tunnels through basaltic mountains and under North Atlantic waters. Fast ferries and helicopter taxis run between remote points. With such transit infrastructure, this might seem like a maritime metropolis, if only they had the population. But more people live in Portland, Maine, than on the eighteen Faroe Islands. 

Peaks and Valleys: Klaksvik City Center, Faroe Islands
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Freefall in a Shattered Mirror

By HISHAM BUSTANI

Lying suspended over a lake. She can see her entire self on the surface of the water. Every now and then circles appear and expand, distorting the image. At times she looks at her reflection with sadness, at times she chokes with bitterness and tries to escape, to turn over or stand in the air. But it’s no use, she is totally fixed—as if fastened with unseen ropes.

Thick fog passes underneath. When it shrouds the view below, she feels euphoric, she feels herself turn inside out, revealing attractive short hair and two ears with seven rings in each, revealing her perfectly feminine form. She is fragrant with the scent of lemon. 

Freefall in a Shattered Mirror
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Meetings

By HELEN HOOPER

Kirsten entered this particular Starbucks right after her interview at The Wilderness Foundation across the street. It had not gone well. She’d exited into the midmorning glare and crossed the street in the direction the traffic light permitted—she had to go one way or another—and continued through the glass revolving door to the counter, where she ordered a grande hot chocolate, yes on the whipped cream. Set down her bag, claimed a table. Two mothers worked their strollers around the table to her left like lawnmowers around a mailbox. A man dialing his cell phone took the table to her right.

Meetings
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Mischief

By MEGAN STAFFEL

i.

The call came in February. Chipper Hanson had found a lost goat and tied it to his porch, where it was kicking and butting and destroying things. He called the hardware, and the hardware called me, because if nobody got it off his porch soon, his wife was going to get the gun and take care of the problem herself, and whether that would involve just the goat or the goat and the husband, no one could say.

Mischief
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from Dust

By YVONNE ADHIAMBO OWUOR

Prologue

He leaps over two fire-painted blossoms resting on the stark cracked city pavement. Roused, these unfurl into late-Christmas-season orange-and-black butterflies that flutter into the violet shade of a smog-encrusted roadside jacaranda tree. A thrum becomes a hum becomes thumping footsteps, and soon he is entangled in a thicket of jeers and tossed gray, black, and brown stones as he flees toward a still-distant night. It is said that in combat some soldiers shoot over their enemies’ heads in order to avoid killing them. Some don’t even fire at all. Moses Ebewesit Odidi Oganda’s fingers tremble on the trigger of an old, shiny AK-47. He hurls the gun away with an “Urgh!” The weapon spills across the road—a low-pitched, guttural noise.

from Dust
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Blue Mountains

By JAMIE EDGECOMBE

Dr. Nakajima had a poem in his head. It went something like, however far I go, blue mountains.

‘Ah,’ the Doctor thought, ‘I like the style of Taneda Santka. He is modern, yes, but his poems are easy enough to remember in volume. They are neat and simple and great for these summer days when the mountains grow taller on the horizon with every step. What a joy life is, when someone else puts words around it.’

Blue Mountains
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The Common Statement

The mind swings inward on itself in fear
Swayed towards nausea from each normal sign.
—derek walcott, “A Lesson for This Sunday”

On a lake, in the woods, in 1940, my grandparents built a cabin. One room, big stone fireplace, outdoor privy. They lived and worked outside New York City and spent summers in Maine, my grandmother often here alone with three young kids but no electricity, plumbing, or heat except the wood-burning fire. Surrounded by one hundred acres of no one. Up the road, there were neighbors: the Garnetts and the Hibberts—and the Savages, who lived up to their name, my grandmother used to tell me. They ate with their hands off the table’s pine boards. Mrs. Hibbert shielded her children from the Savage boys when they came around, sometimes en route to my grandparents’ place for supplies—whatever was lying around unprotected. 

The Common Statement
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