By ADÁL
Introduction by Mercedes Trelles Hernández here.

Viviana García Meléndez Jumping Portrait, 2017
By ADÁL
Introduction by Mercedes Trelles Hernández here.

Viviana García Meléndez Jumping Portrait, 2017
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En Mis Brazos

LOOKING FOR MY CITIZENSHIP
After Adál
When I am unsure of who I am
I pick up my dominos
and search out el reverendo
Pedro Pietri
so we can pray for clarity.

Years ago, I wrote that seekers of all stripes—journalists, philosophers, scientists, mystics—are chasing the same elusive thing: something like truth, understanding, a fully integrated perspective, awakeness, untangling. We just ask questions in different contexts, modalities, and microcosms.
Images by MARTHA ROSLER
Introduction by DARSIE ALEXANDER

By FRED LYNCH
Scene Stealing, ink on paper, 15 x 11.5”
“The painter wanders and loiters contentedly from place to place, always on the lookout for some brilliant butterfly of a picture which can be caught and set up and carried safely home.”
– Winston Churchill, 1948, Painting as a Pastime
Artist: FRANCES STROH

“I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless emptiness.”
― Jack Kerouac, On the Road
Artist: BEN SHATTUCK

When I first heard of the Nicaraguan Canal Project, I thought of the 19th-century artists Martin Johnson Heade and Norton Bush. It was winter, and I was driving through Wisconsin, early evening, listening to the news. The canal, the reporter said, would be three times as long and twice as wide as the Panama Canal. It would fit extra-large container ships. It might stimulate Nicaragua’s economy. Environmental groups were protesting potentially large-scale disaster.
April is POETRY MONTH, and we’re kicking it off with a satirical cartoon of local poet Emily Dickinson: girl voted most likely to dwell in possibility…
Get into the spirit of POETRY MONTH with this satirical cartoon of Emily Dickinson, who reminds us to be wary when travelling…

Rosanna Bruno is a visual artist who lives and works in Brooklyn, NY.
Curated by AMY HALLIDAY

In his 1838 “Essay on American Scenery,” Thomas Cole—the celebrated “founding father” of the Hudson River School of American landscape painting—wrote that American landscapes are:
a subject that to every American ought to be of surpassing interest; for, whether he beholds the Hudson mingling waters with the Atlantic—explores the central wilds of this vast continent, or stands on the margin of the distant Oregon, he is still in the midst of American scenery—it is his own land; its beauty, its magnificence, its sublimity—all are his; and how undeserving of such a birthright, if he can turn towards it an unobserving eye, an unaffected heart!