By HOODA SHAWA QADDUMI
Translated from the Arabic by NARIMAN YOUSSEF
They say that, sometime at the end of the nineteenth century, a woman came on a wooden ship from Najd, married a wealthy man from the island, and, when she didn’t conceive, had a maqam built on the ruins of a pagan temple near the cliffs of the shore. Having had a dream where a man holding a staff spoke to her, the woman then named the maqam after the mystic Al-Khidr.
By BOTHAYNA AL-ESSA
Translated from the Arabic by SAWAD HUSSAIN
(1)
In those days, everyone had the right to have feelings.
It was natural to feel things, and the right thing to do about your feelings was to make them known. Feelings were plenty, but broadly they were segregated into two groups: Love and Fear.
In those days, there was only one way you could sin: by faking your feelings.
By BASIMA AL-ENEZI
Translated from the Arabic by SAWAD HUSSAIN
Even not-happily-ever-after endings are preceded by a certain amount of speculation about what is to come. As a matter of course, all the important changes in organizational structure and relevant administrative decisions take place on the last Thursday of each month, ushered in by a few days heavy with anticipation and flare-ups among the employees.
Sabah sits in front of the computer screen, Americano in hand, trying to concisely respond to customer queries.
By JASSIM AL-SHAMMARIE
Translated from the Arabic by MAIA TABET
I feel the wall with my bare hands, the peeling paint, the cracks along its surface…. They’re just superficial and haven’t impacted the solid masonry. There’s no light coming through.
The soaring, towering wall is solid; it is two lights and one darkness long. This is how I measure the passage of time in the endless enclosure of this space, either as glaring light or as pitch darkness…. Once, to figure out how long it was, I hugged the wall, reaching its farthest edge after two lights and one darkness. Truth be told, this exhausted me, and I may have slept one or two lights without knowing it.
By HOMOUD ALSHAIYJE
Translated from the Arabic by NARIMAN YOUSSEF
We were happy children. Fear didn’t stop us from doing what we wanted whenever we wanted. The clock had no place in our daily lives, as long as we were armed by play and by the secret weapon of Allah y-saʿdak, that Iraqi phrase that we used as a password to keep the soldiers at bay.
But when it came to rescuing me from the claws of a heart sickness that sent me to the hospital, twenty-nine years after the invasion, the password didn’t work. In truth, I don’t know what struck me. It seemed that my heart could no longer contain the force of all the memories of the days of the invasion, when I was a nine-year-old who spent most of his time playing football or riding a bicycle. The stream of images pushed my heart rate to over 160 irregular beats per minute. As doctors struggled to figure out the reason, I myself was certain of it.
By YULIYA MUSAKOVSKA
Translated from the Ukrainian by OLENA JENNINGS and YULIYA MUSAKOVSKA
If their history together hadn’t begun this way,
they both would have been left alone, each with their war.
August—hellish, the bathhouse filled with bodies.
She squeezes the familiar palm and comes to life again.
Everything that has happened and didn’t happen to them,
is established, set in stone, unforgettable,
By CHO JI HOON
Translated from the Korean by SEKYO NAM HAINES
Translator’s note:
Cho Ji Hoon’s “Sorrow of Phoenix” appeared eleven months before the Pearl Harbor attack in the literary magazine Moonjang in 1940. This poem, along with “Old Fashioned Dress” and “Monk Dance,” published a year earlier, are considered to be among his major works. Born in 1920, Cho Ji Hoon grew up under Japan’s oppressive colonial rule after the demise of Chosun Dynasty in 1910 and has said that the foundation of his poetry was his attachment to what was vanishing from his native culture. He longed for the beauty of traditional Korea.
April Is Poetry Month: New Poems By Our Contributors
MARK ANTHONY CAYANAN, DAVID LEHMAN, and YULIYA MUSAKOVSKA (translated by the author and OLENA JENNINGS)
Table of Contents:
Mark Anthony Cayanan
—Ecstasy Facsimile (These days I ask god…)
David Lehman
—The Remedy
—A Postcard from the Future
—Last Day in the City
Yuliya Musakovska (translated by the author and Olena Jennings)
—Angel of Maydan
—The Sorceress’ Oath
By SYLVIA IPARRAGUIRRE
Translated from the Spanish by EMILY HUNSBERGER
The following is a translated excerpt from the novel Antes que desaparezca by Sylvia Iparraguirre, published in 2021 by Alfaguara.
—
Unannounced, the past invades the Russian literature class one autumn morning in Buenos Aires. I’m facing one of the windows of the museum library, talking about Pushkin. It’s raining outside and I allow myself a few seconds’ pause—after all, I’m the one teaching the class—to linger on the beauty of the rain falling on the sculptures in the modern interior courtyard, the clear water sliding down the bronze.
Translated from the Norwegian by KARI DICKSON
The following are two stories from Evil Flowers by Gunnhild Øyehaug, translated by Kari Dickson, published by FSG (2/14/23).
The Cliffs, When Dead
To get to the top of the White Cliffs of Dover was not that hard. It was, in principle, just a matter of walking. Moving one foot in front of the other, up a narrow, romantic path through the green grass. The hardest part was getting to England in the first place. Being a neurotic and booking flights could be problematic. Veronika knew all about that. Because she was a neurotic.
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