The Balkan

By CRALAN KELDER

The Balkan in my neighborhood, I give him small amounts of money a few
times a week, it’s not what you think. A lot of people do this. About his wife,
he tells me he has none. My daughter, he sees her smile a flash flood,
always gives her a cookie. His word is börek, translates as ‘savory pastry’
pronounced “boo-wreck”. For this I gladly give him money. Spinach and feta.
Bigger than your hand, hot from the oven. With meat or cheese, pasta layers,
flaky dough. He works 6 days a week. He was taking a nap in the park a few
years ago, we were there eating homemade sticky cake. I offer him some, he
rigorously declines. Does he recognise me? Was it inappropriate?

In Istanbul, I am delighted to find a bakery with the legend ‘Salon du Börek’
painted over the door, where fresh börek is the only fare. Back in Amsterdam, I tell
the Balkan about my excitement at finding börek salons in Zagreb and Istanbul. He
regards me politely.

 

Cralan Kelder was born in 1970 and grew up between California and The Netherlands. An anthropologist by training, he has edited numerous literary magazines, including Full Metal Poem and Retort. Previous books include: Lemon Red (Coracle 2005), and City Boy (Longhouse 2007). He lives in Amsterdam with his wife, the evolutionary biologist Toby Kiers, and their children.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Balkan

Related Posts

Baileys Harbor Shoreline

On the Shores of Baileys Harbor

BEN TAMBURRI
The beaches of Baileys Harbor are for birds, too pebbly and coarse to relax on. The water is cold, and the waves break at your ankles.

Two children kneel on a large rock surface, large grey boulders and a forest of trees visible in the distance.

The Garden of the Gods

ELI RODRIGUEZ FIELDER
The gods must have been giant children squeezing drip sandcastles from their palms, back when this land was at the edge of a sea. This used to be a mouth, I say. It feels impossible that this peculiar landscape should suddenly emerge among farms and Dairy Queens.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.