The Major Subjects

By LAWRENCE RAAB

Death is easier
than love. And true feeling, as someone said,
leaves no memory. Or else memory
replaces the past, which we know
never promised to be true.

 

Consider the sea cucumber:
when attacked it divides, sacrificing half
so that half
won’t get eaten. Can the part left undevoured
figure out what to do?

 

The natural world is always instructive,
mysterious as well, but often
hard to praise. Love
is also difficult—the way it slides into
so many other subjects,

 

like murder, deceit,
and the moon. As my mother used to say
about anything
we couldn’t find: If it had been
a snake it would have bitten you.

 

Fellow poets, we must
learn again to copy from nature,
see for ourselves
how steadfastly even its beauty
refuses to care or console.

 

 

Lawrence Raab is the author of seven collections of poems, most recentlyThe History of Forgetting and A Cup of Water Turns into a Rose.

[Purchase your copy of Issue 05 here]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Major Subjects

Related Posts

A photograph of leaves and berries

Ode to Mitski 

WILLIAM FARGASON
while driving today     to pick up groceries / I drive over     the bridge where it would be  / so easy to drive     right off     the water  / a blanket to lay over     my head     its fevers  / I do want to live     most days     but today / I don’t     I could     let go of the wheel  

The Month When I Watch Joker Every Day

ERICA DAWSON
This is a fundamental memory. / The signs pointing to doing something right / and failing. Educated and I lost / my job. Bipolar and I cannot lose / my mind. The first responder says I’m safe. / Joaquin Phoenix is in the hospital. / I’m in my bedroom where I’ve tacked a sheet...

Image of glasses atop a black hat

Kaymoor, West Virginia

G. C. WALDREP
According to rule. The terrible safeguard / of the text when placed against the granite / ledge into which our industry inscribed / itself. We were prying choice from the jaws / of poverty, from the laws of poverty. / But what came out was exile.