The Year in Dispatches, Poetry

This week, as we look back on the year, I’d like to highlight the work of some of the poets featured in Dispatches. It’s sometimes hard to pin a location to a poem, and at the same time, a poem can often take readers more accurately to the heart of a place than a reported dispatch. This year’s poems took readers all over the world, from sleepy American towns to European cities to remote forests and islands. Here are a few of my favorites, all worth a second look:

Yvette Christiansë’s haunting “Uneasy Sleep”, which takes readers to a tiny island in the depths of the South Atlantic;

Cralan Kelder’s spare painting of Bali, “Bring ‘Em Home”;

Krista Leahy’s late night in a small town, “Redressed”;

Brian Simoneau’s view of the Pacific, “Poem With Snowy Plovers”;

and finally, poet Kobus Moolman’s moving essay about teaching poetry in prison.

 

Photo from Flickr Creative Commons

The Year in Dispatches, Poetry

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Two Poems: Stella Wong

STELLA WONG
the Swedish red / and white dairy // cattle crossed the / red pied (now ex // -tinct) and ayrshire / (also all gone). // swaying fairy / red with cargo. // nation built, spent / in what was known // as mellanmjölk, / middle milk. one // and a half per / -cent.

Brace Cove

JOEANN HART
Gulls cried at one another as they tumbled through the air, then settled on the water like sitting hens, drifting on the swell. Night was coming, but while daylight lasted, seals hauled themselves up on the exposed rocks to luxuriate in the winter sun.

A golden object, shaped like a window with open shutters, sits atop a reddish wood table. The object is busy with delicate engravings: a cross; simple human forms, some adorning heart icons on their chests; water droplets; and palpitating lines. To the right is a container of prayer candles.

Genealogies

LILY LUCAS HODGES
It’s the gesticulating crowd that holds my attention. The sum of their frenetic energy, captured by a plethora of lines, almost frantic, all packed together from the left-most edge to the right. They demand your gaze. There are so many figures in the crowd, there were so many who lost their lives