Ferdinandea

By MARIA TERRONE

One of several names given to a ghost island that appeared in July 1831

When the buried volcano erupted,
sulfuric smoke leapt from the Sicilian sea,
seeped through locked, felt-lined chests,
blackening the silverware.

It was like rage—flames and letting go,
the sea a bubbling cauldron of dead fish,
a bad taste in the mouth.
An islet rose from the depths—

not glittering Atlantis, but a desolation
swiftly spreading like news of its strange
arrival.  Who can know why four nations
would stake claim to a stark mile

of tufa and pumice, what a naval surgeon called
“unhallowed ground”? Even the gulls fled,
screaming, but not the scientists, dreamers,
adventurers, curiosity-seekers,

cartographers who eyed nearby Tunisia,
and writers seeking mythic inspiration—
Jules Verne, Sir Walter Scott,
James Fenimore Cooper, Alexandre Dumas.

Like a wine connoisseur, someone sipped
the water of its two ponds, living to pronounce
the red one “salty, spicy,”
the yellow one “sulfuric.”

By December, the ghost had vanished
to a smudge of shoal with a new British name.
Soldiers and sailors returned home.
Contessas reclaimed their silver spoons.

Maria Terrone is the author of two poetry collections, A Secret Room in Fall and The Bodies We were Loaned, as well as a chapbook, American Gothic, Take 2.

[Purchase Issue 01 here.]

Ferdinandea

Related Posts

Black and white image of a bird with a long neck

Dispatch from Marutha Nilam

SAKTHI ARULANANDHAM
With the swiftness and dexterity / of a hawk that pounces upon a chicken / and takes it by force, / the bird craves / snapping up a vast terrain / with its powerful, sharp beak / and flying away with it. // When that turns out to be impossible, / in the heat of its great big sigh, / all the rivers dry up.

Tripas Book Cover

Excerpt from Tripas

BRANDON SOM
One grandmother with Vicks, one with Tiger Balm, rubbed / fires of camphor & mint, old poultices, / into my chest: their palms kneading & wet with salve, / its menthols, to strip the chaff & rattle in a night wheeze. Can you / hear their lullabies?

Blue cover of There is Still Singing in the Afterlife

Four Poems by JinJin Xu

JINJIN XU
my mother, my father. / Her skinny blue wrists, his ear caressing a cigarette. In the beginning, / it is already too late, but there is hunger & no time / to waste. All they need are six hands, three mouths, a clockwork / yearning for locks of their own, windows square & fresh.