Ferdinandea

By MARIA TERRONE

One of several names given to a ghost island that appeared in July 1831

When the buried volcano erupted,
sulfuric smoke leapt from the Sicilian sea,
seeped through locked, felt-lined chests,
blackening the silverware.

It was like rage—flames and letting go,
the sea a bubbling cauldron of dead fish,
a bad taste in the mouth.
An islet rose from the depths—

not glittering Atlantis, but a desolation
swiftly spreading like news of its strange
arrival.  Who can know why four nations
would stake claim to a stark mile

of tufa and pumice, what a naval surgeon called
“unhallowed ground”? Even the gulls fled,
screaming, but not the scientists, dreamers,
adventurers, curiosity-seekers,

cartographers who eyed nearby Tunisia,
and writers seeking mythic inspiration—
Jules Verne, Sir Walter Scott,
James Fenimore Cooper, Alexandre Dumas.

Like a wine connoisseur, someone sipped
the water of its two ponds, living to pronounce
the red one “salty, spicy,”
the yellow one “sulfuric.”

By December, the ghost had vanished
to a smudge of shoal with a new British name.
Soldiers and sailors returned home.
Contessas reclaimed their silver spoons.

Maria Terrone is the author of two poetry collections, A Secret Room in Fall and The Bodies We were Loaned, as well as a chapbook, American Gothic, Take 2.

[Purchase Issue 01 here.]

Ferdinandea

Related Posts

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

November 2024 Poetry Feature: New Work from our Contributors

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?