In the Natural World

By LAWRENCE RAAB

Animals dream, but of what we do not know.
They wake quickly, even when accustomed
to safety. Maybe some think back,

maybe others regret. But what about guilt?
Does it play a part in their kingdom?
Or is it only our burden? In one night

moles can dig tunnels 300 feet long,
while all that time we’re awake
brooding about the future,

which makes sense, or the past,
which is hopeless, or about the moment
itself as we lie there, letting a few

more minutes slip away into an hour,
then another, as if there were nothing
to being awake but losing, which is not

a thought animals entertain,
however inconsolable they might appear,
bent over their dead and their dying.

 

LAWRENCE RAAB is the author of eight collections of poems, including The History of Forgetting, A Cup of Water Turns into a Rose, and Mistaking Each Other for Ghosts, which was longlisted for the National Book Award and named one of the ten Best Poetry Books of 2015 by The New York Times. A collection of his essays, Why Don’t We Say What We Mean?, was published in 2016, and a new collection of poems, The Life Beside This One, will appear in the fall of 2017. He teaches literature and writing at Williams College.

Purchase Issue 14 here.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

In the Natural World

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.