January’s Child

By RANDOLPH THOMAS 

When winter set in, they came
to see us with their baby,
a beautiful child about a year old
who was learning to walk
and stepped proudly
across our living room,
waved her fists and hands
and shook her straw colored hair. 
They were in their late thirties, the woman
a long lost friend of our daughter,
the baby their first. They spoke
anxiously of buying a house,
a fixer-upper
in a neighborhood of better houses.
He had been a carpenter
in one of his previous lives, he said,
after deep sea diving, before tech support,
before the bush-league investing
he did now, but he still knew people
who’d help them with the fix-up
at a good price, practically nothing.
They stayed up late
baking a cake, tasting wine, toasting
the future, while we
amused the baby, but by the time
the cake was done, the baby
was crying. I had early
work, and my wife had chemo.
My wife would tell me later
that it had to be a dream, but I swear
I could hear them all night
scheming, laughing through the thin
walls, scoping out our kitchen,
our small guest room, the living room
already scattered with toys,
planning what they were going to do
with the place
as though our years here,
our decades, meant nothing.

 

[Purchase Issue 15 here.]

Randolph Thomas is the author of the poetry collection The Deepest Rooms. His poems have recently appeared in New Letters, Poetry South, Pleiades, Ponder Review, Poetry Daily, Verse Daily, and many publications. He is also the author of a short story collection, Dispensations, published in 2014. He teaches at Louisiana State University. 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

January’s Child

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.