Dispellations: Manomaya Kosha

By ANNA MARIA HONG

 

You can’t defeat nature, you can only
work with it. Just as speculating
                           on a perpetrator’s motives                                 —sex as
                           power, power as hard exercise
                           of a phantom sense 
                           of impotence,
                           blah, blah, blah—is trackless, so too is
asking what does it want,                  it wants
far less than you or I could 
ever envision
                            in our least released 
                            lives. It means no harm. 
                            It needs a warm
                            host. We invoke genre to accommodate 
                            events terrible and intimate,
          to give fleshly narrative to cataclysms
          of globular dimension—                            private/public,                        macro/micro
          —samskara, samskara, these fictions sizzling through 
                                                                            the World Wide Gap,
                                                                            racist, replicant, and species-specific.

 

Anna Maria Hong is the author of Age of Glass, winner of the Poetry Society of America’s Norma Farber First Book Award and the Cleveland State University Poetry Center’s First Book Poetry Competition; the novella H & G, winner of the A Room of Her Own Foundation’s Clarissa Dalloway Prize; and Fablesque, winner of Tupelo Press’s Berkshire Prize. Her poems are published and forthcoming in Colorado Review, Michigan Quarterly Review, Shenandoah, The Hopkins Review, Smartish Pace, Poetry Daily, Poem-a-Day, The Best American Poetry, and Sonnets from the American: An Anthology of Poems and Essays. She is an assistant professor at Mount Holyoke College.

[Purchase Issue 22 here.] 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Dispellations: Manomaya Kosha

Related Posts

A window on the side of a white building in Temple, New Hampshire

Dispatches from Søgne, Ditmas Park, and Temple

JULIA TORO
Sitting around the white painted wood and metal table / that hosted the best dinners of my childhood / my uncle is sharing / his many theories of the world / the complexities of his thoughts are / reserved for Norwegian, with some words here and there / to keep his English-speaking audience engaged

November 2025 Poetry Feature: My Wallonia: Welcoming Dylan Carpenter

DYLAN CARPENTER
I have heard the symptoms play upon world’s corroded lyre, / Pictured my Wallonia and seen the waterfall afire. // I have seen us pitifully surrender, one by one, the Wish, / Frowning at a technocrat who stammers—Hör auf, ich warne dich! // Footless footmen, goatless goatherds, songless sirens, to the last, Privately remark—