Olivia Zheng

Where I Don’t Write

By MELODY NIXON

In his autobiographical novel on D.H. Lawrence Out of Sheer Rage, Geoff Dyer laments his inability to write the book he wanted because he couldn’t figure out where to live. “One of the reasons, in fact, that it was impossible to get started on [the Lawrence book] was because I was so preoccupied with where to live. I could live anywhere, all I had to do was choose—but it was impossible to choose because I could live anywhere.”

House in black and white

I have the same problem. I’m a migrant and a wanderer, and I’m never really sure where my home is located – in the environment, or inside me? I’ve come to an unsteady way of dealing with this uncertainty, mostly by rolling with it. I’ve also learned that direct, personal experience in the world is essential to my writing. Last summer I wrote my way through a Trans-Siberian train ride from Moscow to Novosibirsk while hanging on to the side of a swaying second-class bunk bed, trying to explain to my babushka compartment-mates that I was working on an historical novel. Last fall I finished off several stories and articles for publication amid showers of asbestos at Art Farm, Nebraska, a cooperative, self-sustaining artists’ colony that is about as close to nature and rusticity as one can get without actually becoming a wild animal. Every day from my desktop I was obliged to sweep away the powder of synthetic insulation and possibly cancerous substances that had rained from the homemade ceiling during the night. As winter approached, we practically burned floorboards for warmth. We wrote and wrote as we huddled around the fireplace.

Where I Don’t Write
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Who’s Writing Real Brooklyn Stories?

By JULIA LICHTBLAU

Apple-crisp air, periwinkle sky. A world-class day in the Borough of Storytellers. As it does each third Sunday in September, on September 22, the Brooklyn Book Festival took over the esplanade in front of Borough Hall and adjacent buildings in Brooklyn Heights.

Writers are the latest Brooklyn demographic to become a national punch line. Like Jackie Gleason, only skinny. Last year, the festival claimed 40,000 visitors. —They haven’t released this year’s figures, but the joint was packed.

The list of presenters was a mix of Bold-Face Names (Colum McCann, Lois Lowry, Jules Feiffer) and serious up-and-comers. The panels covered a judicious mix of topics, weighted toward the international and multicultural.

Who’s Writing Real Brooklyn Stories?
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A Geography of Hurt

 
I moved back to my parents’ house in Philadelphia just over a year ago, when I found out my mother was dying from cancer. The day I found out was my first day of a part-time job at Columbia University in New York City, where I was a master’s degree candidate. My father called me at the tail end of my lunch break, while I was browsing discounted greeting cards at a gift shop that was going out of business.
A Geography of Hurt
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Review: The Virgins

Book by PAMELA ERENS
Reviewed by DEBORAH MICHEL

The Virgins

The prep-school novel has never grabbed me. Maybe it’s because I’m a Californian who didn’t go to an exclusive New England boarding school or send my children to one. Maybe it’s because these novels (yes, you, A Separate Peace, The Prime of Miss Jean Brodie, Prep, A Starboard Sea, and all the Harry Potter books, not to mention The Dead Poet’s Society, even though it’s a movie)—seem precious and predictable portraits of a cossetted (albeit often deadly) social niche.

The Virgins, however, is different. This elegant new novel by Pamela Erens (who attended Phillips Exeter) defies niche or genre. It is indeed set in an East Coast boarding school, and this setting plays a large role, but Erens does so many more interesting things than the usual exploration of class and teen angst, not least the creation of an utterly original female protagonist, the spiky, seductive, cringe-producing Aviva Rossner, whose aggressively Jewish name alone invokes a knowing frisson as soon as it appears. In the very next sentence, the narrator, another student, announces his name: Bruce Bennett-Jones. Erens has already subverted our expectations.We just don’t know it yet.

Review: The Virgins
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West Eugene Dawn, Summer Solstice

 

The first sound is the gong

Of a dumpster, kicked possibly

By one of the homeless twins

Who live at The Mission, followed

By the rattle of glass and aluminum—

Signs of early success—against the cages

Of their grocery carts filled with cans, bottles,

Anything stamped with 5¢ deposit

Next to our state’s abbreviation.

West Eugene Dawn, Summer Solstice
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From “Mañana Means Heaven”

Excerpt from the forthcoming novel Mañana Means Heaven:

Manana Means Heaven Book Cover

Wednesday, October 22, 1947

The workers couldn’t stop talking about it. Especially that whole first day after it happened. According to the paper, a “wetback” was found strung up in a sycamore tree near Raisin City. From his neck dangled a cardboard sign:

PARASITE

The Fresno County Coroner confirmed that because nowhere on the body were there bruises or scrapes the only logical explanation was suicide. A common occurrence among braceros. Naturally. They missed their families back home. Depression was inevitable. Fear was constant. The food too bland. A bottle of whiskey was found half emptied nearby. And for Xixto María Martínez, all the signs were there. On this very day his contract was up. As for the brief poem found on his person, the paper offered no explanation, except to say: Mr. Martínez had a way with words. It was imminent now. Xixto dying the way he died was only a suggestion.

From “Mañana Means Heaven”
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How Should I Care For?

1. Consider what damages

Yes, light, pests, dirt, but also the whole climate, and pets and people. Don’t forget the stress of storage or display. Whether to be “used and enjoyed” or “saved and preserved” – you must decide. There is no quick or simple answer. I was given this, but how should I make sure it is safe? That it does not begin to decay, then all but disappear. There are basic measures that anyone can take. Preserving fibers will prolong life.

Ultraviolet light from the sun and fluorescent lights cause permanent damage. Be alert to how the sunlight might be reflecting off a wall or mirror.

How Should I Care For?
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In Court

My mother walked toward the courthouse at her usual fast clip, and the smoke from her Marlboro hung over her head. My brother Bernard and I trailed her as we crossed Church Street, and the fall leaves, mostly auburn and pumpkin, crunched under our feet. Everything else around us was so still.

Three weeks before, Mom had called me in the middle of the night to tell me that Bernard had been arrested. After we got off the phone, I wasn’t sure what to do. Even though Bernard was eighteen years old, only six years younger than I was, I had taken care of him his whole life. I had enjoyed his victories––homeruns and high scores––as if they were my own.  I was sure his mistakes were mine, too.

In Court
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Burn Everything

Speaking of Southern Illinois and fishing and smoking cigars and praying when you don’t believe in anything, I got a call last week from my neighbor Larry who was having a porn barbecue. “Every year is a gift,” he told me, when he turned thirty-four. That was forty years ago. He was always convinced he’d die young, or die middle-aged, or die a few weeks after he retired. He’d more or less been planning on it forever. In the past five years he’d sold his books. He’d sold his collection of toy figures. He’d burned most of his poems. “Nothing I can do about the published ones,” he’d said. “That’s my own little punishment from God.”

Burn Everything
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Review: River Inside the River

Book by GREGORY ORR
Reviewed by PATRICK MEIGHAN

River Inside the RiverGregory Orr is a meditative poet. In his new book, River Inside the River, Orr again turns his inner eye to the power of words to reveal the essence of a thing, a movement, an emotion. He writes:

River inside the river.
World within the world.

All we have is words

To reveal the rose
That the rose obscures.

River Inside the River is a sequel to and extension of his 2005 collection Concerning the Book That is the Body of the Beloved. This is especially true in the third section, which bears the book’s title.

Review: River Inside the River
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