Dispatches

The Language of the Body

By SARA ELKAMEL

Image of tents in a Bedouin-style camp at the Wadi Rum desert in southern Jordan

Tents in a Bedouin-style camp at the Wadi Rum desert in southern Jordan. Courtesy: Soraya Ghezelbash.

Wadi Rum, Jordan
for Yvonne

 

We pull the black of Rum over our eyes
like skin. God’s earth is vast, vast, vast—but by day

she wrapped her limbs around my limbs and drew
my air. I follow her into the dark, consider saying: Please,

I don’t know what you need—but all I see is red.
At the foot of the dunes I push her, soft as the sin

that tips the scale. I run away like a ghost, a demon, a silent drum
in the faultless dark. Not a quiver of light around my bones.

The Language of the Body
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E.A. Robinson Leaves by Rail

By ABBIE KIEFER

old photo of train stationGardiner, Maine

Raw granite and brick, hip roof like a helmet. At its height, it hummed: seventeen trains daily, lumbering in along the river. I imagine E.A. here with his ticket and his trunk. With his back to the brick, listening for a whistle.

Now the depot is a cannabis dispensary. They keep records in the ticket booth, make brownies in the basement. Preservationists call this adaptive reuse.

E.A. Robinson Leaves by Rail
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Postcard from Rhodes

By A. MAURICIO RUIZ

Busy street with old buildings

Rhodes, Greece

At the Mandraki I saw three medieval windmills standing on the pier like heavy friars with their brownish cloaks, also the statues of two Rhodian fallow deer, a buck and a doe, symbols of the island. A theory persists that Crusaders brought deer to the island because their antlers secrete an alkali substance that repels snakes. Standing at the marina I gazed at the platoni, which are smaller than other types of deer, reaching only one meter in height. Their brown coats acquire white mottles in summer, while in winter they darken. Rhodes’s ancient name was Ophiusa, which in old Greek means a place filled with snakes. “That’s why you see cats everywhere,” one of the islanders told me. “They are the guardians of the island. They kill the snakes.”

Postcard from Rhodes
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In the Garden of Invasive Species, I Offer Gratitude

By JENNIFER PERRINE

Girl in a garden

 

Port Murray, New Jersey and Milwaukie, Oregon

for my grandparents, who did not teach me
how to farm, and yet they scattered these seeds:
How a dunk into scalding water slips
the skin from a peach, leaves it unfuzzed, slick
for canning. How the trick to shucking corn
is one clean jerk. How jars of beet brine turn
eggs to amethysts that stain my fingers,
my lips. They left me to play in cellars
stocked with preserves and jam, in rows of trees
that released chestnut burrs for my bare feet
to find. What would they think of my pea shoots
left unlatticed, free to tendril one noose
after another around other plants,
my slapdash harvest, larder left to chance?

In the Garden of Invasive Species, I Offer Gratitude
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July on South St. (AEAE)

By NICK MAIONE

Two trees during sunset 
Northampton, MA

I open the doors and windows and shut off the lights.
For a while I play tunes on the fiddle
shirtless in my dark house. I love doing this.
For the first time all day I am not at home.
For the first time since the last time
my body is the same size as my flesh.
The only home I have is finally mine
and there is a breeze.

July on South St. (AEAE)
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On Halloween

By VASYL LOZYNSKY

Translated by the author and JESSICA ZYCHOWICZ

Hudson, NY

I feel greedy, I have a frog in my throat because of this
expensive beer. I start to ask around, like a detective,
and immediately get some info
from the writer sitting at our table nearby,
whom I got to know just now. 
The house of Ashbery has likely mahogany doors facing
the square, probably where city hall is.  
I don’t even think about visiting without letting 
someone know first. I stop and read a few poems in a bookshop.
You won’t repeat the jokes, I say,
you’ll go around to all the apartments on Halloween 
with pumpkins, like I used to do
in my childhood, but then the main thing was trick or treat, 
not to force someone for an interview or a photograph.

On Halloween
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Bread N’ Roses

By ERICA PLOUFFE LAZURE 

Image saying "writing from the Lusosphere"

Image of a bag of bread attached to a doorway

Lomba Das Barracas, Furnas, São Miguel Island, Azores, Portugal

This morning, from our bed, Luke and I listened again for the ice-cream truck melody of the Portuguese bread truck. Not that we needed bread, because we’d bought a week’s worth the day before at our tiny grocery store that is also a bar and is also a café, but because it came through yesterday and we wanted to see the operation in action—did people run out after the truck, and buy loaves off the back? Or was it a pre-pay or on-tab on-order delivery? Apparently, in the tiny Azorean village of Furnas, the fresh food comes to you. Just last night, a fruit truck rumbled through the neighborhood, broadcasting a tuneless tune from its loudspeaker to alert neighbors of the fresh produce for sale—heads of cauliflower, potatoes, peaches, leeks, and tomatoes—right off the truck. The bread truck, we reasoned, might do the same.

Bread N’ Roses
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Dive

By JENNIFER PERRINE

Central Pennsylvania

Every Friday and Saturday night, 
and sometimes Thursdays, too, we would drive 
the highway out from the college town, 

past farmland, turn down that road that led
deep into the forest. In the dark, 
we parked and followed the unlit path,

Dive
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