Where am I, tracing lines in the bark
of an oak, a name
I have yet to forget?
It wasn’t love, this
half-attempt, my breathing in
the dust, the fire ants
lock-stepping down
Where am I, tracing lines in the bark
of an oak, a name
I have yet to forget?
It wasn’t love, this
half-attempt, my breathing in
the dust, the fire ants
lock-stepping down
My neighbor Geraldine
runs her sprinkler
like a public fountain.
The kids run through hollering
when all that dead grass
stabs their little plum feet,
By KIRK MICHAEL
This is the second part of a two-part Dispatch. The first part is available here.
I navigate by haphazard emotion, glancing over the wonderful cards that describe the provenance of the art, the investments of the rich across centuries. Willem Claesz Heda’s “Still Life with Oysters, a Silver Tazza, and Glassware” has what the title says it has and also a stamped checkerboard knife fitted for Old Dutch clutches, Schermerhorns buying up property on the docks of New York, New Amsterdam, monochrome banquet pieces slapped onto walls like flatscreens, overturned chalices and cutlery, tarnish and husk, the bitter translucent lemon dripping gold leaf citrus, succulent on the table, the pip as acidic as the pupils in my eyes.
By KIRK MICHAEL
This is the first part of a two-part Dispatch. The second part is available here.
“Beginnings are always delightful; the threshold is the place to pause.
My luggage trips over the pavement and the brownstone bella vista is dappled by trees I will soon learn are called Callery Pears, the ones that smell of semen, vulgar but pleasing, high on the listicle of “Disgusting Smelling New York Trees, Ranked,” a sign that I have finally arrived in Brooklyn in proper spring, the jizzy crush of it.
Delhi, Dharmshala, McLeod Ganj, Dharmkot. New friends and newer friends over masala chai. Deodar forest in rain. Mist rising. Monkeys on a cold tin roof, scorpions in the corridor, beetles inside clothes, slugs the size and shape of fallen leaves. Clean, spare, sharply elegant—Vipassana. Silence. Thank you for all the blessings, they came in handy.
On our first date he took me to a bar disguised as an apartment. Down a narrow alley (they call them laneways there), up a step, through a door marked “1A.” The room was small and nearly empty, all dark wood and white walls. A fire did its quiet work in one corner, its light gleaming on the unlabeled bottles that lined the shelves. He knew everyone, and the beautiful, tattooed bartenders spoke to me like family.
By SAGE CRUSER
My dad’s black mutt slunk up to the front porch, looking slowly back and forth and crouching down low to the ground. I knew that body language: she was unsure of how a gift she had for us would be received. Her mouth was full of something. “Spit it out, girl,” I commanded. She gently separated her jaws and rolled a small brown ball of fur off her tongue. It was a wild baby rabbit, so small that at first I thought it was a mouse. But then I saw its ears and pink nose, and, as any nine-year-old girl would, I jumped and let out a squeak. Then I composed myself by taking a deep breath and patted my dog on the head. “Good girl, Macy. I’ve got it from here.”
By CHRIS KELSEY
We booked three nights but stayed four. We traveled in-state to save money but spent just as much as we might have on flights to the West Coast. It was November. Going against all reason at our latitude, we headed north.
Driving on the Peak to Peak Highway through Colorado’s Rockies with my husband, Bill, and his mountain-climbing friend, Bob, I glimpsed in the valley beyond a cluster of low buildings painted blue, pink, and green. It looked as if a 19th century frontier mining town had been transformed by a happy band of pot-smoking hippies who had journeyed cross-country from Woodstock. The incongruity was so pronounced, I wondered if the air at 8200 feet had thinned my brain cells, causing hallucinations.
By GEOFF KRONIK
Every morning I sat on the terrace and waited for him. Night would fade to gray dawn, the sun’s first rays struck the kilometer-high spire of Burj Khalifa,and then the sculler would appear. No other craft plied Dubai Creek at that hour, no working dhows or party cruises. River belonged to sculler and sculler to his boat, and I would sit with my coffee and envy him.