Fiction

Tsunami Bride

By SINDYA BHANOO

As the parakeet-green municipal bus pulled into Cuddalore, Sai held his sign up as high as he could, his forehead burning from the morning sun. He did not want the reporter to miss him.

The sign was flimsy, made of two pieces of printer paper taped together, but it was sufficient.

He’d written SARA, THE NEW YORK TIMES in thick capital letters with a black marker. He knew of only a handful of women doing serious journalism, mostly Barkha Dutt copycats. His favorite female journalist was actually a character from the movie Gandhi. He had rented it when he was in college in Chennai and watched it alone. He was instantly smitten with the actress who played the Time magazine photographer from America, charmed by the way her short, wavy hair bounced as she squatted to the ground to take pictures of the Mahatma spinning cotton on his chakkaram.

Tsunami Bride
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Dream Catcher

By LOGAN LANE

 

FROM: Tracy Burks <dreamcatcher@archcorp.com>
TO: Office of Coordination <officeofcoordination@archcorp.com>
SUBJECT: How the Cookie Crumbles
DATE: August 3, 2043

FROM THE DESK OF TRACY BURKS

Dear Interns,

I will make this short but not sweet, unlike the chocolate delicacy at the center of this blunder:

Whoever is eating cookies in The Loomery, cease. Did you not see the signs in the hall outside? Did you not read the pamphlets on initiation day? Surely not, because you would’ve noticed they read in large Impact font: DO NOT EAT INSIDE THE LOOMERY.

Dream Catcher
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Geist

By KATHLEEN HEIL

At an artists’ collective near the Polish border about an hour from Berlin, I’d been taking a break from translating texts into English, a task I once enjoyed but was beginning to resent, as I was beginning to feel invisible—or was it burnt out?—in any case, I was glad to get away for a few days: it was my first vacation since I-don’t-know-when, and I’d begun to feel my soul was spent. Over lunch on my last day there, a woman from Seoul who went by the nickname Hae—a transliteration of the word “sun” in Korean, she said—asked what the word in German was for “soul.” Actually, the woman sitting next to her asked, but the woman sitting next to Hae came from Spain and was shy about her English, so when she directed the question at me I heard the word as “sol”—we’d spent the week speaking both Spanish and English—and said, in reply, “Sonne.”

Geist
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In Heat

By GABRIEL CARLE

Translated from the Spanish by HEATHER HOUDE

It’s the last day of school, and I get home with butterflies in my stomach. My mouth already tastes like summer, like heat outside and air conditioning inside, like the darkness of my cave, like cloister and crypt. I turn on the television and change the channel, change the channel, one to the next, discovering the lineup for the beginning of the end of the week, the beginning of my three-month rest, the beginning of a new wave of televised hunger, the same that ensues from another year of school.

In Heat
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The Tiger

By SARAH WU

 

When the Tiger slinks around the house, she leaves behind chess sets and violins and dictionaries that swirl above our heads like birds. Her orange fur disappears from corners and her ink-stained footprints press against the floor, and it is through these moments that we know she is watching us.

Her presence is a pause; she appears the same way commas appear in sentences, bringing a brief moment of silence before the day continues. 

The Tiger
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The Influence of Bloodline

By NAIVO

Translated from the French by ALLISON M. CHARETTE

 

The first time I tried to see Judge Florence, I employed the same strategy as most petitioners: I camped out at the entrance to the courthouse in the administrative district next to the lake in the capital to try and grab her as she walked in. But that just showed my ignorance of the winding, inner workings of the judicial system—as soon as the magistrate appeared, I was thoughtlessly shoved aside by at least thirty others racing toward her with similar ideas. The only glimpse I managed to catch of Florence was a wisp of jet-black hair and a flash of golden glasses slicing a path through the scrambling masses.

The Influence of Bloodline
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Antropófaga

By ANANDA LIMA

Excerpt from Craft.

 

She devoured tiny Americans that slid out of a vending machine. Their thin metallic plastic packages almost opened themselves when punctured. Emerging with their tiny hands on either side of the rip, they declared their nutritional value (calcium, sugar, fat, 350 mg of synthetic protein). So many times she decided to diet and promised: no more Americans. But she always walked by, with an eye on the spot between the Ruffles and the Doritos, salivating. And before thinking, there she was again, inserting the coins, hot and sweaty from her palms, into the machine’s mouth.

Antropófaga
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In the Rain, Sugar Runs in Tears

By GEIMY COLÓN

Except from Nobody Here Plays Little Kid Games.

 

The blackout falls over the neighborhood like thick ink, darkening everything, forcing things into slow motion. It is like night on night—a doubly deep darkness. There are no stars lighting the block in the rainstorm.

Heavy rain hitting the roof runs off the metal awning over the terrace. The rain insulates the house in a liquid static that blocks out all other sounds. The musicality of this static brings peace to the house. Inside the house, the refrigerator ceases its loud humming. Fans stop whirring. The buzzing of the overhead lights grows silent.

In the Rain, Sugar Runs in Tears
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Excerpt from BETWEEN THIS WORLD AND THE NEXT

By PRAVEEN HERAT

 

“Mr. Federenko come soon,” the driver said, lugging Fearless’s duffel up the stairs.

Above, on the landing, he saw a blur of pattering feet and what looked like a cowled figure disappearing through a door—but it must have been his mind playing tricks, he told himself. And the rain was disorienting; it hammered on the stairwell’s skylight like a hundred hundredweight of masonry nails tossed from above. Fearless’s work as a war photographer had taken him everywhere save Asia, so the sheer speed and volume of the monsoon surprised him. When the driver led him through the open door of a whitewashed apartment, he was stunned to see the water reaching pedestrians’ knees from its balcony, the thoroughfares now canals traversed by cars and tuk-tuks that left parabolae of foam rippling in their wake. Clothes stuck to people’s skin. Ropes of water twisted from awnings.

Excerpt from BETWEEN THIS WORLD AND THE NEXT
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