Fiction

Excerpt from “Two Sad Clowns”

By ELIZABETH MCCRACKEN

This piece is excerpted from a story in The Souvenir Museum by Elizabeth McCracken, a guest at Amherst College’s 2022 LitFest. Click here to purchase.

 

Cover of The Souvenir Museum by Elizabeth McCracken, the anthology from which this piece is excerpted. The cover shows a teal balloon dog on a bright yellow background, with the title and author's name in white sans serif font.

 

Even Punch and Judy were in love once. They knew the exact clockwise adjustment required to fit their preposterous profiles together for a kiss, her nose to the left of his nose, his chin to the left of her chin. Before the slapstick and the swazzle, the crocodile and the constable, before above all the baby: they’d known how to be sweet to each other.

Excerpt from “Two Sad Clowns”
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Excerpt from The Committed

By VIET THANH NGUYEN

This piece is excerpted from The Committed by Viet Thanh Nguyen, a guest at Amherst College’s 2022 LitFest. Click here to purchase.

 

Cover of The Committed by Viet Thanh Nguyen, showing a drawing of a man on a yellow background with red text

 

We were the unwanted, the unneeded, and the unseen, invisible to all but ourselves. Less than nothing, we also saw nothing as we crouched blindly in the unlit belly of our ark, 150 of us sweating in a space not meant for us mammals but for the fish of the sea. With the waves driving us from side to side, we spoke in our native tongues. For some, this meant prayer; for others, curses. When a change in the motion of the waves shuttled our vessel more forcefully, one of the few sailors among us whispered, We’re on the ocean now. After hours wind- ing through river, estuary, and canal, we had departed our motherland.

The navigator opened the hatch and called us onto the deck of our ark, which the uncaring world denigrated as merely a boat. By the lopsided smile of the crescent moon, we saw ourselves alone on the surface of this watery world. For a moment we were giddy with delight, until the rippling ocean made us giddy in another way. All over the deck, and all over one another, we turned ourselves inside out, and even after nothing remained we continued to heave and gasp, wretched in our retching. In this manner we passed our first night on the sea, shivering with the ocean breezes.

Dawn broke, and in every direction we saw only the infinitely receding horizon. The day was hot, with no shade and no respite, with nothing to eat but a mouthful and nothing to drink but a spoonful, the length of our journey unknown and our rations limited. But even eating so little, we still left our human traces all over the deck and in the hold, and were by evening awash in our own filth. When we spotted a ship near the horizon at twilight, we screamed ourselves hoarse. But the ship kept its distance. On the third day, we came across a freighter breaking through the vast desert of the sea, a dromedary with its bridge rising over its stern, sailors on deck. We screamed, waved, jumped up and down. But the freighter sailed on, touching us only with its wake. On the fourth and fifth days, two more cargo ships appeared, each closer than the one before, each under a different flag. The sailors pointed at us, but no matter how much we begged, pleaded, and held up our children, the ships neither swerved nor slowed.

Excerpt from The Committed
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Excerpt: Intimacies

By KATIE KITAMURA

This piece is excerpted from Intimacies by Katie Kitamura, a guest at Amherst College’s 2022 LitFest.
Click here to purchase.

Intimacies Book cover

1.
I arrived in The Hague with a one-year contract at the Court and very little else. In those early days when the city was a stranger to me, I rode the tram without purpose and walked for hours at a time, so that I would sometimes become lost and need to consult the map on my phone. The Hague bore a family resemblance to the European cities in which I had spent long stretches of my life, and perhaps for this reason I was surprised by how easily and frequently I lost my bearings. In those moments, when the familiarity of the streets gave way to confusion, I would wonder if I could be more than a visitor here.

Excerpt: Intimacies
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Sometimes the Sun Becomes a Dragon You Can’t Escape

By RACHEL KOZLOSKI


                          After the Celtic folktale of King Eochaid and his sons

Sometimes the sun becomes a dragon you can’t escape. It was that kind of Sunday when Nicole and her sisters sat bored and panting on their stoop, too tired and sun-stoned to fight with each other, or to find something to do. Occasionally one of them exhaled loudly, with noise, “Huuhhnnnnn” because that was the only way to feel release.

Sometimes the Sun Becomes a Dragon You Can’t Escape
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Cockroach

By RAJOSIK MITRA

 

I

It is 3:46 A.M. July, 2019. This cockroach is a creature of habit, something that crawls out from the cracks right after the lights are out. Nobody sees it till it is right there, suddenly there, on that exact same spot every night. It has a look on it that tells you it is old, that it’s been waiting there for ages, waiting for something inevitable that never comes, always deferred. Its antennae, moving in a slow rhythm, sweep the air above its head.

Cockroach
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Cheo

By XAVIER NAVARRO AQUINO

Cover of Velorio by Xavier Navarro Aquino, which shows a red stripe of paint next to a drawing of palm trees blowing in the wind

I knew Vega Baja like the hairs on my feet. I used to work part-time en Tortuguero BBQ before landing in Florencia with the mongers. I walked and walked. It would be days until I reached Memoria, but I knew someone dear that still lived in Vega Baja, so I figured it fine to stop and visit my old friend.

Cheo
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Tell Me About Bobby Kennedy

By BOB JOHNSON

The night Barack Obama was elected president, Roger Sinclair and his family gathered in his living room to watch the results come in. And there Roger—lifelong Democrat, city councilman, local party chair—drank a bottle of Merlot and elbowed his granddaughter Emily in the cheek, breaking her orbital socket. 

Before the incident, the evening had been a happy one. Roger’s son Joel and daughter-in-law Colette were as rapt as he by the momentous events. All agreed that John McCain (a patriot, to be sure) was mired in the past, while the young candidate from Chicago—his beautiful family, his dazzling smile—represented an optimism the country hadn’t seen in a generation. 

“It’s a return to Camelot,” Roger said, lifting his glass, though Joel’s and Colette’s puzzled faces told him they missed the reference.

Tell Me About Bobby Kennedy
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These Winters in Pittsburgh are Making Us Strong

By JANE MCCAFFERTY

Ah, last day of the semester. The professor goes on a long walk into the winter woods near the Highland Park Reservoir, her pale face chapped with cold. She’s had one glass of wine.

OK two and a half. It’s perfect out here! The sky looks pink, sweet and pillowy as seen through bare black branches, and she’s touching as many trees as possible. This is a ritual that had been given to a character in one of the student stories she’d read this term. The story had moved the professor to tears, partly because the kid who wrote it was such a sincere person, so full of effort. He was Italian-Latvian, from South Philadelphia, used a flip-phone, suffered from schizophrenia and bipolar disorder, watched ancient re-runs of The Waltons on his laptop, and was the most brilliant of students—like nobody she’d ever taught before. A double major in writing and physics.

These Winters in Pittsburgh are Making Us Strong
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The Eclipse

By ANNA LIDIA VEGA SEROVA

Translated by JENNIFER SHYUE

 

Translator’s Note

Anna Lidia Vega Serova’s stories make my mouth quirk and make me wince, usually not simultaneously. The pitiless sweep of her narrators’ gazes spares no one, not even the characters they’re latched fastest to. When my own eyes are fixed on the task of translating her words, of scooting puzzle pieces around until they snap satisfyingly into place, I forget how unblinking that narratorial gaze is, how its effect sometimes abuts brutality, and sometimes tips straight in. I remember when I watch other people react to my translations, after it is too late to offer content warnings or make excuses for unlikable women. (What can I say? I like unlikable women—or, more accurately: I admire them.) Vega Serova’s stories brim with them, which is one reason I am drawn to them.

The Eclipse
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Safety Advice for Staying Indoors

By MARY O’DONOGHUE 

 

The farmer’s daughter began her fifth period, more excavating, more mortal than the previous. The toilet under the stairs flushed half-heartedly, returning red-brown effluent. Go down, go away, be off to the underworld! She pumped a second time, jangled the handle to make her point. But there would be more. Dark clumps and entrails, another six days of the end of the world.

Safety Advice for Staying Indoors
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