Fiction

و

By COLETTE BAHNA 

Translated by ROBIN MOGER

Once I’d been stripped and forced to stand naked before the gaze of the military medical examination board, for the purposes of identifying any defects that might prevent me receiving the honor of being conscripted, the examiner seated on the right-hand end of the bench rose, approached me, and circled me three times, inspecting every inch of the body before him, then turned back to his fellow board members and, stroking my ear with a disconcerting delicacy, said, “Sound. Big ears.” 

و
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Frozen: Three Stories

By IBRAHIM SAMUEL 

Translated by MAIA TABET 

The Long Winter  

“They’re here” she was about to scream, bolting uprighther heart pounding in her chest. It was as if a snake had brushed against her bare skin under the comforter. He snatched his arms away from where they lay against her neck and her cleavage. They were both naked: beads of sweat quivered on the hairs of his broad chestand her breasts trembled over the volcano that had erupted in her heart. 

Frozen: Three Stories
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Border Strip: Three Stories

By LUQMAN DERKI

Translated by JONATHAN WRIGHT

A Trip to Ain Diwar

We woke up at five o’clock in the morning and ran to the Hophop bus that was waiting at the school gate. It was colored and beautiful and had the words Scania speaks and the Volvo hurts written on it. The children stood in line in an orderly fashion as they boarded the bus. Teacher was carrying a stick made from a pomegranate branch given to him by the son of a local official, who is lazy but who always comes first in class. Sheikh Khadir, the driver, was washing the bus, and as they boarded, the children splashed the children behind them with water.

Border Strip: Three Stories
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Under a Pile of Moons

By BETSY JOHNSON-MILLER

 

We travel together to the outskirts of Alone. Hunger permeates the car like teenage funk, but there are no crumbs on the seats. I do not allow snacking.

I don’t know what is the most surprising—that a tumor grows inside me, that my love is not in the car, or that Hope sits in the backseat. A pillow, a book, and a look that annoys me every time I glance at her in the rearview mirror.

Under a Pile of Moons
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From A Lucky Man

Excerpt from the novel A Lucky Man by Jamel Brinkley

book cover

 

James kept busy at the security desk now, doing the work of both men while Lincoln sat there with his stomach on his lap. He felt a sort of bond with James now, a familiar gratitude. But one gets sick and tired of saying thank you. When he was engaged to Alexis, and during their first years of marriage, his friends would also tell him how lucky he was, but this was said as a joke. Lincoln would say thank you and agree, would tell them how grateful he was for her, but this wasn’t true. He deserved her—this was what he believed, and he knew this was what his friends believed in. A man of a kind should get what he deserves, and if a man like him couldn’t get a woman like her, then something was terribly wrong with the world.

From A Lucky Man
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From The Study of Animal Languages

By LINDSAY STERN

Animal_Languages

“All my life I’ve been waiting,” says my father-in-law, through the stall door. We have stopped at a rest area along the interstate, halfway between our homes. I would meet him back in the car, if only he would stop waxing poetic.

“Frank?” I face the mirror, smoothing the hair over my thinning spot. “I’ll be—”

“First for school to end,” he interrupts. “Then for my twenties, then for success. Marriage, children, et cetera. For them to leave. For their children. Then the waiting became less conspicuous. Waiting for the cry of boiled water. For the paper. For spring. It took a mighty long time to understand that what I’d been waiting for wasn’t each thing, actually, but the chance to wait for whatever came next.”

From The Study of Animal Languages
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From Where the Dead Sit Talking


Excerpt from the novel Where the Dead Sit Talking by Brandon Hobson

cover of where the dead sit talking with a bird drawn on it

CHAPTER ONE 

     I have been unhappy for many years now. 

     I have seen in the faces of young people walking down the street a resemblance to people who died during my childhood. 

From Where the Dead Sit Talking
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Coloso

By HUGO RÍOS CORDERO

In the same way that some structures carry time on their shoulders, we too want to observe its traces. Every place, of course, has anchors that halt time as it passes by. In Europe, the huge cathedrals are mute and impotent witnesses of history. Likewise, the old sugar mills of Puerto Rico remain to remind us of an era that, while gone, is still harbored within them. These metal monsters, abandoned to their rusty luck, become sanctuaries of memory. The mill Coloso, one of the last of the dying titans, is now only a grey silhouette lost in the green and twisted landscape of the valley.

Coloso
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Passageway

By VANESSA VILCHES NORAT

Translated by AURORA LAUZARDO UGARTE

 

The hole is behind the headboard. We opened it some time ago. I couldn’t say exactly when we became aware of the weariness lurking around us, maybe eight years ago. It lasted for hours, sometimes for days. Then it disappeared. During those anxious periods, we didn’t know what to do. It’s a horrible feeling. You can’t stand being with that person any longer. It’s not boredom in the strict sense of the word. Intolerance, perhaps. Everything annoys you. The way they click their tongue, the unexpected smile, the wrong word said at the wrong time, the obsequious caress. Even the things that you thought were funny before seem unbearable now. It may be the cumulative effect, a friend said. A sort of allergy—you stuff yourself on your favorite food until one day your body says: Enough! You break out in red spots, itching and sweating, which only makes it worse. Just like that. Too much of a good thing, I say. One day we looked at each other and we couldn’t take it anymore—I was fed up with him, and he with me—and we searched for a solution.

Passageway
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Hunger’s Pace

By ANA MARÍA FUSTER LAVÍN

Translated by RICARDO ALBERTO MALDONADO

 

“Hunger. It’s like an animal trapped inside you, Thomas thought.” —James Dashner

The flavor of those eyes continued to dance in her mouth as she savored the aftertaste with little smacks of her tongue. Just before dawn, she lifted up her gaze toward the infinite, making out only the light that was deep blue and amber. Everything is relative to day, to night, to colors, and to sustenance. When you are hungry, your steps assume an ashen color as if in a dream of incineration—somber, grayish, full of pain. We’ve all been hungry, we are hunger, yet she was alone. Especially after that early morning when nature exploded into wind and rain, leaving her home battered. That morning, three of her kittens, her only companions, drowned in her basement.

Hunger’s Pace
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