Fiction

not equal to ≄

By AYOTOLA TEHINGBOLA

Story selected from Lagos Will Be Hard for You, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

 

There was a statue of the real Jack Daniels in the corner, or so the plaque read, but Jonathan swore that it looked more like one of the U.S. presidents: hat, beard, suit, presence, pose. It had a rainbow flag affixed to its shoulder, so Lotanna, or Lottie as she had come to be called in America, went with the Jack Daniels claim. 

It was New Year’s Eve and they were on their third date. 10th Street Station was a basement bar and Lotanna decided she liked it as soon as she stepped in. The walls boasted of old autographed Hollywood posters and portraits, number plates proud of the Land of Potatoes, and when Lotanna found drawings on one of the high beams she thought it must have been by someone who cared a lot about this place but was shy of their talent. It was all mismatched in shape, color, and size. Nothing belonged. Like her. They ordered glasses of IPA and sat near the heater, and she kept glancing at her phone, waiting for the new year to ring so she could go home to her basement apartment. 

“Hey. You okay?” Jonathan asked, nudging her lightly. 

not equal to ≄
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Three Stories from A Bunch of Savages

By SOFI STAMBO

Excerpted from A Bunch of Savages, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

 

Baba Borka

I absolutely have to go to Coney Island every weekend.  People think that’s strange. Luckily, lately I don’t care if people love me, like I did before. I used to suffer and blush and stay home and cry. Not anymore—I grew up and out of this. One day I woke up and realized that it doesn’t matter if I am well-liked or not. What matters is to get up at six, go to work, calculate for fifty hours, get yelled at, watch people get bullied, stay calm, and not kill anyone.

I can definitely do this, but with huge quantities of Coney Island.

I need to step into this postcard image of sea, sand, salt, and seagulls. This is my comfort zone. I don’t need anything else. Unless we are going for perfect, then maybe a peeled peach, and my grandmother to peel it.

Summer always starts with her glittering, gold-toothed smile. In the morning, the night train from the capital arrives at the old station in Varna. My small grandmother and huge grandfather are running toward us, they always ran, with bouquets for my mother, my sister, and me. These dahlias have been planted, watered, and weeded months ago for us. They’d been cut an hour before. The seagulls scream, it smells like sea, the station shines wet from the fog and bright from the sun and the smiles of my people.

Three Stories from A Bunch of Savages
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Excerpt from Cattail

By HAITAO XU

Excerpted from Cattail, a finalist for the Restless Books Prize for New Immigrant Writing 2024. 

1.

Kargh, pzzzs, kargh. Good morning, Revolutionary comrades! The sun is rising;  
Kargh, pzzsz . . . the war drum is beating!

Again, the formidable metal rooster atop the office building of Sunrise People’s Commune Brigade Three shattered the quiet early morning with its violent static coughs and squawks. 

Hearing it, Cattail, a tall and thin girl in a faded purple winter coat, kicked the dirt floor of the kitchen, a lean-to attached to their main dwelling, which consisted of a hut with two bedrooms and a common area. 

She should have the breakfast ready. But their meal, sweet potato soup, the same food they have twice a day in winter, was not boiling yet. The sweet potatoes were like stones. She knew the loudspeaker would soon summon every commune member, all the adult residents of Brigade Three, to report to work.

Excerpt from Cattail
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Day Hike

sad grownups cover

By AMY STUBER

Alice wants to walk on the trail, but Renee wants to wander. At least that’s what I imagine.

Maybe Alice tells Renee, “It takes two hours to get to the lake. Let’s keep moving,” and probably Renee heads down offshoot paths to get closer to the falls. In the first half-hour, on their way to the lake at the peak, they see a fox, a mother and baby moose, and three animatronic-looking deer.

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Paper Summer

By YUNHAN FANG

This piece is part of a special portfolio featuring new and queer voices from China. Read more from the portfolio here.

 

By the summer of 2009, I found I was thinking less and less about the Wenchuan earthquake the year prior, in which 87,000 people had died, my father among them. That year, on the day of Xiazhi, I met a girl called Thirteen. We spent the night together, having sex and talking until the sky turned the color of moonstone.

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My Five-Thousand-Meter Years

BY K-YU LIU

This piece is part of a special portfolio featuring new and queer voices from China. Read more from the portfolio here.

 

The rumor was there was a backdoor into the best running camp in the capital. To get your kid in, there’d better be something wrong with their mind.

Mother drove me to the facility with a note from Dr. Chen in her purse. For four hours, roads splintered and strayed under our wheels. Eventually we arrived at the far Northeast corner: cornfields and silent cranes, tired grey apartments, willow trees bowing their listless branches.

My Five-Thousand-Meter Years
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The American Scholar

By JIANAN QIAN

This piece is part of a special portfolio about youth and contemporary culture in China. Read more from the portfolio here.

 

Alex dislikes the security check in Shanghai’s subway stations, from both an ideological and personal perspective. Being American, he hates any intrusion on privacy. And today he’s carrying a black dildo in his backpack, wrapped in a wine tote bag with a Spanish brand name on the outside. Still, he worries the X-ray man might stop him for inspection.

He touches the student ID in his jeans pocket. Back in college, George—his Chinese teacher whose toupee once came loose—had told him that the Chinese respect Ph.D. students.

The man lets him pass.

“Xie xie,” Alex thanks him.

It’s not rush hour. He finds a seat and places his backpack on his lap. With his uncombable hair sprawling out in all directions, he looks like the photo of Einstein that appears in Chinese high school textbooks. Not that Alex would know about that. His destination is the west side of the city, a five-star hotel. A sex class will take place in one of the suites and he’ll be one of the models. It’s his first time participating in the sex industry, and the thought brings a smile to his face. However, the young woman sitting beside him seems uncomfortable or offended by his presence, and moves to another seat.

The American Scholar
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Nicks and Cuts

By HEMA PADHU

The first time I pick up a razor, I’m twelve, sitting on an upside-down bucket in a poorly lit bathroom. I touch that part of me tentatively and think about making myself bleed. All the other girls at school have had their first period. They huddle together, whispering. When I join them, an air of hushed discretion settles. My father’s razor has a knurled gunmetal handle. A glistening blade is screwed between two metal plates that open like a butterfly’s wing. I squeeze my eyes shut. It’ll hurt. There’ll be blood. Amma will give me a Carefree pad, and it’ll hang awkwardly between my legs. I will no longer be innocent.

Nicks and Cuts
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Missile Sequence

By MOHAMMAD IBRAHIM NAWAYA

Translated by KATHARINE HALLS

 

Piece appears below in English and the original Arabic.

 

Missile One

A straw basket hangs from the side of a vehicle parked at the corner of your street. You assume it’s displaying fresh parsley, or strawberries, and you approach the man you assume is the vendor. His eyes repel you like blazing heat as he trains his Kalashnikov on you; you falter, want to explain why you have come toward him, you look at the basket and are stunned to see that it contains RPG missiles, arrayed with delightful geometry, and now you need to apologise to him for your inquisitive staring otherwise he’s going to empty that rifle into your head. But it’s pointless attempting to do anything because you’re rooted to the spot, which is what always happens when you’re scared, so you take hold of your eyes with your hands and scrape out the pupils with your thumbs, then hand them to him with an I’m sorry, because it’s the pupils specifically that have got you tangled up with him. He looks at you and swiftly loads his launcher ready to fire it at you. You dodge right and left, crashing into the walls around you, you duck into buildings one after another, and then you find yourself in your own quiet home, your wife beside you laying the lunch, and there in the centre of the magnificent dish of rice is a home-cooked RPG grenade.

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Who Wants to Look Like the Frenchman?

By CATHERINE-ESTHER COWIE

 

Mummy dumps a bucket of water over my head. I heard only her footsteps, my back toward the open verandah door, my face toward the sea. My freshly pressed hair shrinks, coils. I can taste the oil sheen as the water rushes down my face. But I had done it, with Grandma’s help. Just for today, I looked like Mummy.  

Who Wants to Look Like the Frenchman?
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