Issue 30 Poetry

Every Other Weekend

Winner of the 2025 DISQUIET Prize for Poetry

 

By CARSON WOLFE

The morning after I had woken to him
holding his flashlight beneath my bedsheets,

I told him I felt too sick to go to school.
It’s always confused me, why I chose

to stay in his house another full day,
waiting for my mother to finish work.

Like any other, we played chess
just like he’d taught me, and he let me win.

Something broken and unnameable
hanging between us—perhaps it is me,

writing this poem, watching myself
shrink as a ten-year-old, watching him

sacrifice another pawn. From this angle,
it occurs to me, after all these years,

that he knew I was going to tell.
And now I am afraid for that little girl.

How much easier it all could have been
had I tripped at the top of the stairs.

It must have crossed his mind
as those silent hours came to a close.

He didn’t reach over the gear stick
to rub my thigh on the drive home,

only stared out at the barriers
as we crossed Barton Bridge.

I always believed him
to be pathetic, a coward of a man,

but we pulled up outside my mum’s house
and he opened the door, let me out.

 

[Purchase Issue 30 here.]

 

Carson Wolfe is a Mancunian poet and the grand prize winner of the 2025 DISQUIET International Literary Prize. Their work has appeared with Poetry Magazine, The Rumpus, and Rattle, amongst others. Their new book Coin Laundry at Midnight is forthcoming with Button Poetry in spring 2026.

Every Other Weekend
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Ars Poetica: Getaway Car

By JEN JABAILY-BLACKBURN

Telekinesis stories are the girliest stories because they don’t stop
at The Body. They say your borders are so made up. Girlhood is more
than ovaries tossing replica moons at the feet of The Moon.
Our home address is a syntax that serpentines like a mouse
attempting to cross, unperceived, the grandest of ballrooms.
That’s us, always leaping into the getaway car of daydream,
lit up lavender & tangerine. We are dancing with our mouths
like no one is listening because no one is listening but us.
It’s the wild freedom of silly gooseness, feathers to cushion being told
you’re useless, repeatedly, while still being used for everything. It’s waiting
in the waiting room’s washed-out light thinking I am
an exhausted mine. No matter how much care you pour into it,
The Body’s narrative is betrayal. This expirational thing.
Do you really want us to end there?

 

[Purchase Issue 30 here.]

 

Jen Jabaily-Blackburn is the author of Girl in a Bear Suit and works as the program and outreach coordinator for The Boutelle-Day Poetry Center at Smith College. Originally from Braintree, Massachusetts, she now lives in Easthampton, Massachusetts, with her family. For more, find her at www.jenjabailyblackburn.com.

Ars Poetica: Getaway Car
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