Courtesy of the CONTEMPORARY ART PLATFORM (CAP)
GHADAH ALKANDARI, UNTIL (2017),
ACRYLIC ON CANVAS (180 X 240 CM)
Courtesy of the CONTEMPORARY ART PLATFORM (CAP)
GHADAH ALKANDARI, UNTIL (2017),
ACRYLIC ON CANVAS (180 X 240 CM)
Whatever Walden is to me—we swam there two Julys—
I hope to skirt that never-ending trope,
Drowning like a pilgrim in that pond.
We pushed past mothers and their kids,
Cedared summers in Wellfleet cottages,
Past foreign languages that hummed across
The narrow circle of that one dirt path
Duluth, we said when a browser asked.
Omaha, we said to another.
Omaha? they said. What’s in Omaha?
It was a good question, but in truth
we weren’t moving, just using
the drama to draw shoppers.
—for my oldest
Rows of Yukon kings hung
in strips over alder frames.
A tin shack held the smoke
so it drifted around the fish,
which dripped a dark orange oil
onto blackened soil. The run
I drive through the yellow ribcage of maples
arching the road, past the butch woman I want
to be, raking leaves in her front yard, hair
slicked back at the sides. Yesterday, searching
the internet for winter tights, I found crotchless ones,
a model’s diffident fingertips barely obscuring
the hairless glow of her pussy, and remembered
the years I spent lying on a table in a quiet room,
piped sound of harps descending from the ceiling,
while some other woman carefully made my body
as smooth and unthreatening as a child’s.
I ask the river if he were Rizal what he would be.
A boat on a river or a river in a boat.
Would Rizal rather be in the belly of a whale
or have a whale in his belly. I ask Rizal
as if he were a river and he never blinks
or makes smacking sounds to register his disapproval.
To have a blind spot
there must be
a surrounding clarity.
Being a mother
brings me the world
I have already
blindly traveled.
2 Samuel 14:14
The soapy drench is physics drawn to river
toward me, 15 feet away in my flimsy
chair. At first its body fans to deliver
brims to concrete sinks I had not glimpsed,
then narrows to speed unveiling dips and bellies,
then courses on to a hole with a remnant pool
anchored by a cigar butt. A halt belies
its reaches. A lump has pushed the grey drool
around the promised lake in delta featherings
while another drive has passed beneath my seat
to rest in my colossal shadow, clearing
its slate of suds. The flow now ponds in the heat
and readies its ghost mirror to catch me, gray
in noon’s appraisals, the reaper of the day.
c. 1490 Leonardo da Vinci
Oh, Mary! It must have been a revelation
to breastfeed your boy the will of God.
All I had to offer was the usual. For years
after my son was weaned, I still had milk.
By MORRI CREECH
The flatteries of the surf conspire to make
a stammering innuendo in the reeds.
The sun, splintered by the spume’s refractions,
sinks toward the west where it will disappear
in a violet streak above the evening dunes,
like mind considering the defeat of mind.
A cormorant in the distance breaks the surface
to wrestle a mullet from the sullen depths
farther below which no light penetrates.