Poetry

Epithalamium

By EMILY LEITHAUSER

 
The morning after we decided not to get engaged
(I’d ridden the streetcar alone;
 
I felt purposeful and ashamed, my mouth stained with wine)
I sat down in the shower and wept
 
into the crook of one elbow, my arms folded over,
as the shampoo ran down my breasts
 
and spine. I was studying the contours of my knees, when it
took me suddenly,
Epithalamium
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March 2020 Poetry Feature: Frances Richey

Please welcome poet FRANCES RICHEY to our pages.

Contents:

—The Times Square Hotel

—After the Diagnosis

Frances Richey is the author of two poetry collections: The Warrior (Viking Penguin 2008), The Burning Point (White Pine Press 2004), and the chapbook, Voices of the Guard (Clackamas Community College 2010). She teaches an on-going poetry writing class at Himan Brown Senior Program at the 92nd Street Y in NYC, and she is the poetry editor for upstreet Literary Magazine. She was poetry editor for Bellevue Literary Review from 2004-2008. Her work has appeared in or is forthcoming from: The New York Times, The New York Times Magazine, O, The Oprah Magazine, Plume, Gulf Coast, Salmagundi, Salamander, Blackbird, River Styx, and Woman’s Day, and her poems have been featured on NPR, PBS NewsHour and Verse Daily. Most recently she was a finalist for The National Poetry Series for her manuscript, “On The Way Here.” She lives in New York City.

March 2020 Poetry Feature: Frances Richey
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February 2020 Poetry Feature: Victoria Kelly

Five New Poems by VICTORIA KELLY

Headshot of Victoria Kelly

Victoria Kelly graduated from Harvard University, Trinity College Dublin, and the Iowa Writers’ Workshop. She is the author of the poetry collection When the Men Go Off to War (Naval Institute Press), about her experience as a military spouse. Her poetry has appeared in Best American Poetry and has been made into an animated short film by Motion Poems. She is the author of the novel Mrs. Houdini (Atria Books / Simon & Schuster). She lives in northern Virginia, where she works in public relations, writes and is raising her two young daughters. 

Table of Contents

  • After the War
  • In the Next World
  • Cathedral
  • Before My First Husband’s War
  • Conversation on My Boyfriend
February 2020 Poetry Feature: Victoria Kelly
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Excerpt from BATTLE DRESS

By KAREN SKOLFIELD

Excerpted from Battle Dress: Poems by Karen Skolfield

The author of this excerpt, Karen Skolfield, will be a speaker at Amherst College’s LitFest 2020.

 

Enlist: Origin < German, to court, to woo

Perhaps with a desk between, 
some chaste space, the recruiter leaning 
forward, warm bodies on the other side. 

Of the teenagers present 
one will lie about her age, 
one will eat bananas to make weight, 

one pull herself from small-town quicksand.
Lace the hands behind the head, 
look good in a uniform, look nonchalant. 

Excerpt from BATTLE DRESS
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Roya Zarrin: Three Persian Poems in Translation

Poetry by ROYA ZARRIN

Translated from the Persian by KAVEH BASSIRI

Poems appear in both Persian and English.

 

Translator’s Note:

My interest in translating Persian poems began more than a decade ago, while spending six months in Tehran researching contemporary Iranian poetry. I met many poets and returned with hundreds of poetry books. The range of voices was amazing—their work ran the gamut from postmodern experimentations to traditional ghazals—yet very few of these poets were available or properly translated in English.

Roya Zarrin: Three Persian Poems in Translation
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January 2020 Poetry Feature

Poems by JOHN FREEMAN, MARCUS SCOTT WILLIAMS, MEGAN PINTO, and REILLY D. COX.

New work by our contributors:

John Freeman  |  Translation in Paris

marcus scott williams  |  meadow on Wabash

Megan Pinto  |  The Blind

Reilly Cox  |  Silence of the Lambs: A Matter of Height

 

TRANSLATION IN PARIS
By John Freeman

There are no editors in the café
called Les Éditeurs. There’s not
a single novelist in the Saint-
Germain store gilded by novels.
There are no beasts of the chase
paddocked in the park, but that’s what
the West Germanic word—parrukmeant.
It took the overrunning of London
by its immigrant population in 1680
to turn the word into the spot we’d
park humans, so they could stumble
around in bewilderment at how time
is translation, change is nature’s rime.

January 2020 Poetry Feature
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