Reviews

Review: Dragon Logic

March 3, 2014 Reviews

Book by STEPHANIE STRICKLAND
Reviewed by TERESE SVOBODA

Begin with the cover of Dragon Logic: double Garamond italic ampersands. Inverted they propose elegant dragons against a green hide background. “TWO dragons,” Stephanie Strickland writes in the eponymous poem, “keep a pearl/in the air untouched/if yes then no if no then yes.” Their “dragon logic” insists that the reader consider sets that consist of themselves, a common problem in questions of reflexivity where the self of the self-reference is a human self. This proposition enlarges the idea of the juggling proposed by John Keats’ concept of negative capability—“when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”

Review: Mañana Means Heaven

January 6, 2014 Reviews

Book by TIM Z. HERNANDEZ
Reviewed by GINA LUJAN BOUBION

Mañana Means Heaven

In October, 1947, Jack Kerouac met a pretty, young Mexican woman named Bea Franco on a bus going from Bakersfield to Los Angeles. She was fleeing an abusive husband; he was gathering notes for what would become On The Road, the defining book of the Beat Generation. For fifteen days, they stuck together, from the streets of East Los Angeles to the cotton and grape fields of California’s Central Valley. In his story, Kerouac devoted twenty-one pages to the affair.

Years later, still unable to find a publisher, Kerouac pitched his chapter about his adventures with Bea as a short story entitled “The Mexican Girl.” It appeared in the Winter, 1955 issue of The Paris Review. Soon after, On the Road was published, and Kerouac achieved overnight fame.

Review: The Fiddler of Driskill Hill

December 16, 2013 Reviews

Book by DAVID MIDDLETON
Reviewed by JAMES DICKSON

Southern writer can be a term of endearment or an epithet. The late Mississippi-born novelist and short-story writer, Barry Hannah, bristled at the label. “Professional Southerners sicken me,” he said. Yet to my ear, Hannah’s work sounds entirely Southern.

Being from Mississippi and sounding it (I’m sure), I can’t help but feel that idiom has more to do with the Southern-ness of literature than geography. So I found myself at a loss when I began reading David Middleton’s The Fiddler of Driskill Hill. The content of Middleton’s poems is undeniably Southern: Louisianan, precisely.

Review: Gods Without Men

December 2, 2013 Reviews

Book by HARI KUNZRU
Reviewed by A.J. SOOD

Gods Without Men

At the heart of Hari Kunzru’s fourth novel, Gods Without Men, is the disappearance of a child, Raj Matharu, four years old, the autistic son of wealthy New Yorkers Jaz, a Sikh, and his Jewish wife, Lisa. Raj was last seen in the shadow of the Pinnacles, “three columns of rock” in the Mojave desert in the American southwest.

If Gods Without Men is a whodunit, it is one in which the culprit may well be a place. The (fictional) Pinnacles have drawn three centuries of seekers—Spanish friars, believers in aliens, washed-up British rock stars, hippies—all of whom believe they offer a connection to some vast presence. Over the course of this complex novel, these disparate narratives cast light on the mystery of what happened to Raj, how, and why.

Review: Kicking the Sky

November 18, 2013 Reviews

Book by ANTHONY DE SA
Reviewed by ESMERALDA CABRAL

Kicking the Sky

Being Portuguese and Canadian, I’m always looking for literature about the Portuguese immigrant experience in North America. So I eagerly anticipated the acclaimed Canadian writer Anthony de Sa’s new novel, Kicking the Sky, which weaves the fictional lives of several families in the Portuguese immigrant community in Toronto with a particularly gruesome true crime story.

De Sa has emerged as one of the important literary voices of the Portuguese Diaspora. His first book, Barnacle Love, a series of related stories about Portuguese immigrant history, was short-listed for Canada’s prestigious Scotiabank Giller Prize in 2008.

Review: Lotería

November 4, 2013 Reviews

Book by MARIO ALBERTO ZAMBRANO
Reviewed by GINA LUJAN BOUBION

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Lotería is a Mexican card game that is played like bingo but with images instead of numbers. It is also the title of Mario Alberto Zambrano’s first novel about a traumatized child and her family, whose lives on this side of the border go disastrously wrong.

Zambrano uses lotería cards as a device to tell his story. Narrated by 11-year-old Luz Maria Castillo, the story is divided into 54 short vignettes, each beginning with a full-color picture of a lotería card. It is a gorgeous and expensive-looking book. (Applause for artist Jarrod Taylor here.)

A brief primer: The cards are printed with simple images: The Rose, The Drunk, The Mermaid, The Sun, etc. Each image has a corresponding dicho, or saying, but the dealer often improvises these sayings with inside jokes. Once the dealer calls out the saying or joke associated with the card, the players look for the image on their own tabla, or board. The first player to mark off a line of images wins. Lotería is good family fun. But in Zambrano’s Lotería, the Castillo family holds the worst hand ever. Poverty, border economics, and dysfunction tear them apart and rob them of hope.

Review: Happiness, Like Water

October 21, 2013 Reviews

Book by CHINELO OKPARANTA
Reviewed by NICOLE TRESKA

Happiness, Like Water is both an apt and a paradoxical title for Chinelo Okparanta’s debut collection. In these ten stories which deal primarily in the domestic, happiness is indeed essential and elusive, but it is neither clear nor cleansing. Many of the characters can only be happy at someone else’s expense: mothers who pressure their daughters to marry rich men or barren women who prey on pregnant ones, for example.

Okparanta dedicates the book to home. Home is the center of these stories, and whether in Nigeria or the U.S., it has the power to haunt. The protagonists are Nigerian women who find themselves on the edge of some great rift. Okparanta explores their descents, surrenders, and occasional elation using quiet language and unadorned structures. Her interior focus makes the high drama of midnight robberies, murderous “old maids,” and a virgin turned escort feel commonplace in comparison with the unyielding pressure, internal and external, facing these characters.

Review: The Virgins

September 23, 2013 Reviews

Book by PAMELA ERENS
Reviewed by DEBORAH MICHEL

The prep-school novel has never grabbed me. Maybe it’s because I’m a Californian who didn’t go to an exclusive New England boarding school or send my children to one. Maybe it’s because these novels (yes, you, A Separate Peace, The Prime of Miss Jean Brodie, Prep, A Starboard Sea, and all the Harry Potter books, not to mention The Dead Poet’s Society, even though it’s a movie)—seem precious and predictable portraits of a cossetted (albeit often deadly) social niche.

The Virgins, however, is different. This elegant new novel by Pamela Erens (who attended Phillips Exeter) defies niche or genre. It is indeed set in an East Coast boarding school, and this setting plays a large role, but Erens does so many more interesting things than the usual exploration of class and teen angst, not least the creation of an utterly original female protagonist, the spiky, seductive, cringe-producing Aviva Rossner, whose aggressively Jewish name alone invokes a knowing frisson as soon as it appears. In the very next sentence, the narrator, another student, announces his name: Bruce Bennett-Jones. Erens has already subverted our expectations.We just don’t know it yet.

Review: River Inside the River

July 29, 2013 Reviews

Book by GREGORY ORR
Reviewed by PATRICK MEIGHAN

Gregory Orr is a meditative poet. In his new book, River Inside the River, Orr again turns his inner eye to the power of words to reveal the essence of a thing, a movement, an emotion. He writes:

River inside the river.
World within the world.

All we have is words

To reveal the rose
That the rose obscures.

River Inside the River is a sequel to and extension of his 2005 collection Concerning the Book That is the Body of the Beloved. This is especially true in the third section, which bears the book’s title.

Review: The Son

July 1, 2013 Reviews

Book by PHILIPP MEYER
Reviewed by MELINDA MISENER