Modern Gods

By JOHN FREEMAN

 

Backlit by the glow
from a small passageway,
he kneels into the fog
of yellow light,
head kissing the carpet.
I step around him,
respecting his privacy, when 
the mat becomes not prayer 
rug but builder’s tool,
a black piece of tarmac, laid down
before the bank so he could
peer close, fix the dead 
motion sensor so that people 
with money could 
be seen, all doors opening
for them.

 

John Freeman is editor of the literary annual Freeman’s. His latest books are Dictionary of the Undoing; Tales of Two Planets, an anthology of writing on inequality and the climate crisis; and The Park, a collection of poems. The executive editor of Literary Hub, he lives in New York. His works has been translated into twenty-four languages.

[Purchase Issue 19 here.]

Modern Gods

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.