Wolf

By NATHANIEL VAN YPEREN

Columbus, Minnesota

 

I found myself holding the rear hooves of an upside-down, dead deer while a large, gray wolf paced a few feet away. It was a clear and cold afternoon, ten degrees above zero under a bright Minnesotan sun. We watched the wolf and the wolf watched us. Peggy turned and walked back to a truck piled high with roadkill. A dead calf, donated by a local farmer, peered out from among the tangle of wild limbs. A live rat terrier perched on top of the pile like a conquering queen. She licked at frozen blood.

I was with this wolf, and this woman, and this dog, because I was fixated on the wolf as a cultural symbol of villainy, of evil. I was writing a paper for an academic conference. Peggy reached her arm in among the bodies. “You know,” she called over her shoulder, “after all these years, we still prefer Chicago Cutlery®.” Her arm reappeared with a green-handled chef’s knife.

Wolf
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Friday Reads: December 2017

Curated by SARAH WHELAN

This month, our Issue 14 contributors are reading works that examine the seams of time, from the construction of a fleeting impression, to the scaffolding of a historical drama. Whether it be a poem read from a pulpit or a paperback fished serendipitously from a pile of freebies, these recommendations celebrate literature’s ability to break through temporal boundaries.

Friday Reads: December 2017
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These Words

By SCOTT RAGLAND

Vanilla pods
Buds that flower on the vanilla vines in the morning must be pollinated before dusk by human hands, or they will wilt and die and drop to the rain-mudded ground of this slash in a hillside overlooking the sea. Tobisoa, his small fingers perfect for the task, uses a toothpick to lift the rostellum, then presses the exposed anther against the stigma.

These Words
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Siliguri: My Found Town

By SUMANA ROY

People and buildings of the town of Siliguri, India

It is only appropriate that I have no memory of my first journey to Siliguri—I have no memory of my journey to this world either. I make this equivalence without sentimentality—I have lived here, in this small sub-Himalayan Indian town, for most of my life. And even when I haven’t, I’ve been aware of its grainy centripetal force. I was three—I trust my parents, particularly my statistician father, on this. My brother was one—which means he didn’t actually exist, except in the laps of our parents. Three days after arriving from Balurghat, I left home.

Siliguri: My Found Town
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November 2017 Poetry Feature

Repair Manuals: A Brief Interview with Sebastian Matthews

VIEVEE FRANCIS interviews SEBASTIAN MATTHEWS

From April 2017 to July 2017, poet, writer, collagist, and teacher Sebastian Matthews and I carried on a long-running conversation, which you will find excerpted below. It is high time to hear from this provocative and engaging poet who, after surviving a head-on collision with his wife and son in the car with him, went into relative literary and social seclusion for several years. While the newest book discloses the private life of trauma and the body, forthcoming projects concern Matthews’ public takes on race, culture, and identity. Always stretching to disclose what others would keep hidden is part of what makes his widening body of work both engaging and authentic.

November 2017 Poetry Feature
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Wisdom

By HUGO DOS SANTOS

Hunterdon County, NJ

Rows of green crops under a blue sky

The rows of crops are avenues. The days succeeding like a shuffled deck in the deliberate hands of a dealer. The man speaks: Kid, you got a girl? The kid answers: Of course. Their wrists are strong. Their fingers are agile, sure under the bruising sun that browns and leathers their skin.

Wisdom
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