Friday Reads: July 2016

By SARAH WHELAN, FLAVIA MARTINEZ, JACKSON TRICEOLIVIA WOLFGANG-SMITH

 

This July, join our summer staff in going deep with your beach reading. We’re taking on ambitious projects: books that span lifetimes, begin series, and jump between planes of existence. Here are novels for your existential angst, elegies for your crises of purpose, works to help you through your election-related anxiety—what better time than summer to disappear into a world that could take over your mental world for perhaps thousands of pages, letting you take on life’s most daunting questions?

 

Recommended:

A Handful of Dust by Evelyn Waugh, My Struggle: Book I by Karl Ove Knausgaard, The Duino Elegies by Rainer Maria Rilke, My Brilliant Friend by Elena Ferrante

Friday Reads: July 2016
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National Endowment for the Arts Awards $10,000 to The Common

Art Works logo arts.gov

Amherst, MA. Dec. 8, 2015—For the second year in a row, The Common literary magazine has been awarded an Art Works Grant of $10,000 from the National Endowment for the Arts. Based at Amherst College, The Common is one of 80 organizations across the country to receive an NEA Literature grant in 2015. The NEA funds will be matched by $20,000 from Amherst College and support:

  • A special issue of contemporary Arabic fiction, Tajdeed (Renewal), to be published in April 2016
  • The Common in the Classroom, an educational outreach program providing resources for educators to bring the magazine’s diverse, place-based literature into classrooms across the country
National Endowment for the Arts Awards $10,000 to The Common
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Review: Memories: From Moscow to the Black Sea

Book by TEFFI (Translated from Russian by ROBERT and ELIZABETH CHANDLER, ANNE MARIE JACKSON, and IRINA STEINBERG)
Reviewed by OLGA ZILBERBOURG

Memories: From Moscow to the Black SeaTeffi, nom de plume of Nadezhda Lokhvitskaya, was born in 1872 into a prominent Russian family. Following in the footsteps of her older sister Maria—poet Mirra Lokhvitskaya—Teffi published poetry and prose from the age of 29. She soon rose to fame by practicing a unique brand of self-deprecating humor and topical social satire. In her 1907 hit one-act play The Woman Question, subtitled A Fantasy, Teffi imagined a world in which a women’s revolution against men achieves a full role reversal. Women come to occupy the prominent political, military, academic, professional, and bureaucratic roles, while men are subjugated to the childcare and household management tasks. Though the play’s ending largely dismisses this scenario and trivializes the feminist cause, through humor, the piece makes the point that bad behavior—infidelity, sexual harassment, excessive drinking, pettiness—is a function of social status rather than of biological sex.

Review: Memories: From Moscow to the Black Sea
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Hops

By STEPHEN LYONS

When we were young, white, and poor, we were handed dull machetes. At first light, in the back of half-ton grain trucks, we rode past the peppermint fields and the pear orchards of southern Oregon. We were strangers thrown together like dice in a cup. Some of us smoked quietly or blew the steam off the tops of take-out coffee containers. Others sipped whiskey from dented flasks or spit tobacco into plastic bottles. In ratty plaid shirts, torn dungarees, and worn out boots we looked the part of migrant workers. We would work twelve hours with half-hour lunch breaks that felt like no break at all. At the end of our shift we were older, more broken, and still in debt.

Hops
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Review: Garden for the Blind

Book by KELLY FORDON
Reviewed by TYLER BALDWIN

Garden for the Blind

Garden for the Blind is a more idiosyncratic book than one might realize after a cursory read, a provocative and unconventional meditation on privilege, fate, and the city of Detroit. Kelly Fordon’s debut in full-length fiction is a collection of closely interlinked short stories that follow a small cast of characters from childhood to middle age. One of the satisfactions of reading linked-story collections is the sensation, a bit like time travel, of being guided through someone’s life by someone (think Ebenezer Scrooge and the Christmas ghosts) who knows all the most important moments to show you. Fordon seems to imply this in one of the stories near the end of the collection, “In the Museum of Your Life,” in which a gallery visit inspires the protagonist, Alice, to act as a guide to her own past. Paintings and objects become portals to memory, leaving her with nostalgia, guilt, regret, and unanswerable questions of fate and free will. 

Review: Garden for the Blind
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June 2016 Poetry Feature

Please join us in welcoming Erica Dawson and William Brewer, poets new to our pages. Both have work forthcoming in our print journal.

June 2016 Poetry Feature
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