One morning we hike a few miles to a nomad’s camp on an isolated island off Turkey’s southern coast. The hike is uphill, hot, and arduous. We pass the ruins of a Roman cistern and a dry-land tortoise headed downhill. After an hour the path levels out into a broad valley and we arrive. Only the woman is home. Her name is Hanife.
Dear Brian:
I hope you don’t mind my addressing you this way. You addressed me as P., after all—no last name. Although we’ve never met, you offered condolences for my loss.
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Discussion Questions:
What is your first encounter with this magazine, as an object?
What do you think about the physical and aesthetic features of the magazine: the weight, the paper stock, the cover, the cover art, the font? What, if anything, would you change?
How do you read it? In order? Piecemeal? How do you think this affects your reaction to the magazine?
How do pieces (poems, essays, stories, images) relate to each other? What is the effect of their placements on you as a reader?
Asking students to create homages to several of the works in The Common Issues 01 and 07 promotes a further exploration of the city in which they live. In fact, it requires it of them.
In Issue 01 of The Common, Ted Conover delivers an immersion essay in which he delves into the past and present of a nearly forgotten road near his home in New England. The first prompt of the semester, therefore, compels the students to write their own Conover-esque immersion essay by walking/exploring a street, building, or landmark in their city or town, seeking out written resources on this place, and gathering up the courage to probe living memory. The second prompt, handed out several months later, encourages them to become creative with what they have so far discovered in their town or city by selecting the works that most interested them inThe Common and emulating these.
Assignment:
Using these essays from The Common as inspiration, bring your completely current voice to an exploration of history; write a concise personal essay exploring your personal history or the history of a place.
“Coastlines” by Teow Lim Goh (may also be presented in conjunction with other California authors: Fante, Didion, Jeffers, Hong Kingston, Mori, Himes, etc.)
“The Teak House” by Lamtharn Hantrakul
“The Town with the Golden Future” by Will Preston (Issue 14)
Assignment:
Choose an essay from The Common and prepare and deliver an oral report in class on the piece, focusing on an aspect of craft: research, voice, style, place, point of view, and the development of the “I” character, as well as characterization of other characters in the piece.
Adapted from Rebecca Chace, Director of Creative Writing, Fairleigh Dickinson University
Assignment: Report on 2 Issues of The Common; select and discuss various, particular elements of the literary journal. 6 pages (1,800 words) minimum.
You will select and discuss 6 items, one from each of the categories below. You must write about at least one item from each issue. Choose from among:
—The Common Statement
— Fiction
— Essays
— Art
—Poetry
—Elsewhere (Bombay/Mumbai, New Poems from China, etc.)
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Group Assignment & Student-led Exercise: Divide students into small groups (trios work well) and give them a week to:
Your name: Courtney Sina Meredith
Current city or town: Auckland, New Zealand
How long have you lived here: All my life
Three words to describe the climate: Changeable, independent, shifting
Best time of year to visit? January to March
Long Island City, Queens, New York, US
Even if the day was sunny, the air would seem to darken the longer we drove and the farther we bore into the industrial zone. The red brick factories built early in the 20th century were still holding on then, producing staples, electrical circuits, distributor caps and who knows what else. Yet I recall no workers on the streets. There were no stores, no streets, no sidewalks, just ruts. It’s as if the factories were run by ghosts and the only evidence of life was an occasional wisp of smoke rising into gray haze.
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