I always hide behind my hair, even when I don’t have hair. I disappeared
inside my shaved head, identity de facto of college, coming out. Camouflaged
in plain sight, a faux reveal, ersatz openness of skin & neck.
By WILL SCHUTT
I
After a shower I fill the tub with water, stick fresh candles into candlesticks and brace each heavy planter in the yard. From the rain guard gutter I rake leaves. Watching the sun press through shuttling clouds, I see there’s no such thing as reprieve without broad damage. Electricity comes and goes, yellow leaves circulate in clusters, treetops contort. The dissonance is too like the news, external hysteria masking an inward calm that moves it, a wave of pictures uploaded to iPhones, the opposite of poetry, which prepares the long confusion for its shape.
and I can’t sleep so I’m up thinking
too hard scribbling these words in the dark
because the physics science news I read
before bed is making me crazy now
with incomprehension—it makes
no sense to me that gravity should exist,
what I know about is love:
Guess I should forget to buy
the lottery ticket every time
I buy my generic cigs
at the Get ’N Go. There’s no chance
my get-rich dream will happen.
Like to think that way though.
By PAOLA PERONI
Last year, Antonio Greco committed suicide after attempting to kill his wife with a hammer. The doctors refused to speculate on the prognosis of his wife, hospitalized in critical condition. When we heard the news, I said I was only surprised Antonio had waited so long to try to kill Maria.
The closer they get to Wickersfield, the slower she wants to go. She’ll stay in the car and never get out, they can just keep driving, taking detour after detour until they are lost completely. With the roads torn up like this, Allison will not be to blame. We tried, she’ll say from a B&B somewhere in Canada, but it was just impossible to get there. Arrival means smiling, means forgetting all she has seen, and she isn’t yet ready to do that. She watches the once lovely scenery unscroll outside the passenger-side window: trees that look like they’ve been dipped in milk chocolate, cornfields trampled by dinosaurs. Sometimes half the road itself is missing, snapped off like a cracker and tossed aside, lying in the mud with the guardrail. The road narrows down to one lane marked off by orange cones and Jersey barriers, and cars have to negotiate with each other, managing a degree of civility Allison didn’t think possible without uniformed intervention. They pass through woods and meadows, farmhouses off in the distance, now miles from the interstate that brought them here. The flood has drained from the roads and fields and forests, no body of water glowers off in the distance, but clearly a big river has ripped its way through here, sweeping up boulders and gravel alike, tossing them behind like loose change. What must the cows have thought, when the water rose, when everything they knew was washed away?
We were on the small roads that sometimes turn gravel, sometimes dead end, when we found it. This was Vermont, about ten years ago, our first road trip together: a circuit of swimming holes, picnics, and stops for general store ice cream. We passed a series of “Take Back Vermont” signs. Somewhere along the way we came upon the man, who by all appearances seemed to be a Hare Krishna devotee, having a yard sale. It was here in the sunny warm greenness that we found THE PEOPLE’S CYCLOPEDIA OF UNIVERSAL KNOWLEDGE, WITH NUMEROUS APPENDIXES INVALUABLE FOR REFERENCE IN ALL DEPARTMENTS OF INDUSTRIAL LIFE. BROUGHT DOWN TO THE YEAR 1885.
Join The Common for a unique postcard auction, cocktails/canapes, and music inspired by a night in India.
Featuring Suketu Mehta in conversation with Parul Sehgal.
I’d met Jimmy Reynolds when we were in fifth grade and his parents were the new owners of one of the two grocery stores in Maysville, my hometown of 900 or so, on the banks of the Little Wabash River in southern Illinois. I even went to his house once after school. His dad supervised while we shot off Jimmy’s model rockets, then later his mom cooked hamburgers and homemade fries for us and his younger brothers Jason and Jonah. The Reynolds kids spent that summer with their grandparents back up in Michigan but then with just a few weeks to go before the 1978-79 school year started Jimmy called and asked if I could come over again.
One might ask: “What is this ‘new’ writing in the Arab World?”
Is it a “new generation” of writers? Is it an unprecedented form of writing? The new writing that this essay wants to explore has nothing to do with the age of the writer, nor does it claim that “new writing” suddenly dropped—rootless and without precursors—into the vast space of literature. Rather, “new” writing is an evolution in the techniques of the literary form; in the themes and subjects that correspond with societal change in “real-time”; and in the relationship between the writer, the “cultural authority,” and the official cultural sphere designated by governments and institutions. “New” Arabic writing is also the result of a struggle between the writer and his exploding surroundings.
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Celebrating 15 Years