
Join us at The Monkey Bar in Amherst on Wednesday, October 22, 6:30–8:30pm for an evening of drinks, games, prizes, and scary stories. Featuring Ralph Sneeden, Amity Gaige, and Katherine Jamieson.
Join us at The Monkey Bar in Amherst on Wednesday, October 22, 6:30–8:30pm for an evening of drinks, games, prizes, and scary stories. Featuring Ralph Sneeden, Amity Gaige, and Katherine Jamieson.
With JASON HARDUNG
Your name: Jason Hardung
Current city or town: Fort Collins, Colorado
How long have you lived here? I moved here from Cheyenne, Wyoming in 2003. Although, some family members have lived here my whole life, so I wasn’t brand new to Ft. Collins. I have been coming here to visit my whole life.
By ALAN BARSTOW
With a respectful snap she beckons. She points to capital letter-less prose. Purple ink. I’s dotted with hearts or stars.
“Sir, what does it mean ‘What is your tribal name?’”
In Henry David Thoreau’s essay “Walking” he writes, “Give me a wildness whose glance no civilization can endure.” It is this longing for wildness that drove Thoreau to live and continue to return to Walden pond; to seek out nature whether along rivers, or the seashore, in the Maine woods, or his home town.
But at times Nature complicates Thoreau’s idealism by presenting raw, untamed forces—true wilderness, rather than just wildness—that stand in stark contrast to the pastoral that he often evokes in his writing.
The continent, it turned out, was not ready for people. The settlers chopped down every tree and killed every animal, then started in on each other. They hoarded finite resources—furs, lumber, ore—until there weren’t any left to use. Counterfeiters discovered a way to alchemize gold, bringing about hyperinflation and economic collapse. The strong terrorized the weak, not just once but repeatedly, hounding them through one life after another. Normal people became outright thugs, enacting fantasies of domination. Dominated people had a tendency to become informal police, enacting fantasies of justice. Every so often a server crash would plunge everyone weeks into the past, to the most recent backup.
I like pressing my cheek up against the cool embrace of the teak floor, letting the chill lap against my face, chest, arms, and legs. I especially like the feeling of a freshly mopped teak floor. The wood becomes softer, more soothing like a cool straw mattress in the hot summer. When I walk barefoot, the gentle tickle below my feet beckons me to lie down. I like the rush of wooden veins flowing underneath my thighs and arms, brushing them into slumber.I’ve tried resisting the temptation on many occasions, but I always succumb to the elbow-rubbing intimacy that ensues. Remain too far away and there is nothing to smell. Rub too close and all the pleasure is gone. But get close enough to brush your tingling nose against the grainy grooves on the surface and you become lost in the aroma. I steal another whiff; the smell is subtler than rosewood, more subdued than pine, but sweeter than cedar.
The BBF is New England’s largest annual literary event, boasting a bustling street fair, workshops for aspiring authors, an outdoor music stage, and more! For more information on this year’s event, see www.bostonbookfest.org
Our grey Swiss building has ceiling moldings in the shape of flowers. These were white once. Before we immigrants took over most of its floors. The only natives who remain are very old. They have no children or pensions large enough to help them flee our foreign invasion. Like Madame Belet, who lives one floor down from us and gives me old, melted chocolates when I run errands for her.
Book by SMITH HENDERSON
Reviewed by
Number two on Kurt Vonnegut’s famous eight-item to-do list for fiction writers is: “Give the reader at least one character he or she can root for.” But not too much, one might add. Smith Henderson strikes the balance between likeable and unlikeable admirably in the protagonist of his debut novel Fourth of July Creek. Set in rural Montana, the novel follows Pete Snow, a social worker who rescues children from abusive and dysfunctional families. We like Pete. He gets kids out of dangerous houses with drug-dealing parents, as seen in the novel’s opening scene in which Pete responds to a domestic dispute between one of his clients, teenage Cecil, and his speed-addicted mother—Cecil’s on the roof of the house, Mom’s shooting at him with a pellet gun.Pete knows that this is noble work without being self-righteous about it. He’s funny. When the officer tells Pete that Cecil knocked himself out running into the tailgate of a pickup truck, Pete’s sole response is, “I imagine that was satisfying.” But as the novel progress, we begin to dislike him, too. He slugs Cecil in the stomach. He admits to alcoholism but does nothing about it. We’re not talking about quiet tippling here. He drinks himself into violence, punching out his own car windows on one occasion, then blacks out. He can be a bit of a misogynist.
We were staying on the Upper West Side, 15th floor, view of the Hudson. Two hawks nested on the fire escape outside our bedroom window, their baby hawk’s head popping out of its shell. The male was wary. Very. One day, X ray vision on, he stormed the window from afar, a bolt from the blue looming larger, nearer, yeeks! Shot skywards just shy of crashing into the window.