The Hill

By EVA ROA WHITE

You are that boy. The boy I met in Switzerland while herding my siblings up the long, steep hill to the closest school cafeteria for our free lunch.

It took me exactly two hours. Two hours for most Swiss children to go home to a hot lunch and a motherly kiss. Two hours for non-Swiss me to make my way across town, pick up my brother and sisters at their school and coax them all up that hill, to get them fed, then back down to drop them off and then catch a city bus to my own school, and my breath, if I have money that day.


You are that Swiss boy, the sandy-haired, blue-eyed boy herding his own brother, who asked me one day: “You’re going to the Bellevaux cafeteria?” Though of course you asked it in French. You were walking up that same hill, on my left and slightly behind me, so that I had to turn my head to look at you from under my bangs, which needed to be cut.

You too had bangs, and moved them expertly with a flick of your head, closing your eyes slightly while posing your question; your unconscious gesture temporarily sweeping away the low-level, but permanent, shame of walking up that hill. Because the question was really: “Are you poor like me?”

“No!” I yelled with my eyes, while my mouth sighed a small “oui.” Before I turned my head away and willed you and that hill out of my life.

And now I am married to you. You are that boy. Though you are not that boy in that you do not speak French, do not live in Switzerland, do not need free school  lunches. You are that boy because you too walked up that hill, or another hill, but a steep, long hill nonetheless. And because we are both still trying to get off that hill. Though this time, I wait for you, and I look and smile at you, and my then reluctant “oui” is now a full “yes.”
Eva Roa White’s fiction and non-fiction have been published in Page 47 Online Anthology, Transnational Literature, disClosure, Natural Bridge, and Marco Polo.

Photo by Flickr Creative Commons user Lorne Covant

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Hill

Related Posts

Two Poems by Dalia Taha, translated by Sara Elkamel

DALIA TAHA
All we own are our lips / and the pupils of our eyes—the car / will plow into all of this. / And still, life is far too complex / for words like victory or defeat. // Life is Salma on the balcony / moving plants to bigger pots, in her eyes / the settlement’s lights. 

Monrovia, Liberia at night

Electricity Comes in the Morning

MARVIN GARBEH DAVIS SR.
A sudden hum, a soft pulse through the walls, and the bulbs bloom again: white, merciful, blinding, as if mercy itself has switched on the lights. You can hear the city rejoice. Someone shouts, “Current don come!” Radios click on. Pots clatter. Even the roosters seem to crow out of turn. The sound of the generator fades, its duties relieved.

The Constancy of Ocean Sounds

JOHN T. HOWARD
Another morning in New Harbor arrives, this time with sun in place of cloud and fog. The waves, still audible, seem almost louder than yesterday. The dunting off in the near distance swallowed up by the constancy of ocean sounds. Tumult, clamor, crash.